ТОП просматриваемых книг сайта:
The Greatest Christmas Stories & Poems (Illustrated Edition). Лаймен Фрэнк Баум
Читать онлайн.Название The Greatest Christmas Stories & Poems (Illustrated Edition)
Год выпуска 0
isbn 9788027222025
Автор произведения Лаймен Фрэнк Баум
Издательство Bookwire
The miners with one voice promised their hospitality.
Then the king commanded his servants to mind whatever Curdie should say to them, and after shaking hands with him and his father and mother, the king and the princess and all their company rode away down the side of the new stream which had already devoured half the road, into the starry night.
Chapter XXXII.
The Last Chapter
All the rest went up the mountain, and separated in groups to the homes of the miners. Curdie and his father and mother took Lootie with them. And the whole way, a light, of which all but Lootie understood the origin, shone upon their path. But when they looked round they could see nothing of the silvery globe.
For days and days the water continued to rush from the doors and windows of the king's house, and a few goblin bodies were swept out into the road.
Curdie saw that something must be done. He spoke to his father and the rest of the miners, and they at once proceeded to make another outlet for the waters. By setting all hands to the work, tunneling here and building there, they soon succeeded; and having also made a little tunnel to drain the water away from under the king's house, they were soon able to get into the wine cellar, where they found a multitude of dead goblins—among the rest the queen, with the skin-shoe gone, and the stone one fast to her ankle—for the water had swept away the barricade which prevented the men-at-arms from following the goblins, and had greatly widened the passage. They built it securely up, and then went back to their labors in the mine.
A good many of the goblins with their creatures escaped from the inundation out upon the mountain. But most of them soon left that part of the country, and most of those who remained grew milder in character, and indeed became very much like the Scotch Brownies. Their skulls became softer as well as their hearts, and their feet grew harder, and by degrees they became friendly with the inhabitants of the mountain and even with the miners. But the latter were merciless to any of the cobs' creatures that came their way, until at length they all but disappeared. Still—
"But, Mr. Author, we would rather hear more about the Princess and Curdie. We don't care about the goblins and their nasty creatures. They frighten us—rather."
"But you know if you once get rid of the goblins there is no fear of the princess or of Curdie."
"But we want to know more about them."
"Some day, perhaps, I may tell you the further history of both of them; how Curdie came to visit Irene's grandmother, and what she did for him; and how the princess and he met again after they were older—and how—But there! I don't mean to go any farther at present."
"Then you're leaving the story unfinished, Mr. Author!"
"Not more unfinished than a story ought to be, I hope. If you ever knew a story finished, all I can say is, I never did. Somehow, stories won't finish. I think I know why, but I won't say that either, now."
The End
The Princess and Curdie
"Come in, Curdie," said the voice.
Chapter I.
The Mountain
Curdie was the son of Peter the miner. He lived with his father and mother in a cottage built on a mountain, and he worked with his father inside the mountain.
A mountain is a strange and awful thing. In old times, without knowing so much of their strangeness and awfulness as we do, people were yet more afraid of mountains. But then somehow they had not come to see how beautiful they are as well as awful, and they hated them,—and what people hate they must fear. Now that we have learned to look at them with admiration, perhaps we do not always feel quite awe enough of them. To me they are beautiful terrors.
I will try to tell you what they are. They are portions of the heart of the earth that have escaped from the dungeon down below, and rushed up and out. For the heart of the earth is a great wallowing mass, not of blood, as in the hearts of men and animals, but of glowing hot melted metals and stones. And as our hearts keep us alive, so that great lump of heat keeps the earth alive: it is a huge power of buried sunlight—that is what it is. Now think: out of that caldron, where all the bubbles would be as big as the Alps if it could get room for its boiling, certain bubbles have bubbled out and escaped—up and away, and there they stand in the cool, cold sky—mountains. Think of the change, and you will no more wonder that there should be something awful about the very look of a mountain: from the darkness—for where the light has nothing to shine upon, it is much the same as darkness—from the heat, from the endless tumult of boiling unrest—up, with a sudden heavenward shoot, into the wind, and the cold, and the starshine, and a cloak of snow that lies like ermine above the blue-green mail of the glaciers; and the great sun, their grandfather, up there in the sky; and their little old cold aunt, the moon, that comes wandering about the house at night; and everlasting stillness, except for the wind that turns the rocks and caverns into a roaring organ for the young archangels that are studying how to let out the pent-up praises of their hearts, and the molten music of the streams, rushing ever from the bosoms of the glaciers fresh-born. Think too of the change in their own substance—no longer molten and soft, heaving and glowing, but hard and shining and cold. Think of the creatures scampering over and burrowing in it, and the birds building their nests upon it, and the trees growing out of its sides, like hair to clothe it, and the lovely grass in the valleys, and the gracious flowers even at the very edge of its armour of ice, like the rich embroidery of the garment below, and the rivers galloping down the valleys in a tumult of white and green! And along with all these, think of the terrible precipices down which the traveller may fall and be lost, and the frightful gulfs of blue air cracked in the glaciers, and the dark profound lakes, covered like little arctic oceans with floating lumps of ice. All this outside the mountain! But the inside, who shall tell what lies there? Caverns of awfullest solitude, their walls miles thick, sparkling with ores of gold or silver, copper or iron, tin or mercury, studded perhaps with precious stones—perhaps a brook, with eyeless fish in it, running, running ceaseless, cold and babbling, through banks crusted with carbuncles and golden topazes, or over a gravel of which some of the stones are rubies and emeralds, perhaps diamonds and sapphires—who can tell?—and whoever can't tell is free to think—all waiting to flash, waiting for millions of ages—ever since the earth flew off from the sun, a great blot of fire, and began to cool. Then there are caverns full of water, numbing cold, fiercely hot—hotter than any boiling water. From some of these the water cannot get out, and from others it runs in channels as the blood in the body: little veins bring it down from the ice above into the great caverns of the mountain's heart, whence the arteries let it out again, gushing in pipes and clefts and ducts of all shapes and kinds, through and through its bulk, until it springs newborn to the light, and rushes down the mountain side in torrents, and down the valleys in rivers—down, down, rejoicing, to the mighty lungs of the world, that is the sea, where it is tossed in storms and cyclones, heaved up in billows, twisted in waterspouts, dashed to mist upon rocks, beaten by millions of tails, and breathed by millions of gills, whence at last, melted into vapour by the sun, it is lifted up pure into the air, and borne by the servant winds back to the mountain tops and the snow, the solid ice, and the molten stream.
Well, when