LITMIR.BIZ

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darted into the traffic and was across the street and gone.

      Alan went through the doors and into the lobby that seemed familiar because it was international, therefore almost American, in the style of the American century. The woman at the concierge’s desk was stunning, bringing back all of Naples to him in an instant: not a girl, a woman, ample, a Sophia Loren face. Like the maid when he was nine, his friend, who had taught him Italian because she spoke no English. Teresa. Married to a little shrimp of a man who abused her.

       “Per favore, signora.”

      “Yes, sir?” She wasn’t going to let him speak Italian, he saw.

      “A guest named Hoyt? Initial K?” Had Kim been able to get here?

      “Twelve-thirty-one, sir. The telephone is right through there.”

      His knees felt weak. He hadn’t seen her for six weeks. She had been a new experience for him before he sailed, a poor little rich girl with an appetite. Now, heading for the phones, he was thinking that maybe those nine days were a fiction; maybe he remembered them wrong. And then there was what his father had said about Kim—implying that she was stupid, a bimbo, an easy lay.

      But she was here. He had sent a message, and she had jumped on a plane and come.

      “Kim? Alan.”

      “Oh, God! Come on up!” She giggled. “I’ve been shopping.”

      When she opened her door, he saw what she’d been shopping for. They hardly managed to get the door closed before they were at each other.

      PO1 Bonner picked his way around the pimps, dodged the plain-clothes cops, and gestured away the child pickpockets who were waiting for the carrier’s crew. He changed twenty dollars at the booth by the dock, causing a black-market money-changer (probably a cop) to assume a look of deep grievance; then he walked quickly up away from the water and headed into the first tobacco store.

      “Camels. And a carty di telyphono.”

      “Bene.” Bonner dropped fifteen thousand lire and the man counted the correct change. Bonner believed that every Italian would cheat him if given the chance, but he never gave them that chance, and he believed they knew it. It was part of his idea of himself that he had to project an image of toughness and knowingness, or the world would cheat him.

      “Gratzy,” he said. The man only nodded.

      Every minor crook and sex merchant in southern Italy would be there to greet a major American ship, he believed. The streets of Naples teemed with criminals, anyway, he was sure; today, their numbers would be multiplied—dwarves pretending to be children, mothers who had made cripples of their children to start them on a life of begging, men got up as nuns, transvestites there to lure naive kids into alleys. Bonner was walking through a city of tricksters. It was like this wherever he went; as a result, he never enjoyed himself.

      He walked through a narrow street of shops and came out into the great piazza in front of the old Bourbon palace, then along the front of the palace. A few other sailors were already sightseeing there; these were the nerds, the serious ones, what Mattingly called the jerkoffs; one of them even had a guidebook and was reading to his buddy. Bonner walked along behind them. He passed the statues of the Bourbon kings, elevated above him in niches, below each one a stone rectangle and a kind of curb at the bottom. He passed the third of the four kings, and no one watching him could have said for sure whether he looked down and saw the chalked circle on the small curbstone, but when he had walked the length of the palace he turned, without changing his pace, and angled across the piazza, along in front of the curving porticoes that are a little like those of St Peter’s in Rome, and headed into the Via Chiaia. And nobody watching him could have known that seeing the chalked circle had him seething with resentment, for he seemed the same impassive man.

      At the far end of the Via Chiaia is a vast old movie theater that was once a bomb shelter, cut into the soft tufa of the hillside. Inside, it is always cool and damp, and the place smells of mildew and cats. Yet it has the virtue of being open most of the day and night, so that men like Bonner can do their peculiar business there. (Other men and women do other, also peculiar, business there.)

      Bonner bought a ticket and climbed to the second level. He passed the first men’s room he came to and went on much farther than seemed sensible in a movie patron, finally stopping at a smaller, almost hidden toilet far around toward the screen. There, he pissed, then lingered by a basin, combing his flat hair, his bag guarded between his feet, until a fat man in a dirty T-shirt went out. The only other occupant was in a stall, stinking the place worse than the mildew and the cats. Bonner bent quickly and felt under the second basin from the wall and removed something that he found at the back, slipped it into his pocket and went out. He did not stay to see the movie.

      He checked into a hotel a block back from the tourist streets, a little place that was as plain and clean as a newly cut board. He had got it out of a tourist guide that promised to save you a hundred dollars a day. Bonner had lots of such guides; he made a little money on the ship renting them out—Naples, Monaco, Bahrain; it was well known that Bonner could tell you where to stay and where to eat for a minimum of ripoff.

      He’d stayed here two other times, but they didn’t remember him. Why should they? he asked himself. Better that they didn’t.

      The room was only big enough for the bed and a TV; the bathroom was no bigger than a closet, everything in it molded out of plastic, as if they’d just dropped the unit into place. Shower, no tub. No free shampoo or lotion or any of that shit. But clean.

      Only when he was in the room with the door locked did he take out what he had collected in the men’s room. He unfolded a sheet of paper. His lips moved a little as he read the instructions written there. His anger showed in his face now. He read it again, then tore it into bits and slammed into the tiny bathroom and flung the pieces into the toilet.

      The message had said to burn the paper when he was done, but everything in the bathroom was plastic and he was afraid of what the flame would do. And who the fuck was going to glue the pieces back together in the Naples sewer? “Kiss my ass,” he said aloud as he flushed the toilet.

      Still, there was no question of his disobeying the message. He left his toilet kit on the sink and, seeing that he still had fifteen minutes, turned on the TV and watched an American horror film, dubbed into Italian. He’d seen it before, something about American kids saving the world from Dracula. In his experience, American kids couldn’t save a gnat’s ass from a spiderweb, but it probably sold movie tickets to tell them they were the hope of the world.

      At five after ten, he went out.

      Bonner knew the Galleria Umberto, but he’d forgotten how to get there, so he did some wandering and actually asked somebody for directions before he found it, then was astonished that he’d forgotten how easy it was to find. He went in, crossed the vast terrazzo floor under the vaulted glass ceiling and found a chair at one of the cafés there. A waiter waved him to come closer, but he shook his head and stayed out there in the middle. Not that he liked it out there. What he liked was a corner, or at least a wall that he could put his back to. But the instructions were to sit in the middle. So they could check him out, he knew. He knew all that.

      The Galleria was like a church, he thought. Like one of those big, over-decorated Italian churches you’re supposed to fall down and vomit over because they’re old. Still, the Galleria had its good points: you could get a coffee or a beer in there and stay dry; you got the feeling of being outdoors because of the glass ceiling; you could see everybody who came and went.

      “Coffee,” he said to the now angry waiter.

      The waiter shot something at him in Italian. Of course the guy spoke English; they all had a little English, Bonner was sure. But he was making his point by speaking Italian because Bonner wouldn’t sit close to the kitchen so he didn’t have to carry anything so far. Instead, Bonner was sitting out here in Siberia, in the middle of the huge pavement.

      “Can’t understand you, sorry,”

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