LITMIR.BIZ

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he said.

      Maxime de Trailles himself gave Eugene an uneasy glance, and suddenly dropped his insolent manner. The mighty name had all the power of a fairy’s wand; those closed compartments in the southern brain flew open again; Rastignac’s carefully drilled faculties returned. It was as if a sudden light had pierced the obscurity of this upper world of Paris, and he began to see, though everything was indistinct as yet. Mme. Vauquer’s lodging-house and Father Goriot were very far remote from his thoughts.

      “I thought that the Marcillacs were extinct,” the Comte de Restaud said, addressing Eugene.

      “Yes, they are extinct,” answered the law student. “My great-uncle, the Chevalier de Rastignac, married the heiress of the Marcillac family. They had only one daughter, who married the Marechal de Clarimbault, Mme. de Beauseant’s grandfather on the mother’s side. We are the younger branch of the family, and the younger branch is all the poorer because my great-uncle, the Vice-Admiral, lost all that he had in the King’s service. The Government during the Revolution refused to admit our claims when the Compagnie des Indes was liquidated.”

      “Was not your great-uncle in command of the Vengeur before 1789?”

      “Yes.”

      “Then he would be acquainted with my grandfather, who commanded the Warwick.”

      Maxime looked at Mme. de Restaud and shrugged his shoulders, as who should say, “If he is going to discuss nautical matters with that fellow, it is all over with us.” Anastasie understood the glance that M. de Trailles gave her. With a woman’s admirable tact, she began to smile and said:

      “Come with me, Maxime; I have something to say to you. We will leave you two gentlemen to sail in company on board the Warwick and the Vengeur.”

      She rose to her feet and signed to Maxime to follow her, mirth and mischief in her whole attitude, and the two went in the direction of the boudoir. The morganatic couple (to use a convenient German expression which has no exact equivalent) had reached the door, when the Count interrupted himself in his talk with Eugene.

      “Anastasie!” he cried pettishly, “just stay a moment, dear; you know very well that——”

      “I am coming back in a minute,” she interrupted; “I have a commission for Maxime to execute, and I want to tell him about it.”

      She came back almost immediately. She had noticed the inflection in her husband’s voice, and knew that it would not be safe to retire to the boudoir; like all women who are compelled to study their husbands’ characters in order to have their own way, and whose business it is to know exactly how far they can go without endangering a good understanding, she was very careful to avoid petty collisions in domestic life. It was Eugene who had brought about this untoward incident; so the Countess looked at Maxime and indicated the law student with an air of exasperation. M. de Trailles addressed the Count, the Countess, and Eugene with the pointed remark, “You are busy, I do not want to interrupt you; good-day,” and he went.

      “Just wait a moment, Maxime!” the Count called after him.

      “Come and dine with us,” said the Countess, leaving Eugene and her husband together once more. She followed Maxime into the little drawing-room, where they sat together sufficiently long to feel sure that Rastignac had taken his leave.

      The law student heard their laughter, and their voices, and the pauses in their talk; he grew malicious, exerted his conversational powers for M. de Restaud, flattered him, and drew him into discussions, to the end that he might see the Countess again and discover the nature of her relations with Father Goriot. This Countess with a husband and a lover, for Maxime clearly was her lover, was a mystery. What was the secret tie that bound her to the old tradesman? This mystery he meant to penetrate, hoping by its means to gain a sovereign ascendency over this fair typical Parisian.

      “Anastasie!” the Count called again to his wife.

      “Poor Maxime!” she said, addressing the young man. “Come, we must resign ourselves. This evening——”

      “I hope, Nasie,” he said in her ear, “that you will give orders not to admit that youngster, whose eyes light up like live coals when he looks at you. He will make you a declaration, and compromise you, and then you will compel me to kill him.”

      “Are you mad, Maxime?” she said. “A young lad of a student is, on the contrary, a capital lightning-conductor; is not that so? Of course, I mean to make Restaud furiously jealous of him.”

      Maxime burst out laughing, and went out, followed by the Countess, who stood at the window to watch him into his carriage; he shook his whip, and made his horse prance. She only returned when the great gate had been closed after him.

      “What do you think, dear?” cried the Count, her husband, “this gentleman’s family estate is not far from Verteuil, on the Charente; his great-uncle and my grandfather were acquainted.”

      “Delighted to find that we have acquaintances in common,” said the Countess, with a preoccupied manner.

      “More than you think,” said Eugene, in a low voice.

      “What do you mean?” she asked quickly.

      “Why, only just now,” said the student, “I saw a gentleman go out at the gate, Father Goriot, my next door neighbor in the house where I am lodging.”

      At the sound of this name, and the prefix that embellished it, the Count, who was stirring the fire, let the tongs fall as though they had burned his fingers, and rose to his feet.

      “Sir,” he cried, “you might have called him ‘Monsieur Goriot’!”

      The Countess turned pale at first at the sight of her husband’s vexation, then she reddened; clearly she was embarrassed, her answer was made in a tone that she tried to make natural, and with an air of assumed carelessness:

      “You could not know any one who is dearer to us both...”

      She broke off, glanced at the piano as if some fancy had crossed her mind, and asked, “Are you fond of music, M. de Rastignac?”

      “Exceedingly,” answered Eugene, flushing, and disconcerted by a dim suspicion that he had somehow been guilty of a clumsy piece of folly.

      “Do you sing?” she cried, going to the piano, and, sitting down before it, she swept her fingers over the keyboard from end to end. R-r-r-rah!

      “No, madame.”

      The Comte de Restaud walked to and fro.

      “That is a pity; you are without one great means of success.—Ca-ro, ca-a-ro, ca-a-a-ro, non du-bi-ta-re,” sang the Countess.

      Eugene had a second time waved a magic wand when he uttered Goriot’s name, but the effect seemed to be entirely opposite to that produced by the formula “related to Mme. de Beauseant.” His position was not unlike that of some visitor permitted as a favor to inspect a private collection of curiosities, when by inadvertence he comes into collision with a glass case full of sculptured figures, and three or four heads, imperfectly secured, fall at the shock. He wished the earth would open and swallow him. Mme. de Restaud’s expression was reserved and chilly, her eyes had grown indifferent, and sedulously avoided meeting those of the unlucky student of law.

      “Madame,” he said, “you wish to talk with M. de Restaud; permit me to wish you good-day——”

      The Countess interrupted him by a gesture, saying hastily, “Whenever you come to see us, both M. de Restaud and I shall be delighted to see you.”

      Eugene made a profound bow and took his leave, followed by M. de Restaud, who insisted, in spite of his remonstrances, on accompanying him into the hall.

      “Neither your mistress nor I are at home to that gentleman when he calls,” the Count said to Maurice.

      As Eugene set foot on the steps, he saw that it was raining.

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