LITMIR.BIZ

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neck and his close-cropped hair, nor Petar, who passed his spare time whittling wooden spoons, nor the popular Stashko, who moved quick as a flash and was as clever as the little monkey Krabat remembered gaping at years before, at the fair in Koenigswartha. Kito, who always looked as if he had just swallowed a pound of nails, noticed nothing either, nor did the silent Kubo – nor, of course, did stupid Juro.

      Juro was a brawny young man with short legs and a flat moon face sprinkled with freckles. He had been there longer than anyone but Tonda. He was not much use at the work of the mill, being, as Andrush used to say mockingly, ‘too stupid to keep bran and flour apart,’ and but for the fact that he had fool’s luck, he would certainly have fallen into the machinery and been caught between the millstones long ago, said Andrush.

      Juro was quite used to such remarks, and put up with Andrush’s teasing patiently; he ducked without protest when Kito threatened to hit him for some trifle or other, and when, as often happened, the other journeymen played a practical joke on him, he took it with a grin, as much as to say, ‘Well, I know I’m stupid!’

      The housework seemed to be all Juro was fit for, and since someone had to see to it, they were all perfectly happy to let Juro do it for them: cooking, and washing the dishes, baking bread and lighting fires, scrubbing the floor and scouring the steps, dusting, washing, ironing and everything else that had to be done about the house and the kitchen. He looked after the chickens, geese and pigs too.

      It was a mystery to Krabat how Juro ever got all his jobs done. However, it seemed perfectly natural to the others, and on top of that, the Master treated Juro like dirt. Krabat thought it was a shame, and once, when he took a load of firewood into the kitchen and Juro, not for the first time, gave him the end of a sausage to put in his pocket, he told him exactly how he felt.

      ‘I just don’t see how you can put up with it!’ he said.

      ‘What, me?’ asked Juro in surprise.

      ‘Yes, you!’ said Krabat. ‘The Master treats you shamefully, and all the others laugh at you!’

      ‘Tonda doesn’t,’ Juro objected. ‘You don’t, either.’

      ‘What difference does that make?’ cried Krabat. ‘I know what I’d do if I were you. I’d stick up for myself, that’s what! I wouldn’t take it any more – I wouldn’t take it from Kito or Andrush or any of them!’

      ‘Hm,’ said Juro, scratching the back of his neck. ‘Maybe that’s what you’d do, Krabat – well, you could! But what if you were just a fool like me?’

      ‘Well, run away, then!’ cried the boy. ‘Run away from here! Find somewhere else where they’ll treat you better!’

      ‘Run away?’ And for a moment Juro did not look stupid at all, merely tired and sad. ‘Try it, Krabat! Try running away from here!’

      ‘I don’t have any reason to!’

      ‘No,’ muttered Juro, ‘no, of course you don’t – let’s hope you never do …’

      He put a crust of bread in the boy’s other pocket, cut short his thanks, and pushed him out of the door, a silly grin on his face just as usual.

      Krabat saved his bread and sausage until the end of the day. Soon after supper, while the miller’s men were sitting in the servants’ hall, Petar busy with his whittling and the rest passing the time by telling stories, the boy left them and climbed up to the attic, where he threw himself down on his straw mattress, yawning. He ate his bread and sausage then, and as he lay there enjoying his feast, his thoughts went back to Juro and their talk in the kitchen.

      ‘Run away?’ he thought. ‘Run away from what? It’s no bed of roses here, with so much hard work to do, and I’d be in a bad way without Tonda’s help. But the food’s good, there’s plenty of it, I have a roof over my head – and when I get up in the morning, I’m sure of a bed for the next night, warm and dry and reasonably soft, with no bugs or fleas in it. That’s more than I could ever have hoped for when I was a beggar boy!’

       CHAPTER FOUR A Dream of Escape

      Krabat had run away once in his life already, soon after the death of his parents, who had died of the smallpox the year before. The pastor had taken him in, ‘to stop the child running wild,’ said he, which was much to the credit of the good pastor and his wife, who had always wished for a boy of their own. But Krabat, who had spent all his life in a wretched hovel, the shepherd’s hut at Eutrich, found it hard to settle down in the pastor’s house and be good all day long, never shout or fight, wear a white shirt, wash his neck and comb his hair, not go barefoot, keep his hands clean and his fingernails scrubbed – and on top of all that he had to speak German the whole time instead of Wendish!

      Krabat had tried as hard as he could. He tried for a whole week, and then another week, and after that he ran away from the pastor’s house and joined the beggar boys. He was not absolutely certain that he wanted to stay at the mill in the fen of Kosel for good, either.

      ‘All the same,’ he decided, licking his lips as he finished the last morsel, and half asleep already, ‘all the same, when I run away from here it’ll have to be summertime … no one’s getting me to leave before the wild flowers are out, and the wheat’s springing in the fields, and the fish in the millpond are biting …’

       It is summer, the wild flowers are out in the meadows, the wheat is springing, the fish in the millpond are biting. Krabat has quarreled with his master; instead of carrying sacks of grain, he lay down in the grass in the shadow of the mill and fell asleep, and the Master caught him at it and hit him with his big stick.

       ‘I’ll teach you to be idle in broad daylight, young man!’ the miller shouted.

       Was Krabat to put up with such treatment? In winter, with the icy wind howling over the moor, perhaps he’d have to take it. Aha – the Master was forgetting that it’s summer now!

       Krabat has made up his mind. He won’t stay in this mill a day longer! He steals into the house, takes his coat and cap from the attic, and then slips away. No one sees him. The Master has gone back to his own room, the blinds are down over the windows because of the hot weather, the miller’s men are at work in the granary and tending the millstones, even Lyshko is too busy to bother about Krabat. Yet the boy still feels that someone is secretly watching him.

       When he looks around, he does see a watcher on the woodshed roof, sitting there staring at him – a rough-haired black tom cat, a cat that doesn’t belong in the mill. It has only one eye.

       Krabat bends to pick up a stone, throws it at the cat and shoos it off. Then he hurries toward the millpond, under cover of the willows. He catches sight of a fat carp in the water by the bank. It is goggling up at him with its one eye.

       Feeling ill at ease, the boy picks up a stone and flings it at the carp, which dives away, plunging down into the green depths of the pond.

       Now Krabat is following the Black Water to that place in the fen of Kosel that folks call the Waste Ground. He stops there for a few minutes, by Tonda’s grave, remembering vaguely how they had to bury their friend here one winter’s day.

       He stands there thinking of the dead man … and suddenly, so unexpectedly that his heart misses a beat, he hears a hoarse croak. There is a large raven perched motionless on a stunted pine at the edge of the Waste Ground. It is looking at Krabat, and the boy sees with horror that it, too, has no left eye.

       Now Krabat knows where he stands, and wasting no time, he begins to run, running away as fast as his feet will carry him, going upstream along the Black Water.

       When he first stops to get his breath back, a viper comes wriggling through the heather, rears up, hissing, and looks at him – it has only one eye. The fox watching him from the undergrowth

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