LITMIR.BIZ

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the man he believed to be mad. His hand crept along the wall. There was intense silence between them. Allen did not fire. Slowly the lawyer's hand moved towards the electric button. At last he felt the ebony rim and his fingers quickly covered it. In the stillness, the vibrating ring of an electric bell somewhere below was audible. Then the sharp crack of the revolver suddenly split the silence. The lawyer dropped on one knee, holding his arm in the air as if to ward off attack. Again the revolver rang out, and Grey plunged forward on his face. The other five shots struck a lifeless body.

      A stratum of blue smoke hung breast high in the room as if it were the departing soul of the man who lay motionless on the floor. Outside were excited voices, and some one flung himself ineffectually against the stout locked door.

      Allen crossed the room and, turning the key, flung open the door. "I have murdered your master," he said, handing the revolver butt forward to the nearest man. "I give myself up. Go and get an officer."

      OVER THE STELVIO PASS

      There is no question about it, Tina Lenz was a flirt, as she had a perfect right to be, living as she did on the romantic shores of Como, celebrated in song, story, and drama as the lover's blue lake. Tina had many admirers, and it was just like her perversity to favor the one to whom her father most objected. Pietro, as the father truly said, was a beggarly Italian driver, glad of the few francs he got from the travellers he took over the humble Maloga to the Engadine, or over the elevated Stelvio to the Tyrol, the lowest and the highest passes in Europe. It was a sad blow to the hopes as well as the family pride of old Lenz when Tina defiantly announced her preference for the driver of the Zweispanner. Old Lenz came of a long and distinguished line of Swiss hotel-keepers, noted for the success with which they squeezed the last attainable centime from the reluctant traveller. It was bad enough that he had no son to inherit his justly celebrated hotel (pension rates for a stay of not less than eight days), but he hoped for a son-in-law, preferably of Swiss extraction, to whom he might, in his old age, hand over the lucrative profession of deferentially skinning the wealthy Englishman. And now Tina had deliberately chosen a reckless, unstable Italian who would, in a short time, scatter to the winds the careful accumulation of years.

      "Pietro, the scoundrel, will not have one piastra of my money," cried the old man wrathfully, dropping into Italian as he was speaking about a native of Italy.

      "No, I shall see that he doesn't," said the girl. "I shall hold the purse, and he must earn what he spends."

      "But if you marry him, you will not have any of it."

      "Oh yes, I shall, papa," said Tina confidently; "you have no one else to leave it to. Besides, you are not old, and you will be reconciled to our marriage long before there is any question of leaving money."

      "Don't be so sure of that," returned the hotel-keeper, much mollified, because he was old and corpulent, and red in the face.

      He felt that he was no match for his daughter, and that she would likely have her own way in the long run, but he groaned when he thought of Pietro as proprietor of the prosperous pension. Tina insisted that she would manage the hotel on the strictest principles of her ancestors, and that she would keep Pietro lounging about the place as a picturesque ornament to attract sentimental visitors, who seemed to see some unaccountable beauty about the lake and its surroundings.

      Meanwhile Landlord Lenz promptly discharged Pietro, and cursed the day and hour he had first engaged him. He informed the picturesque young man that if he caught him talking to his daughter he would promptly have him arrested for some little thefts from travellers of which he had been guilty, although the landlord had condoned them at the time of discovery, probably because he had a fellow-feeling in the matter, and saw the making of a successful hotel proprietor in the Zweispanner driver. Pietro, on his part, to make things pleasant all round, swore that on the first favourable opportunity he would run six inches of knife into the extensive corporation of the landlord, hoping in that length of steel to reach a vital spot. The ruddy face of old Lenz paled at this threat, for the Swiss are a peace-loving people, and he told his daughter sadly that she was going to bring her father's grey hairs in sorrow to the grave through the medium of her lover's stiletto. This feat, however, would have been difficult to perform, as the girl flippantly pointed out to him, for the old man was as bald as the smooth round top of the Ortler; nevertheless, she spoke to her lover about it, and told him frankly that if there was any knife practice in that vicinity he need never come to see her again. So the young man with the curly black hair and the face of an angel, swallowed his resentment against his desired father-in-law, and promised to behave himself. He secured a position as driver at another hotel, for the season was brisk, and he met Tina when he could, at the bottom of the garden overlooking the placid lake, he on one side of the stone wall, she on the other.

      If Landlord Lenz knew of these meetings he did not interfere; perhaps he was frightened of Pietro's stiletto, or perhaps he feared his daughter's tongue; nevertheless, the stars in their courses were fighting for the old man. Tina was naturally of a changeable disposition, and now that all opposition had vanished, she began to lose interest in Pietro. He could talk of little else than horses, and interesting as such conversation undoubtedly is, it palls upon a girl of eighteen leaning over a stone wall in the golden evening light that hovers above Como. There are other subjects, but that is neither here nor there, as Pietro did not recognise the fact, and, unfortunately for him, there happened to come along a member of the great army of the unemployed who did.

      He came that way just in the nick of time, and proud as old Lenz was of his pension and its situation, it was not the unrivalled prospect (as stated in the hotel advertisements) that stopped him. It was the sight of a most lovely girl leaning over the stone wall at the foot of the garden, gazing down at the lake and singing softly to herself.

      "By Jove!" said young Standish, "she looks as if she were waiting for her lover." Which, indeed, was exactly what Tina was doing, and it augured ill for the missing man that she was not the least impatient at his delay.

      "The missing lover is a defect in the landscape which ought to be supplied," murmured young Standish as he unslung his knapsack, which, like that of the late John Brown, was strapped upon his back. He entered the pension and inquired the rates. Old Lenz took one glance at the knickerbockers, and at once asked twice as much as he would have charged a native. Standish agreed to the terms with that financial recklessness characteristic of his island, and the old man regretted he had not asked a third more.

      "But never mind," he said to himself as the newly arrived guest disappeared to his room, "I shall make it up on the extras."

      With deep regret it must be here admitted that young Standish was an artist. Artists are met with so often in fiction that it is a matter of genuine grief to have to deal with one in a narrative of fact, but it must be remembered that artists flock as naturally to the lake of Como as stock-brokers to the Exchange, and in setting down an actual statement of occurrences in that locality the unfortunate writer finds himself confronted with artists at every turn. Standish was an artist in water-colours, but whether that is a mitigation or an aggravation of the original offense the relater knoweth not. He speedily took to painting Tina amidst various combinations of lake and mountain scenery. Tina over the garden wall as he first saw her; Tina under an arch of roses; Tina in one of the clumsy but picturesque lake boats. He did his work very well, too. Old Landlord Lenz had the utmost contempt for this occupation, as a practical man should, but he was astonished one day when a passing traveller offered an incredible sum for one of the pictures that stood on the hall table. Standish was not to be found, but the old man, quite willing to do his guest a good turn, sold the picture. The young man, instead of being overjoyed at his luck, told the landlord, with the calm cheek of an artist, that he would overlook the matter this time, but it must not occur again. He had sold the picture, added Standish, for about one-third its real value. There was something in the quiet assurance of the youth that more than his words convinced old Lenz of the truth of his statement. Manner has much to do with getting a well-told lie believed. The inn-keeper's respect for the young man went up to the highest attainable point, and he had seen so many artists, too. But if such prices were obtained for a picture dashed off in a few hours, the hotel business wasn't in it as a money- making venture.

      It must be confessed that it was a great shock to young Standish when he found that the

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