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      WELCOME TO THE 3 Books To Know series, our idea is to help readers learn about fascinating topics through three essential and relevant books.

      These carefully selected works can be fiction, non-fiction, historical documents or even biographies.

      We will always select for you three great works to instigate your mind, this time the topic is: Gothic Fiction.

      Gothic fiction, which is largely known by the subgenre of Gothic horror, is a genre or mode of literature and film that combines fiction and horror, death, and at times romance. Its heyday was the 1790s, but it underwent frequent revivals in subsequent centuries.

      A Sicilian Romance is a gothic novel by Ann Radcliffe. It was her second published work, and was first published anonymously in 1790. The plot concerns the fallen nobility of the house of Mazzini, on the northern shore of Sicily, as related by a tourist who learns of their turbulent history from a monk he meets at the ruins of their once-magnificent castle.

      The Old English Baron is an early Gothic novel by the English author Clara Reeve. It was first published under this title in 1778, although it had anonymously appeared in 1777 under its original name of The Champion of Virtue, before Samuel Richardson's daughter, Mrs Bridgen, had edited it for her. Apart from typographical errors, the revision was trifling.

      The Fall of the House of Usher is a narrative short story by American writer Edgar Allan Poe, first published in 1839 in Burton's Gentleman's Magazine before being included in the collection Tales of the Grotesque and Arabesque in 1840. The short story is a work of gothic fiction and includes themes of madness, family, isolation, and metaphysical identities.

      This is one of many books in the series 3 Books To Know. If you liked this book, look for the other titles in the series, we are sure you will like some of the topic.

      Authors

      ANN RADCLIFFE was one the most representative of English Gothic novelists. She stands apart in her ability to infuse scenes of terror and suspense with an aura of romantic sensibility. There is little physical horror in Radcliffe's "tales of terror," and elements that seem to be supernatural are usually found to have some rather disappointing natural explanation. Her characterization is usually weak, her historical insight is almost nonexistent, and her stories abound in anachronisms and impossibilities. But Radcliffe's admirers cared as little for "realism" or accuracy as she did. They reveled in her romanticized views of nature, her intimations of evil, and her prolonged scenes of suspense.

      Clara Reeve (23 January 1729 – 3 December 1807) was an English novelist, best known for her Gothic novel The Old English Baron (1777). She also wrote an innovative history of prose fiction, The Progress of Romance (1785). Her first work was a translation from Latin, then an unusual language for a woman to learn.

      Edgar Allan Poe (January 19, 1809 to October 7, 1849) was an American writer, poet, critic and editor best known for evocative short stories and poems that captured the imagination and interest of readers around the world. His imaginative storytelling and tales of mystery and horror gave birth to the modern detective story. Many of Poe’s works, including “The Tell-Tale Heart” and “The Fall of the House of Usher,” became literary classics. Some aspects of Poe’s life, like his literature, is shrouded in mystery, and the lines between fact and fiction have been blurred substantially since his death.

      A Sicilian Romance

      BY ANN RADCLIFFE

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      Preface

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      ON THE NORTHERN SHORE of Sicily are still to be seen the magnificent remains of a castle, which formerly belonged to the noble house of Mazzini. It stands in the centre of a small bay, and upon a gentle acclivity, which, on one side, slopes towards the sea, and on the other rises into an eminence crowned by dark woods. The situation is admirably beautiful and picturesque, and the ruins have an air of ancient grandeur, which, contrasted with the present solitude of the scene, impresses the traveller with awe and curiosity. During my travels abroad I visited this spot. As I walked over the loose fragments of stone, which lay scattered through the immense area of the fabrick, and surveyed the sublimity and grandeur of the ruins, I recurred, by a natural association

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