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the place watched them get into their carriage and drive away, one hind wheel of the carriage sliding on its skid, and all breaks on.

      At the first turning Standish started, for the carriage went around it with dangerous speed. The whip cracked, too, like a succession of pistol shots, which was unusual going down the mountain. He said nothing to alarm his bride, but thought that the driver had taken on more wine than was good for him at the inn. At the second turn the wheel actually slid against and bumped the stone post that was the sole guard from the fearful precipice below. The sound and shock sent a cold chill up the back of Standish, for he knew the road well and there were worse places to come. His arm was around his wife, and he withdrew it gently so as not to alarm her. As he did so she looked up and shrieked. Following her glance to the front window of their closed carriage, where the back of the driver is usually to be seen, he saw pressed against the glass the distorted face of a demon. The driver was kneeling on his seat instead of sitting on it, and was peering in at them, the reins drawn over his shoulder, and his back to the horses. It seemed to Standish that the light of insanity gleamed from his eyes, but Tina saw in them the revengeful glare of the vendetti; the rage of the disappointed lover.

      "My God! that's not our driver," cried Standish, who did not recognise the man who had once endeavoured to kill him. He sprang up and tried to open the front window, but the driver yelled out—

      "Open that window if you dare, and I'll drive you over here before you get halfway down. Sit still, and I take you as far as the Weisse Knott. That's where you are going over. There you'll have a drop of a mile (un miglio)."

      "Turn to your horses, you scoundrel," shouted Standish, "or I'll break every bone in your body!"

      "The horses know the way, Signor Inglese, and all our bones are going to be broken, yours and your sweet bride's as well as mine."

      The driver took the whip and fired off a fusilade of cracks overhead, beside them, and under them. The horses dashed madly down the slope, almost sending the carriage over at the next turn. Standish looked at his wife. She had apparently fainted, but in reality had merely closed her eyes to shut out the horrible sight of Pietro's face. Standish thrust his arm out of the open window, unfastened the door, and at the risk of his neck jumped out. Tina shrieked when she opened her eyes and found herself alone. Pietro now pushed in the frame of the front window and it dropped out of sight, leaving him face to face with her, with no glass between them. "Now that your fine Inglese is gone, Tina, we are going to be married; you promised it, you know."

      "You coward," she hissed; "I'd rather die his wife than live yours."

      "You're plucky, little Tina, you always were. But he left you. I wouldn't have left you. I won't leave you. We'll be married at the chapel of the Three Holy Springs, a mile below the Weisse Knott; we'll fly through the air to it, Tina, and our bed will be at the foot of the Madatseh Glacier. We will go over together near where the man threw his wife down. They have marked the spot with a marble slab, but they will put a bigger one for us, Tina, for there's two of us."

      Tina crouched in the corner of the carriage and watched the face of the Italian as if she were fascinated. She wanted to jump out as her husband had done, but she was afraid to move, feeling certain that if she attempted to escape Pietro would pounce down upon her. He looked like some wild beast crouching for a spring. All at once she saw something drop from the sky on the footboard of the carriage. Then she heard her husband's voice ring out—

      "Here, you young fool, we've had enough of this nonsense."

      The next moment Pietro fell to the road, propelled by a vigorous kick. His position lent itself to treatment of that kind. The carriage gave a bump as it passed over Pietro's leg, and then Tina thinks that she fainted in earnest, for the next thing she knew the carriage was standing still, and Standish was rubbing her hands and calling her pleasant names. She smiled wanly at him.

      "How in the world did you catch up to the carriage and it going so fast?" she asked, a woman's curiosity prompting her first words.

      "Oh, the villain forgot about the short cuts. As I warned him, he ought to have paid more attention to what was going on outside. I'm going back now to have a talk with him. He's lying on the road at the upper end of this slope."

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