Krabat - Otfried Preussler

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runs on, stops again. Toward evening he comes to the far side of the fen. When he comes out into the open, so he hopes, he will be out of the Master’s reach. Quickly, he dips his hands in the water, splashes his forehead and temples. Then, tucking in his shirt, which had come adrift as he ran, he tightens his belt, takes the last few steps – and freezes with horror.

       Instead of coming out on the open moor, as he expected, he finds himself in a clearing, and in the middle of this clearing, in the peaceful evening light, stands the mill. The Master is waiting for him at the door of the house.

       ‘Why, if it isn’t Krabat! There is mockery in his voice. ‘I was just about to send someone out to search for you!’

       Krabat is furious. He cannot understand what went wrong. He runs away again, early in the morning this time, before daybreak, in the opposite direction, out of the wood, over fields and meadows, through villages and hamlets. He leaps over watercourses, he wades through a bog, he never stops to rest. He ignores ravens, vipers, foxes; he does not glance at fish or cat, chicken or drake. ‘They can have one eye or two, or be stone-blind for all I care!’ he thinks. ‘I won’t be led astray this time!’

       All the same, at the end of the long day he is standing outside the mill in the fen of Kosel again. This time the miller’s men are there to welcome him back, Lyshko with malicious remarks, the others silently and with sympathy in their eyes. Krabat is near despair. He knows it would be best to give up, but he refuses to admit it. He tries again, a third time, that very night.

       It is not difficult to slip away from the mill … now he will guide himself by the North Star! What does it matter if he stumbles and gets scratched and bruised in the dark? No one sees him, no one can cast any spell on him, and that is the main thing.

       Not far away, an owl hoots, and then another bird flits past. Soon after that he spots an old eagle owl in the starlight; it is sitting on a branch, within his reach, and watching him – with its right eye. Its left eye is missing.

       Krabat runs on, falling over roots, stumbling into a ditch. He is not much surprised, when day breaks, to find himself standing outside the mill for the third time.

       All is still quiet indoors at this hour, but for the sound of Juro at work in the kitchen, busy making up the fire. Hearing him, Krabat goes in.

      ‘You were right, Juro. No one can run away from here. ’

      Juro gives him something to drink. “You’d better go and wash, Krabat,‘ he says. He helps Krabat off with his wet, muddy, bloodstained shirt, fills a pitcher of water, and then seriously and without his usual foolish grin, he says, ‘You couldn’t do it on your own, Krabat… but perhaps it might be done by two. Suppose we both try another time?’

      Krabat was awakened by the sound of the miller’s men coming upstairs to bed. He still had the taste of the sausage in his mouth, he could not have slept long, even though he had lived through two days and two nights in his dream.

      The next morning he happened to be alone with Juro for a moment or two.

      ‘I dreamed of you, Juro,’ said Krabat. ‘You suggested something to me in my dream.’

      ‘I did?’ said Juro. ‘Well, it must have been nonsense, Krabat, and you’d better just forget about it!’

       CHAPTER FIVE The Man with the Plumed Hat

      The mill in the fen of Kosel had seven sets of millstones. Six sets were always in use, and the seventh never; they called those millstones the Dead Stones. They stood right at the back of the grinding room. At first Krabat thought part of the cogwheel must be broken, or the main shaft was stuck, or some other part of the machinery damaged, until one morning, as he was sweeping the place out, he found a little flour lying on the floor boards around the chute that led down to the meal bin under the Dead Stones. On closer inspection, he found traces of fresh flour in the meal bin, too, as if it had not been knocked out well enough after the work was done.

      Had the Dead Stones been grinding grain last night? If so, it must have been done in secret, while everyone was asleep … or were they not all sleeping as soundly as Krabat himself last night?

      He remembered that the miller’s men had turned up for breakfast looking pale and hollow-eyed that day, and many of them were yawning, which struck him as suspicious now. Impelled by curiosity, he climbed the wooden steps up to the bin floor, where the grain was tipped from its sacks into the funnel-shaped hopper, from which it ran over the feed shoe and so down between the millstones. As the men tipped it in, a few grains were bound to be spilled, only it was not grain of any kind lying there under the hopper, as Krabat expected. The things lying around the bin floor looked like pebbles at first sight, a second glance showed Krabat that they were teeth – teeth and splinters of bone.

      Horrified, the boy opened his mouth to scream, but he could not utter a sound.

      Suddenly Tonda was there, behind him. Krabat had not heard him coming. He took the boy’s hand.

      ‘What are you after up here, Krabat?’ he asked. ‘Come along down, before the Master catches you, and forget what you have seen here, do you hear me, Krabat? Forget it!’

      Then he led Krabat down the steps, and no sooner did the boy feel the boards of the grinding-room floor under his feet than all he had seen that morning was wiped clean out of his mind.

      During the second half of February, a severe frost set in. The miller’s men had to break the ice outside the sluice every morning. Overnight, while the wheel stood still, the water would freeze in the grooves of the paddles, forming thick crusts of ice, which had to be hacked away before the machinery could be started up.

      Most dangerous of all was the ice that formed in the tailrace below the mill wheel. To keep it from damaging the wheel, two men had to climb down from time to time and hack it out, a job that none of them was particularly keen to do. Tonda made sure that no one shirked it, but when it was Krabat’s turn the head journeyman climbed down into the tailrace himself, saying it was no work for a boy who might hurt himself doing it.

      The others made no objection, except for Kito, who grumbled as usual, and Lyshko, who said, ‘Anyone might hurt himself if he didn’t look out!’

      Whether by chance or not, stupid Juro happened to be passing just then with a bucket full of pig swill in each hand. As he came past Lyshko he stumbled and splashed him with the pig swill from head to foot. Lyshko swore, and Juro, wringing his hands, assured him he could kick himself for being so clumsy.

      ‘Just think how you’ll smell for the next few days!’ said he. ‘And it’s all my fault … oh dear, Lyshko, don’t be cross with me, please don’t! I feel so sorry for the poor pigs, too!’

      These days Krabat often went out felling trees in the wood, with Tonda and some of the others. As they set off in their sleigh, well wrapped up, hot oatmeal inside them, their fur caps crammed down on their foreheads, he felt so good in spite of the bitter cold that he envied no one in the world.

      The trees they felled had their branches lopped on the spot, were stripped of their bark, cut to the right length, and stacked up loosely, with crossbars running between each layer to let the air in between the trunks, before they were taken to the mill next winter to be made into beams or sawn up for planks and boards.

      So the weeks passed by, and nothing much changed in Krabat’s daily life. He noticed a good many things that made him stop to think. For a start, it was odd that no customers ever came to the mill. Were the local farmers avoiding it? Yet the millstones ground every day, and grain was always being poured into the hoppers – barley and oats and buckwheat.

      Did the flour that was poured from the meal bins into sacks by day turn back into grain overnight? It seemed perfectly possible, Krabat thought.

      At the end of the first week in March the

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