LITMIR.BIZ

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this man whose soul was destitute of envy, a very lovable fellow. Since that time"—here he cast a glance of comical pathos at his fair neighbor—"I have found myself mistaken in this view, but for very different reasons. I will not enter upon the intellectual controversy about the virtue of envy. Friend Mohr will at least admit, that there are exceptions to the rule. I, my friends, have studied so much natural history, that I know the ostrich would not become any more perfect if it envied the falcon its wings, and the sparrow would be a singular fanatic if it practised solfeggi to outdo the nightingale. If therefore I early renounced the cultivation of talents I did not possess, and like a true realist, endeavored to take the world and myself as we are, it should rather be imputed to me as a virtue, especially as I have risen to a tolerable height in the admiration and enjoyment of gifts denied me, and moreover possess a few valuable qualities, such as for instance the ability to order a good dinner, to brew a punch, and to write prescriptions for intermittent fever. And now, after this effective little correction, I propose that we drink the ladies' health and beg Fräulein Adèle to use her exquisite voice in singing away the last remnant of discord."

      A loud clapping of hands, for which Adèle herself gave the signal, rewarded this speech, during which Mohr had slowly reseated himself and emptied his glass in little sips. Refilling it, he turned toward Marquard with a peculiar twinkle in his keen grey eyes.

      "I heartily assent to the proposal," said he, "but must first place on record a short personal observation, namely that I was a great donkey. The ladies will pardon the rude expression, since I doubt not, they are convinced of its truth. Fritz Marquard, I hereby declare that you're right in patting yourself on the back and thinking yourself a famous fellow. From this day I beg you to grant me your friendship, and hope to give you proofs of mine—"

      "And if a man has fallen

      Love guides him back to duty—"

      sang Adèle, as she sprang from her seat and glided to an old piano that stood in one corner of the room, and which was sometimes used for little dancing parties. She hastily opened it, struck a few notes, and called Christiane to try it more thoroughly. Meantime Marquard had crossed over to Mohr and cordially shaken hands with him; Edwin and Toinette also rose, lights and a fresh bottle of wine were brought in, and amidst the bustle of coming and going Christiane hastily ran her hands over the keys, and commenced Weber's "Invitation to the waltz." The room became quiet. Edwin had carried two chairs into a window recess, which was illumined by the last crimson rays of the autumnal sunlight. Without a word from him, Toinette took one chair and he sat down beside her. He had scarcely spoken to her at the table, but he had listened to her every word, and little as he appeared to look at her, had often turned his eyes with delight upon the delicate profile and black lashes. But now as she gazed out at the bare treetops, bathed in the crimson glow, with her head and shoulders likewise steeped in the radiance of the sunset, her lips parted as if her very soul were absorbed in the lingering beauties of the day, he forgot his self control, and gazed steadily into her face. The room was quite dark; two candles only illumined the table still crowded with the empty bottles and half filled glasses, and lighted up Marquard's pleasant features, as he sat alone smoking his cigar and looking intently through the round glasses of his gold spectacles at the piano. Mohr had thrown himself down on a stool beside the musician, Adèle was tripping lightly up and down the room, singing to herself in a low tone and sometimes with a coquettish gesture throwing at her friend, who continued to smoke phlegmatically, a grape, from the cluster which, in bacchanalian fashion she had fastened to the gold circlet on her head.

      "You have been very charming to-day," Edwin whispered to Toinette. "I thank you for the conquests you have made of my friends. I'm vain enough to think you did it partly for my sake. If Balder had only seen you!"

      "Why?"

      "Because I always think of him, whenever anything pleases me; because I wish him to share my pleasures with me. Have you never had the same feeling toward your sisters?"

      "I would gladly have felt it, but I never could succeed. Each thought only of herself, her few miserable trinkets, her lovers, and the next casino-ball. I really think sisters are scarcely capable of what you call brotherly, love. But hush; she's beginning to sing. Who would have supposed there was so much music in the queer little doll!"

      In fact a flood of melody now filled the room, as Adèle sang Pergolese's morning serenade:

      "Tre giorni son che Nina

      Al letto se ne sta."

      Christiane accompanied her. The worn out instrument under her hands was fairly transformed, and gave forth tones of which it had probably scarcely been capable in its best days. When the charming little song was finished, Marquard rose and solemnly kissed the singer's hand. "Brava, bravissima! You're the singing-bounding-lion-teaser in the fairy tale."

      "An incantatrice!" cried Mohr from his dark corner after having made a terrible noise applauding alone.

      "Spare your enthusiasm, gentlemen," laughed the saucy girl, turning on her heel. "There are better things in store! And the lion's share of the lion teaser belongs to my strict teacher. Now: 'Ye who know the instinct of the heart—'" and without waiting for the accompaniment, she began the aria she had shortly before studied with Christiane.

      The musician accompanied the song only with single chords. She was now sitting completely in the dark, having shaken her head in reply to Mohr's question whether she would have a light. Her thoughts were far from Pergolese, Mozart, and all her other musical saints. Above the piano hung an old fashioned oval mirror, directly opposite to the window in whose recess Edwin and Toinette were sitting. As the sunset glow slowly died away, she could distinctly see the expression with which Edwin's eyes rested upon the calm face of the beautiful girl. During dinner, her first jealous pain at meeting him with such a charming companion had almost disappeared, for he had not paid any particular attention to his lovely cousin. Now it suddenly flashed upon her, that this indifference had been, only a mask, and a feeling of inexpressible bitterness overpowered her, when she recalled the pleasure she had felt at the courteous kindness with which he had treated her. Now, sitting opposite the stranger in the crimson sunset, what a different language his eyes spoke! With the prophetic insight of a hopeless passion, she perceived that he loved this girl. And she could not even hate him for it. For had not the stranger every charm she lacked? To be sure, the keen eyes of jealousy told her that he met with no response to his feeling, the response that he deserved, and that she would have given. This cold blooded enchantress, even while Edwin's eyes were fixed upon her profile as a supplicant gazes upon the miracle-working image of a saint, could look unmoved at the dry branches without; her hand did not touch his, which he had laid on his knee as if seeking it, her soul—if she had one—where was it? And he, why did not his pride rebel against serving here without wages, when elsewhere he might have ruled? But rule over what? she asked herself. A heart which no one had ever tried to conquer, which no one seemed to consider a boon to possess, he least of all. Had he not lived under the same roof with her for years, and not felt the slightest desire to approach the woman who daily spoke to him in harmonies, poured forth her inmost feelings in accents so intelligible to him?

      It was this feeling that now overpowered her, and in addition to all the exciting emotions of these hours, the gayety, and the unusual indulgence in wine, fairly intoxicated her senses. A wild, fiendish rage took possession of her soul. When the aria from Mozart was over, she said curtly: "You are not in good voice, child; the champagne is beginning to revenge itself. You mustn't sing another note, or you'll be terribly hoarse to-morrow." And without heeding Marquard's remonstrance, she commenced a stormy improvisation. A string broke with a rattling sound—she did not notice it; a second and third—she played steadily on. Mohr, who had pushed his chair behind hers, while Marquard sat in the darkness on a little sofa beside Adèle, was in a perfect delirium of ecstacy. He had never heard her play so before, and was musician enough to say to himself that the greatest masters would be delighted if they could hear her improvise in such a mood. More than once he turned toward the two couples and enthusiastically tossing his long arms, endeavored to attract their attention to what this wonderful genius was producing. But he seemed to be alone in his admiration, at least to Marquard as he incessantly whispered in the ear of the singer, this remarkable playing seemed nothing more than

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