LITMIR.BIZ

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morning it seemed to me that everything must be different. You’ve been thirteen for a month, so I suppose it doesn’t seem such a novelty to you as it does to me. It makes life seem so much more interesting. In two more years I’ll be really grown up. It’s a great comfort to think that I’ll be able to use big words then without being laughed at.”

      “Ruby Gillis says she means to have a beau as soon as she’s fifteen,” said Diana.

      “Ruby Gillis thinks of nothing but beaus,” said Anne disdainfully. “She’s actually delighted when anyone writes her name up in a take-notice for all she pretends to be so mad. But I’m afraid that is an uncharitable speech. Mrs. Allan says we should never make uncharitable speeches; but they do slip out so often before you think, don’t they? I simply can’t talk about Josie Pye without making an uncharitable speech, so I never mention her at all. You may have noticed that. I’m trying to be as much like Mrs. Allan as I possibly can, for I think she’s perfect. Mr. Allan thinks so too. Mrs. Lynde says he just worships the ground she treads on and she doesn’t really think it right for a minister to set his affections so much on a mortal being. But then, Diana, even ministers are human and have their besetting sins just like everybody else. I had such an interesting talk with Mrs. Allan about besetting sins last Sunday afternoon. There are just a few things it’s proper to talk about on Sundays and that is one of them. My besetting sin is imagining too much and forgetting my duties. I’m striving very hard to overcome it and now that I’m really thirteen perhaps I’ll get on better.”

      “In four more years we’ll be able to put our hair up,” said Diana. “Alice Bell is only sixteen and she is wearing hers up, but I think that’s ridiculous. I shall wait until I’m seventeen.”

      “If I had Alice Bell’s crooked nose,” said Anne decidedly, “I wouldn’t — but there! I won’t say what I was going to because it was extremely uncharitable. Besides, I was comparing it with my own nose and that’s vanity. I’m afraid I think too much about my nose ever since I heard that compliment about it long ago. It really is a great comfort to me. Oh, Diana, look, there’s a rabbit. That’s something to remember for our woods composition. I really think the woods are just as lovely in winter as in summer. They’re so white and still, as if they were asleep and dreaming pretty dreams.”

      “I won’t mind writing that composition when its time comes,” sighed Diana. “I can manage to write about the woods, but the one we’re to hand in Monday is terrible. The idea of Miss Stacy telling us to write a story out of our own heads!”

      “Why, it’s as easy as wink,” said Anne.

      “It’s easy for you because you have an imagination,” retorted Diana, “but what would you do if you had been born without one? I suppose you have your composition all done?”

      Anne nodded, trying hard not to look virtuously complacent and failing miserably.

      “I wrote it last Monday evening. It’s called ‘The Jealous Rival; or In Death Not Divided.’ I read it to Marilla and she said it was stuff and nonsense. Then I read it to Matthew and he said it was fine. That is the kind of critic I like. It’s a sad, sweet story. I just cried like a child while I was writing it. It’s about two beautiful maidens called Cordelia Montmorency and Geraldine Seymour who lived in the same village and were devotedly attached to each other. Cordelia was a regal brunette with a coronet of midnight hair and duskly flashing eyes. Geraldine was a queenly blonde with hair like spun gold and velvety purple eyes.”

      “I never saw anybody with purple eyes,” said Diana dubiously.

      “Neither did I. I just imagined them. I wanted something out of the common. Geraldine had an alabaster brow too. I’ve found out what an alabaster brow is. That is one of the advantages of being thirteen. You know so much more than you did when you were only twelve.”

      “Well, what became of Cordelia and Geraldine?” asked Diana, who was beginning to feel rather interested in their fate.

      “They grew in beauty side by side until they were sixteen. Then Bertram DeVere came to their native village and fell in love with the fair Geraldine. He saved her life when her horse ran away with her in a carriage, and she fainted in his arms and he carried her home three miles; because, you understand, the carriage was all smashed up. I found it rather hard to imagine the proposal because I had no experience to go by. I asked Ruby Gillis if she knew anything about how men proposed because I thought she’d likely be an authority on the subject, having so many sisters married. Ruby told me she was hid in the hall pantry when Malcolm Andres proposed to her sister Susan. She said Malcolm told Susan that his dad had given him the farm in his own name and then said, ‘What do you say, darling pet, if we get hitched this fall?’ And Susan said, ‘Yes — no — I don’t know — let me see’ — and there they were, engaged as quick as that. But I didn’t think that sort of a proposal was a very romantic one, so in the end I had to imagine it out as well as I could. I made it very flowery and poetical and Bertram went on his knees, although Ruby Gillis says it isn’t done nowadays. Geraldine accepted him in a speech a page long. I can tell you I took a lot of trouble with that speech. I rewrote it five times and I look upon it as my masterpiece. Bertram gave her a diamond ring and a ruby necklace and told her they would go to Europe for a wedding tour, for he was immensely wealthy. But then, alas, shadows began to darken over their path. Cordelia was secretly in love with Bertram herself and when Geraldine told her about the engagement she was simply furious, especially when she saw the necklace and the diamond ring. All her affection for Geraldine turned to bitter hate and she vowed that she should never marry Bertram. But she pretended to be Geraldine’s friend the same as ever. One evening they were standing on the bridge over a rushing turbulent stream and Cordelia, thinking they were alone, pushed Geraldine over the brink with a wild, mocking, ‘Ha, ha, ha.’ But Bertram saw it all and he at once plunged into the current, exclaiming, ‘I will save thee, my peerless Geraldine.’ But alas, he had forgotten he couldn’t swim, and they were both drowned, clasped in each other’s arms. Their bodies were washed ashore soon afterwards. They were buried in the one grave and their funeral was most imposing, Diana. It’s so much more romantic to end a story up with a funeral than a wedding. As for Cordelia, she went insane with remorse and was shut up in a lunatic asylum. I thought that was a poetical retribution for her crime.”

      “How perfectly lovely!” sighed Diana, who belonged to Matthew’s school of critics. “I don’t see how you can make up such thrilling things out of your own head, Anne. I wish my imagination was as good as yours.”

      “It would be if you’d only cultivate it,” said Anne cheeringly. “I’ve just thought of a plan, Diana. Let you and me have a story club all our own and write stories for practice. I’ll help you along until you can do them by yourself. You ought to cultivate your imagination, you know. Miss Stacy says so. Only we must take the right way. I told her about the Haunted Wood, but she said we went the wrong way about it in that.”

      This was how the story club came into existence. It was limited to Diana and Anne at first, but soon it was extended to include Jane Andrews and Ruby Gillis and one or two others who felt that their imaginations needed cultivating. No boys were allowed in it — although Ruby Gillis opined that their admission would make it more exciting — and each member had to produce one story a week.

      “It’s extremely interesting,” Anne told Marilla. “Each girl has to read her story out loud and then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom-de-plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she had to read it out loud. Jane’s stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn’t know what to do with the people so she kills them off to get rid of them. I mostly always have to tell them what to write about, but that isn’t hard for I’ve millions of ideas.”

      “I think this story-writing business is the foolishest yet,” scoffed Marilla. “You’ll get a pack of nonsense into your heads and waste time that

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