LITMIR.BIZ

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it was not impossible that the Spences had spoken freely in her presence of himself and his odd relations to the girl; there was no doubting how they regarded him. Possibly he was a frequent subject of discussion between Eleanor and her cousin. Mature women could talk with each other freely of these things.

      On the other hand, whatever Mrs. Lessingham might have in her mind, she certainly would not expose it in dialogue with her niece. Cecily was in an unusual position for a girl of her age; she had, he believed, no intimate friend; at all events, she had none who also knew him. Girls, to be sure, had their own way of talking over delicate points, just as married women had theirs, and with intimates of the ordinary kind Cecily must have come by now to consider her guardian as a male creature of flesh and blood. What did it mean, that she did not?

      A question difficult of debate, involving much that the mind is wont to slur over in natural scruple. Mallard was no slave to the imbecile convention which supposes a young girl sexless in her understanding; he could not, in conformity with the school of hypocritic idealism, regard Cecily as a child of woman's growth. No. She had the fruits of a modern education; she had a lucid brain; of late she had mingled and conversed with a variety of men and women, most of them anything but crassly conventional. It was this very aspect of her training that had caused him so much doubt. And he knew by this time what his doubt principally meant; in a measure, it came of native conscientiousness, of prejudice which testified to his origin; but, more than that, it signified simple jealousy. Secretly, he did not like her outlook upon the world to be so unrestrained; he would have preferred her to view life as a simpler matter. Partly for this reason did her letters so disturb him. No; it would have been an insult to imagine her with the moral sensibilities of a child of twelve.

      Was she intellectual at the expense of her emotional being? Was she guarded by nature against these disturbances? Somewhat ridiculous to ask that, and then look up at her face effulgent with the joy of life. She who could not speak without the note of emotion, who so often gave way to lyrical outbursts of delight, who was so warm-hearted in her friendship, whose every movement was in glad harmony with the loveliness of her form,—must surely have the corresponding capabilities of passion.

      After all—and it was fetching a great compass to reach a point so near at hand—might she not take him at his own profession? Might she not view him as a man indeed, and one not yet past his youth, but still as a man who suffered no trivialities to interfere with the grave objects of his genius? She had so long had him represented to her in that way—from the very first of their meetings, indeed. Grant her mature sense and a reflective mind, was that any reason why she should probe subtly the natural appearance of her friend, and attribute to him that which he gave no sign of harbouring? Why must she be mysteriously conscious of his inner being, rather than take him ingenuously for what he seemed? She had instruction and wit, but she was only a girl; her experience was as good as nil. Mallard repeated that to himself as he looked at Mrs. Baske. To a great extent Cecily did, in fact, inhabit an ideal world. She was ready to accept the noble as the natural. Untroubled herself, she could contemplate without scepticism the image of an artist finding his bliss in solitary toil. This was the ground of the respect she had for him; disturb this idea, and he became to her quite another man—one less interesting, and, it might be, less lovable in either sense of the word.

      Spence maintained a conversation with Miriam, chiefly referring to the characteristics of the scene about them; he ignored her peculiarities, and talked as though everything must necessarily give her pleasure. Her face proved that at all events the physical influences of this day in the open air were beneficial. The soft breeze had brought a touch of health to her cheek, and languid inattention no longer marked her gaze at sea and shore; she was often absent, but never listless. When she spoke, her voice was subdued and grave; it always caused Mallard to glance in her direction.

      At Baiae they dismissed the boat, purposing to drive back to Naples. In their ramble among the ruins, Mallard did his best to be at ease and seem to share Cecily's happiness; in any case, it was better to talk of the Romans than of personal concerns. When in after-time he recalled this day, it seemed to him that he had himself been well contented; it dwelt in his memory with a sunny glow. He saw Cecily's unsurpassable grace as she walked beside him, and her look of winning candour turned to him so often, and he fancied that it had given him pleasure to be with her. And pleasure there was, no doubt, but inextricably blended with complex miseries. To Cecily his mood appeared more gracious than she had ever known it; he did not disdain to converse on topics which presupposed some knowledge on her part, and there was something of unusual gentleness in his tone which she liked.

      "Some day," she said, "we shall talk of Baiae in London, in a November fog."

      "I hope not."

      "But such contrasts help one to get the most out of life," she rejoined, laughing; "At all events, when some one happens to speak to me of Mr. Mallard's pictures, I shall win credit by casually mentioning that I was at Baiae in his company in such-and-such a year."

      "You mean, when I have painted my last!"

      "No, no! It would be no pleasure to me to anticipate that time."

      "But natural, in talking with a veteran."

      It was against his better purpose that he let fall these words; they contained almost a hint of his hidden self, and he had not yet allowed anything of the kind to escape him. But the moment proved too strong.

      "A veteran who fortunately gives no sign of turning grey," replied Cecily, glancing at his hair.

      An interruption from Spence put an end to this dangerous dialogue. Mallard, inwardly growling at himself, resisted the temptation to further tete-a-tete, and in a short time the party went in search of a conveyance for their return. None offered that would hold four persons; the ordinary public carriages have convenient room for two only, and a separation was necessary. Mallard succeeded in catching Spence's eye, and made him understand with a savage look that he was to take Cecily with him. This arrangement was effected, and the first carriage drove off with those two, Cecily exchanging merry words with an old Italian who had rendered no kind of service, but came to beg his mancia on the strength of being able to utter a few sentences in English.

      For the first time, Mallard was alone with Mrs. Baske. Miriam had not concealed surprise at the new adjustment of companionship; she looked curiously both at Cecily and at Mallard whilst it was going on. The first remark which the artist addressed to her, when they had been driving for a few minutes, was perhaps, she thought, an explanation of the proceeding.

      "I shall meet your brother again at Pompeii to-morrow, Mrs. Baske."

      "Have you seen much of him since he came!" Miriam asked constrainedly. She had not met Mallard since Reuben's arrival.

      "Oh yes. We have dined together each evening."

      Between two such unloquacious persons, dialogue was naturally slow at first, but they had a long drive before them. Miriam presently trusted herself to ask,—

      "Has he spoken to you at all of his plans—of what he is going to do when he returns to England?"

      "In general terms only. He has literary projects."

      "Do you put any faith in them, Mr. Mallard?"

      This was a sudden step towards intimacy. As she spoke, Miriam looked at him in a way that he felt to be appealing. He answered the look frankly.

      "I think he has the power to do something worth doing. Whether his perseverance will carry him through it, is another question."

      "He speaks to me of you in a way that—He seems, I mean, to put a value on your friendship, and I think you may still influence him. I am very glad he has met you here."

      "I have very little faith in the influence of one person on another, Mrs. Baske. For ill—yes, that is often seen; but influence of the kind you suggest is the rarest of things."

      "I'm afraid you are right."

      She retreated into herself, and, when he looked at her, he saw cold reserve once more on her countenance. Doubtless she did not choose to let him know how deeply this question of his power concerned her. Mallard felt something like compassion; yet not ordinary compassion either, for at the same time he had a desire to break down this reserve,

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