LITMIR.BIZ

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for instance, he would write a chanson;

      In England a six canto quarto tale;

      In Spain, he'd make a ballad or romance on

      The last war—much the same in Portugal;

      In Germany, the Pegasus he 'd prance on

      Would be old Goethe's (see what says De Stael);

      In Italy he 'd ape the 'Trecentisti;'

      In Greece, he sing some sort of hymn like this t' ye:

      THE ISLES OF GREECE.

      The isles of Greece, the Isles of Greece!

      Where burning Sappho loved and sung,

      Where grew the arts of war and peace,

      Where Delos rose, and Phoebus sprung!

      Eternal summer gilds them yet,

      But all, except their sun, is set.

      The Scian and the Teian muse,

      The hero's harp, the lover's lute,

      Have found the fame your shores refuse;

      Their place of birth alone is mute

      To sounds which echo further west

      Than your sires' 'Islands of the Blest.'

      The mountains look on Marathon—

      And Marathon looks on the sea;

      And musing there an hour alone,

      I dream'd that Greece might still be free;

      For standing on the Persians' grave,

      I could not deem myself a slave.

      A king sate on the rocky brow

      Which looks o'er sea-born Salamis;

      And ships, by thousands, lay below,

      And men in nations;—all were his!

      He counted them at break of day—

      And when the sun set where were they?

      And where are they? and where art thou,

      My country? On thy voiceless shore

      The heroic lay is tuneless now—

      The heroic bosom beats no more!

      And must thy lyre, so long divine,

      Degenerate into hands like mine?

      'T is something, in the dearth of fame,

      Though link'd among a fetter'd race,

      To feel at least a patriot's shame,

      Even as I sing, suffuse my face;

      For what is left the poet here?

      For Greeks a blush—for Greece a tear.

      Must we but weep o'er days more blest?

      Must we but blush?—Our fathers bled.

      Earth! render back from out thy breast

      A remnant of our Spartan dead!

      Of the three hundred grant but three,

      To make a new Thermopylae!

      What, silent still? and silent all?

      Ah! no;—the voices of the dead

      Sound like a distant torrent's fall,

      And answer, 'Let one living head,

      But one arise,—we come, we come!'

      'T is but the living who are dumb.

      In vain—in vain: strike other chords;

      Fill high the cup with Samian wine!

      Leave battles to the Turkish hordes,

      And shed the blood of Scio's vine!

      Hark! rising to the ignoble call—

      How answers each bold Bacchanal!

      You have the Pyrrhic dance as yet,

      Where is the Pyrrhic phalanx gone?

      Of two such lessons, why forget

      The nobler and the manlier one?

      You have the letters Cadmus gave—

      Think ye he meant them for a slave?

      Fill high the bowl with Samian wine!

      We will not think of themes like these!

      It made Anacreon's song divine:

      He served—but served Polycrates—

      A tyrant; but our masters then

      Were still, at least, our countrymen.

      The tyrant of the Chersonese

      Was freedom's best and bravest friend;

      That tyrant was Miltiades!

      O! that the present hour would lend

      Another despot of the kind!

      Such chains as his were sure to bind.

      Fill high the bowl with Samian wine!

      On Suli's rock, and Parga's shore,

      Exists the remnant of a line

      Such as the Doric mothers bore;

      And there, perhaps, some seed is sown,

      The Heracleidan blood might own.

      Trust not for freedom to the Franks—

      They have a king who buys and sells;

      In native swords, and native ranks,

      The only hope of courage dwells;

      But Turkish force, and Latin fraud,

      Would break your shield, however broad.

      Fill high the bowl with Samian wine!

      Our virgins dance beneath the shade—

      I see their glorious black eyes shine;

      But gazing on each glowing maid,

      My own the burning tear-drop laves,

      To think such breasts must suckle slaves

      Place me on Sunium's marbled steep,

      Where nothing, save the waves and I,

      May hear our mutual murmurs sweep;

      There, swan-like, let me sing and die:

      A land of slaves shall ne'er be mine—

      Dash down yon cup of Samian wine!

      Thus sung, or would, or could, or should have sung,

      The modern Greek, in tolerable verse;

      If not like Orpheus quite, when Greece was young,

      Yet in these times he might have done much worse:

      His strain display'd some feeling—right or wrong;

      And feeling, in a poet, is the source

      Of others' feeling; but they are such liars,

      And take all colours—like the hands of dyers.

      But words are things, and a small drop of ink,

      Falling like dew, upon a thought, produces

      That which makes thousands, perhaps millions, think;

      'T

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