LITMIR.BIZ

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blacksmith!” the answer rang out.

      Esara shook her head. “A blacksmith needs a lot of strength. The tools are heavy. I do not think Ambross will teach you this profession.”

      “We’ll see,” Nill answered stubbornly and went to Ambross, the local smith. After lurking around the workshop long enough for the smith no longer to be able to ignore him, Ambross stopped what he was working on and asked shortly: “Huh?”

      “I want to become a blacksmith.”

      Ambross hesitated. He looked twice and began to laugh heartily. “You tiny tot want to learn forging?”

      Still laughing, he turned back to the blank and began to forge it into shape with heavy blows from his hammer. Occasionally he shook his head, but Nill could not tell whether because he was not yet pleased with the blank’s shape or because he was still wondering about the boy’s strange wish.

      A long time later he lifted the red-glowing piece of metal from the anvil and cooled it, first in a plant brew, then in a water trough. This shall be part of a fine digging-stick, he thought and looked around for another blank to use.

      “You’re still here.”

      “Yes, I’d like to learn how to forge things.”

      Ambross was no longer laughing, but scrutinizing Nill thoughtfully.

      “You are tenacious, no doubt, but I can’t make a blacksmith out of you. You’re too weak.” The words were calm and matter of fact; there was no derision in them. “But if you’re really that keen on it, you may stay until you’ve realized that there is no point in it.” His face cracked into a wide grin, making his mouth seem like a well-placed ax wound. “It’ll probably cost me a good piece of metal or two. I will show you how to engrave, and later on maybe how to make rings or bracelets. Who knows, you might have a keener interest in jewelry than in tools and weapons. Here!” He tossed a broom to Nill.

      From that moment Nill worked in Ambross’ workshop. He learned quickly, understood the delicacies of forging iron, bronze and brass and knew how to engrave fine patterns with a graver. He helped his teacher with the bellows until his arms went numb and he cleaned the workshop. Whenever he had nothing else to do he would sit on a wooden block in a dark corner, watching Ambross work. So the time passed, until Nill spoke to his master: “Master Ambross, I would like to make a weapon.”

      Ambross thought for a while and said: “Alright, I’ll give you a blank. You can choose one. Once I’m done here you can do whatever you want with it. But one blank is all you’re getting from me.”

      Nill nodded. “One blank is all I need,” he said confidently.

      Ambross looked up at the ceiling, where he presumed the gods of silly ideas to reside, and shook his head again. The boy never spoke much, but Ambross rather enjoyed his company. They were similar in at least one way, the huge blacksmith and the small boy: a single sentence was usually enough for them, like a well-placed strike of a hammer.

      The workshop was not roomy and rather dark, cluttered and dirty. The blanks lay, sorted by size and hardness, on different piles between hammers and pliers, torn bellows, broken tools and finished objects, and on everything in the room lay a sticky, foul-smelling residue of soot, iron dust, steam and sweat. How anyone could find anything in this mess was a mystery to all but Ambross and Nill, yet there was a hidden order to things in this dark, hot place.

      Still, every order leaves room for the past and the future, for forgetting and wishing. Nill had found a blank in the darkest corner of the room that did not seem to fit in with the other blanks. One of his duties was to regularly clean the iron. This piece had remained hidden for a long time, and under the layer of grime it had a peculiar pattern that Nill did not recognize from any other blank. The metal itself did not seem to be solid; rather it was layered, as the leaves that fall in autumn become a single sheet upon the ground in winter. Judging by the filth on the blank it must have spent a long time in the workshop already. Nill did not know if it was valuable in any way, but as he held it he felt as if the iron were talking to him.

      Nill waited until the day the council was held, where the village’s troubles and affairs were discussed. Nobody ever wanted to miss out on this, and so Nill had always been present in the past. The children never understood much of the discussions the adults were having, but they loved the feeling of being part of something special and enjoyed the break from their monotonous daily life.

      So it was that Nill had the entire day to himself. Stopping in the middle of forging something and continuing later was possible, but not risk-free, as the metal would have to be re-heated. Nill only had this one blank and did not want to risk it. He chose a medium-sized hammer, because he lacked the strength to use the larger one. As nobody was there to help him, he also had to tread the bellows to heat the iron to the temperature he needed.

      Nill beat the pointed end of the blank into a short, four-sided tapered tap and drew most of the metal to the other, wider side, flattening it to a wide blade. Nill knew what a good hunting knife looked like. The weight needed to be in the handle, not the blade, or the hand holding it would tire out quickly. The spine of the blade needed to be strong and solid so as not to break when the hunter cut hollow bones to reach the marrow. And the edge had to be robust of course, or it would quickly wear down.

      He forged this knife against his better judgment. The taper was short and thin, the blade long and flat, the edge thin, and to be sharpened along half the back as well.

      Ambross rarely made weapons, and when he did he answered all questions with an irritated growl or with silence. While working on the weapon he would mumble words Nill could not make out.

      “Master Ambross, are you saying spells to strengthen the weapons?” Nill had asked once.

      “I’m no sorcerer, I’m a blacksmith,” Ambross had answered gruffly, but then he had smiled his quiet smile and muttered: “Who knows, maybe some magic is left in the old blacksmithing tradition.” A bit louder he said to Nill: “I wished the blade good luck and told it that it had been born. We smiths believe that the hammer gives soul to the weapons, making them come to life.”

      Nill had tried to do the same. Every strike from the hammer was accompanied by a thought he sent to the metal. The thought was always the same.

      Burn!

      In Nill’s inner eye an image blossomed: bright flames, cold white light, piercing bolts of lightning and all-encompassing might. But what could such a thought do, if it dissolved in these images like a thin wisp of smoke in a morning breeze?

      Nill entered the workshop the next morning immediately after Master Ambross had opened it. He gave a small bow and focused on using polite words.

      “Master, I finished my apprenticeship with you yesterday and would like to thank you for all the effort you have made to teach me.”

      Ambross looked down on the boy quietly. Nothing about him showed the glowing pride and happiness he felt as he answered: “Well, Nill, you were never really my apprentice. You can’t really end something you didn’t really begin, can you? Now then, don’t you want to show me what you forged yesterday?”

      Nill took out his blade.

      Ambross’ feelings died like a fire in an icy wind.

      “What it that?” he asked coldly.

      “It’s a combat dagger!”

      “And what do you want to do with a combat dagger?”

      “I want to become a great hero or a warrior.”

      Ambross’ eyes became heavy all of a sudden. Bitter scenes from the past, memories of pain and desperation, buried deep for too long, came back to the surface. “Heroics, my boy, heroics don’t require a weapon, but heart. You wouldn’t understand yet. And when you do finally understand, it’ll be too late. You can be certain, my boy: nobody becomes a hero because he wants to.”

      Ambross’

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