LITMIR.BIZ

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a sign of honesty; really, the theory of decency is the most amusing thing in the world. But come, time is growing short. Take that story. The writer gave it to you. Begged you to use it as your own. It is yours. It will make your reputation, and save you with your publishers. How can you hesitate?"

      "I shall not use it!" I cried, desperately.

      "You must--consider your children. Suppose you lose your connection with these publishers of yours?"

      "But it would be a crime."

      "Not a bit of it. Whom do you rob? A man who voluntarily came to you, and gave you that of which you rob him. Think of it as it is-- and act, only act quickly. It is now midnight."

      The tempter rose up and walked to the other end of the room, whence, while he pretended to be looking over a few of my books and pictures, I was aware he was eyeing me closely, and gradually compelling me by sheer force of will to do a thing which I abhorred. And I--I struggled weakly against the temptation, but gradually, little by little, I yielded, and finally succumbed altogether. Springing to my feet, I rushed to the table, seized my pen, and signed my name to the story.

      "There!" I said. "It is done. I have saved my position and made my reputation, and am now a thief!"

      "As well as a fool," said the other, calmly. "You don't mean to say you are going to send that manuscript in as it is?"

      "Good Lord!" I cried. "What under heaven have you been trying to make me do for the last half hour?"

      "Act like a sane being," said the demon. "If you send that manuscript to Currier he'll know in a minute it isn't yours. He knows you haven't an amanuensis, and that handwriting isn't yours. Copy it."

      "True!" I answered. "I haven't much of a mind for details to-night. I will do as you say."

      I did so. I got out my pad and pen and ink, and for three hours diligently applied myself to the task of copying the story. When it was finished I went over it carefully, made a few minor corrections, signed it, put it in an envelope, addressed it to you, stamped it, and went out to the mail-box on the corner, where I dropped it into the slot, and returned home. When I had returned to my library my visitor was still there.

      "Well," it said, "I wish you'd hurry and complete this affair. I am tired, and wish to go."

      "You can't go too soon to please me," said I, gathering up the original manuscripts of the story and preparing to put them away in my desk.

      "Probably not," it sneered. "I'll be glad to go too, but I can't go until that manuscript is destroyed. As long as it exists there is evidence of your having appropriated the work of another. Why, can't you see that? Burn it!"

      "I can't see my way clear in crime!" I retorted. "It is not in my line."

      Nevertheless, realizing the value of his advice, I thrust the pages one by one into the blazing log fire, and watched them as they flared and flamed and grew to ashes. As the last page disappeared in the embers the demon vanished. I was alone, and throwing myself down for a moment's reflection upon my couch, was soon lost in sleep.

      It was noon when I again opened my eyes, and, ten minutes after I awakened, your telegraphic summons reached me.

      "Come down at once," was what you said, and I went; and then came the terrible denouement, and yet a denouement which was pleasing to me since it relieved my conscience. You handed me the envelope containing the story.

      "Did you send that?" was your question.

      "I did--last night, or rather early this morning. I mailed it about three o'clock," I replied.

      "I demand an explanation of your conduct," said you.

      "Of what?" I asked.

      "Look at your so-called story and see. If this is a practical joke, Thurlow, it's a damned poor one."

      I opened the envelope and took from it the sheets I had sent you-- twenty-four of them.

      They were every one of them as blank as when they left the paper -mill!

      You know the rest. You know that I tried to speak; that my utterance failed me; and that, finding myself unable at the time to control my emotions, I turned and rushed madly from the office, leaving the mystery unexplained. You know that you wrote demanding a satisfactory explanation of the situation or my resignation from your staff.

      This, Currier, is my explanation. It is all I have. It is absolute truth. I beg you to believe it, for if you do not, then is my condition a hopeless one. You will ask me perhaps for a resume of the story which I thought I had sent you.

      It is my crowning misfortune that upon that point my mind is an absolute blank. I cannot remember it in form or in substance. I have racked my brains for some recollection of some small portion of it to help to make my explanation more credible, but, alas! it will not come back to me. If I were dishonest I might fake up a story to suit the purpose, but I am not dishonest. I came near to doing an unworthy act; I did do an unworthy thing, but by some mysterious provision of fate my conscience is cleared of that.

      Be sympathetic Currier, or, if you cannot, be lenient with me this time. Believe, believe, believe, I implore you. Pray let me hear from you at once.

      (Signed) HENRY THURLOW.

II

       Table of Contents

      (Being a Note from George Currier, Editor of the "Idler" to Henry Thurlow, Author.)

       Your explanation has come to hand. As an explanation it isn't worth the paper it is written on, but we are all agreed here that it is probably the best bit of fiction you ever wrote. It is accepted for the Christmas issue. Enclosed please find check for one hundred dollars.

      Dawson suggests that you take another month up in the Adirondacks. You might put in your time writing up some account of that dream -life you are leading while you are there. It seems to me there are possibilities in the idea. The concern will pay all expenses. What do you say?

      (Signed) Yours ever, G. C. THE DAMPMERE MYSTERY

      Dawson wished to be alone; he had a tremendous bit of writing to do, which could not be done in New York, where his friends were constantly interrupting him, and that is why he had taken the little cottage at Dampmere for the early spring months. The cottage just suited him. It was remote from the village of Dampmere, and the rental was suspiciously reasonable; he could have had a ninety-nine years' lease of it for nothing, had he chosen to ask for it, and would promise to keep the premises in repair; but he was not aware of that fact when he made his arrangements with the agent. Indeed, there was a great deal that Dawson was not aware of when he took the place. If there hadn't been he never would have thought of going there, and this story would not have been written.

      It was late in March when, with his Chinese servant and his mastiff, he entered into possession and began the writing of the story he had in mind. It was to be the effort of his life. People reading it would forget Thackeray and everybody else, and would, furthermore, never wish to see another book. It was to be the literature of all time--past and present and future; in it all previous work was to be forgotten, all future work was to be rendered unnecessary.

      For three weeks everything went smoothly enough, and the work upon the great story progressed to the author's satisfaction; but as Easter approached something queer seemed to develop in the Dampmere cottage. It was undefinable, intangible, invisible, but it was there. Dawson's hair would not stay down. When he rose up in the morning he would find every single hair on his head standing erect, and plaster it as he would with his brushes dipped in water, it could not be induced to lie down again. More inconvenient than this, his silken mustache was affected in the same way, so that instead of drooping in a soft fascinating curl over his lip, it also rose up like a row of bayonets and lay flat against either side of his nose; and with this singular hirsute affliction there came into Dawson's heart a feeling

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