3 books to know Horatian Satire - Anthony Trollope 3 books to know

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as They Are. In the novel the writer's thought is tethered to probability, as a domestic horse to the hitching-post, but in romance it ranges at will over the entire region of the imagination—free, lawless, immune to bit and rein. Your novelist is a poor creature, as Carlyle might say—a mere reporter. He may invent his characters and plot, but he must not imagine anything taking place that might not occur, albeit his entire narrative is candidly a lie. Why he imposes this hard condition on himself, and "drags at each remove a lengthening chain" of his own forging he can explain in ten thick volumes without illuminating by so much as a candle's ray the black profound of his own ignorance of the matter. There are great novels, for great writers have "laid waste their powers" to write them, but it remains true that far and away the most fascinating fiction that we have is "The Thousand and One Nights."

      ROPE, n. An obsolescent appliance for reminding assassins that they too are mortal. It is put about the neck and remains in place one's whole life long. It has been largely superseded by a more complex electrical device worn upon another part of the person; and this is rapidly giving place to an apparatus known as the preachment.

      ROSTRUM, n. In Latin, the beak of a bird or the prow of a ship. In America, a place from which a candidate for office energetically expounds the wisdom, virtue and power of the rabble.

      ROUNDHEAD, n. A member of the Parliamentarian party in the English civil war—so called from his habit of wearing his hair short, whereas his enemy, the Cavalier, wore his long. There were other points of difference between them, but the fashion in hair was the fundamental cause of quarrel. The Cavaliers were royalists because the king, an indolent fellow, found it more convenient to let his hair grow than to wash his neck. This the Roundheads, who were mostly barbers and soap-boilers, deemed an injury to trade, and the royal neck was therefore the object of their particular indignation. Descendants of the belligerents now wear their hair all alike, but the fires of animosity enkindled in that ancient strife smoulder to this day beneath the snows of British civility.

      RUBBISH, n. Worthless matter, such as the religions, philosophies, literatures, arts and sciences of the tribes infesting the regions lying due south from Boreaplas.

      RUIN, v. To destroy. Specifically, to destroy a maid's belief in the virtue of maids.

      RUM, n. Generically, fiery liquors that produce madness in total abstainers.

      RUMOR, n. A favorite weapon of the assassins of character.

      Sharp, irresistible by mail or shield,

      By guard unparried as by flight unstayed,

      O serviceable Rumor, let me wield

      Against my enemy no other blade.

      His be the terror of a foe unseen,

      His the inutile hand upon the hilt,

      And mine the deadly tongue, long, slender, keen,

      Hinting a rumor of some ancient guilt.

      So shall I slay the wretch without a blow,

      Spare me to celebrate his overthrow,

      And nurse my valor for another foe.

      Joel Buxter

      RUSSIAN, n. A person with a Caucasian body and a Mongolian soul. A Tartar Emetic.

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      SABBATH, n. A weekly festival having its origin in the fact that God made the world in six days and was arrested on the seventh. Among the Jews observance of the day was enforced by a Commandment of which this is the Christian version: "Remember the seventh day to make thy neighbor keep it wholly." To the Creator it seemed fit and expedient that the Sabbath should be the last day of the week, but the Early Fathers of the Church held other views. So great is the sanctity of the day that even where the Lord holds a doubtful and precarious jurisdiction over those who go down to (and down into) the sea it is reverently recognized, as is manifest in the following deep-water version of the Fourth Commandment:

      Six days shalt thou labor and do all thou art able,

      And on the seventh holystone the deck and scrape the cable.

      Decks are no longer holystoned, but the cable still supplies the captain with opportunity to attest a pious respect for the divine ordinance.

      SACERDOTALIST, n. One who holds the belief that a clergyman is a priest. Denial of this momentous doctrine is the hardest challenge that is now flung into the teeth of the Episcopalian church by the Neo-Dictionarians.

      SACRAMENT, n. A solemn religious ceremony to which several degrees of authority and significance are attached. Rome has seven sacraments, but the Protestant churches, being less prosperous, feel that they can afford only two, and these of inferior sanctity. Some of the smaller sects have no sacraments at all—for which mean economy they will indubitable be damned.

      SACRED, adj. Dedicated to some religious purpose; having a divine character; inspiring solemn thoughts or emotions; as, the Dalai Lama of Thibet; the Moogum of M'bwango; the temple of Apes in Ceylon; the Cow in India; the Crocodile, the Cat and the Onion of ancient Egypt; the Mufti of Moosh; the hair of the dog that bit Noah, etc.

      All things are either sacred or profane.

      The former to ecclesiasts bring gain;

      The latter to the devil appertain.

      Dumbo Omohundro

      SANDLOTTER, n. A vertebrate mammal holding the political views of Denis Kearney, a notorious demagogue of San Francisco, whose audiences gathered in the open spaces (sandlots) of the town. True to the traditions of his species, this leader of the proletariat was finally bought off by his law-and-order enemies, living prosperously silent and dying impenitently rich. But before his treason he imposed upon California a constitution that was a confection of sin in a diction of solecisms. The similarity between the words "sandlotter" and "sansculotte" is problematically significant, but indubitably suggestive.

      SAFETY-CLUTCH, n. A mechanical device acting automatically to prevent the fall of an elevator, or cage, in case of an accident to the hoisting apparatus.

      Once I seen a human ruin

      In an elevator-well,

      And his members was bestrewin'

      All the place where he had fell.

      And I says, apostrophisin'

      That uncommon woful wreck:

      "Your position's so surprisin'

      That I tremble for your neck!"

      Then that ruin, smilin' sadly

      And impressive, up and spoke:

      "Well, I wouldn't tremble badly,

      For it's been a fortnight broke."

      Then, for further comprehension

      Of his attitude, he begs

      I will focus my attention

      On his various arms and legs—

      How they all are contumacious;

      Where they each, respective, lie;

      How one trotter proves ungracious,

      T'other one an alibi.

      These particulars is mentioned

      For to show his dismal state,

      Which I wasn't first intentioned

      To specifical relate.

      None is worser to be dreaded

      That I ever have heard tell

      Than the gent's who there was spreaded

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