LITMIR.BIZ

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The bed was handsomely canopied, topped with a rich, embroidered ivory quilt and numerous pillows. The rest of the furnishings were…Egyptian.

      Startled, she walked across to the dressing table and realized that certain pieces from antiquity had been copied for the decor and combined with current Victorian detail to create something of a fantasy. A dressing table with smooth, stark lines was topped with a threefold mirror, carved with a symbol of the god Horus, wings spread, in a typical manner of protection. A large trunk was covered with hieroglyphs, as was the tall standing wardrobe. Chairs that stood before draperies were carved with the great protective wings of Horus, as well.

      She turned and was startled by a large statue of a pharaoh. Walking toward it, she narrowed her eyes. The statue was real. Hatshepsut, she thought, the female pharaoh who had herself displayed with a beard, showing her world that she was a woman, but one with the power of a man.

      The statue was surely priceless. And set here, in a guest room? It was a museum piece, she thought angrily.

      On the other side of the door, she discovered another life-size statue, this one of the goddess Anat. A war goddess, Anat was supposed to protect the pharaoh in battle. She was usually sculpted or drawn with a shield, a lance and a battle-ax. This statue was slightly damaged. Still, a great find. A priceless relic! And here, in a guest room!

      Camille stepped back, wondering if she had purposely been given this room. The statues might well unnerve most women. In fact, she was certain that many a young respectable woman—the type preparing for her season before society—might well awake in the night terrified and screaming bloody murder, certain the curse of the castle had awakened the statues, that they had become real and were seeking her in the night…. In the firelight, they were decidedly eerie, Camille admitted.

      “But I’m not afraid!” she said aloud, then winced. It was as if she were assuring some long-dead or mythical creature that she was beyond its control. “Nonsense!” she whispered to herself.

      Two lamps burned on stark little tables on either side of the bed. They, too, were in Egyptian motifs. And rather shockingly, both depicted the fertility god Min with his huge, erect phallus and double-plumed headdress. Camille hardly thought herself prudish, but really…!

      Shaking her head, she had a feeling that she would not have been assigned to this room if she hadn’t tempted the earl’s fury with her assertion of the truth—that she worked for the museum. She had been sent here, she was certain, with a sense of vengeance. With that thought, she smiled. Fine.

      She ventured more fully into the room, pulling back the draperies behind the chairs. There were, indeed, windows there. At one time, she was certain, they had not held panes, nor had they been quite so large. They showed the width of the castle stone, and in that they were far more startling than the Egyptian artifacts. At one time, these walls had been made for protection. Castle Carlyle had once defied the swords and arrows of the enemy, just as surely as the earl now defended himself from English society behind his bastion of stone and strength.

      She let out a sigh, itching to race back to Tristan’s room and give him a thorough tongue-lashing, even if he couldn’t hear her. But she knew that the hellhound would be beyond her door, keeping watch. So she shook her head, walked to the bed and picked up the linen gown left for her, determined to find the bath.

      Toiletries had been provided as promised, and the bath was quite modern with a tub, commode and running water. The earl might have his wicked sense of justice wherein he thought ancient artifacts might disturb a body’s sleep, but at least the room came with niceties far beyond those to which she was accustomed.

      A candle burned in the bath, and by it was a tray with brandy and glasses. Without hesitation, she drew hot water into the massive tub, then stripped, poured herself brandy and settled in.

      How strange! The night was quite a disaster, yet here she was, luxuriating in a hot bath, sipping brandy. Frowning, she reminded herself that the situation was extremely dire.

      She felt herself tense and wasn’t at all sure why she did so. A sixth sense gave her warning of something being not right. She held very still and thought that she heard something. Movement. Not a rustling. Not footsteps. Just…as if stone had shifted against stone.

      She waited, but the sound didn’t come again. Had she imagined it? Then, from outside the bedroom door, she suddenly heard a furious barking. Whatever had seeped into her senses, the dog had heard it, too.

      She nearly threw her brandy down, but managed to set it upon the throw rug on the floor. She leaped out of the tub and into a heavy brocade dressing gown that hung on the bathroom door. It occurred to her that perhaps she should be locking herself into the room, but instinct sent panic into her veins, and she knew she had to find the source of the noise that had given rise to such a state of distress.

      As she burst out into the bedroom, she heard herself being called.

      “Miss Montgomery!” It was the Earl of Carlyle himself, shouting her name.

      She ran forward as the door burst open. There they were, staring at one another. He, blue eyes sharp behind the beast of the mask, she, most startled and feeling terribly vulnerable, hair wild about her face, robe not at all decently closed.

      She caught at the edges, seeking the tie.

      The dog rushed into the room. He was no longer barking, but standing by its master’s legs, sniffing the air, rigid.

      “Ahem.” The beast actually cleared his throat. “You’re quite all right?” he asked.

      She couldn’t find her voice at first, so she nodded.

      “Did you hear anything?” he demanded.

      “I…don’t know.”

      He let out an oath of impatience. “Miss Montgomery, either you did or didn’t hear something. Was someone here?” He frowned, as if sincerely doubting the possibility of such a situation but determined he must ask.

      “No!”

      “You didn’t hear anything?”

      “I…don’t believe so.”

      “You don’t believe? Then why do you appear to have bolted from the bath as if chased by demons from hell?”

      “There seemed to be…I don’t know,” she said, lifting her chin. “A scraping sound from somewhere.” She squared her shoulders. “But as you—and your creature—can surely see, there is no one here. I assume that ancient places such as this might well creak.”

      “Mmm,” he murmured.

      She hated the mask. It hid all but his eyes, leaving her feeling as if she were continually dueling without all the weapons she needed in her corner. She stiffened again, determined on dignity. “Do you mind, My Lord? I am an unwilling guest at best, and as so, would prefer my own company at this hour.”

      To her surprise, he seemed reluctant to leave.

      “You do not find the room…disturbing?”

      “No. Did you intend that I should?”

      He waved a hand in the air. “I am not referring to the decor,” he said.

      “Then…?”

      “The creaking, or whatever it is that you—and my monster dog—apparently heard.”

      She shook her head, thinking on the one hand that she was a fool. Yes! I want out of the room, an inner voice cried. But she wouldn’t let this man know that she could be frightened. Not in any way.

      “I’m quite content to remain here,” she told him.

      He studied her, and she thought that he might well insist that she do so. He didn’t. Instead he said, “I will leave the dog, then.”

      “What?”

      “I promise, you will be safe from creaks and groans, no matter what, with Ajax in attendance.”

      “Ajax

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