LITMIR.BIZ

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genocidal weapon have largely altered understandings of the human condition itself. The premise of this book is that those recognitions should therefore by now have equally changed the way Jesus Christ is thought of, by believers and nonbelievers alike. No such transformation has taken place. Yet Jesus has become a problem across the boundaries of faith and skepticism, the problem with which this book wrestles.

      In my case, the change began with the paired witnesses Anne Frank and Elie Wiesel, whose testimonies overlapped. In 1960, I saw the filmed version of The Diary of a Young Girl as a high school senior at the U.S. Air Force base theater in Wiesbaden, Germany. Holocaust denial was a broad cultural motif everywhere, but in Germany proper, the murdered ones remained—as ghosts. While unacknowledged, the disappeared were nevertheless a felt presence. Our American enclave, for example, was a river town, an easy boat ride up the Rhine from Koblenz, which, we’d heard, was near Hinzert, one of the notorious “night and fog” concentration camps, part of the death network administered from Buchenwald. We sons and daughters of the American occupiers had whispered of such places, wondering what the Germans we encountered knew of them. Yet we were unable to actually imagine the horrors.

      Suddenly, with the on-screen dramatization of the Frank family’s plight, the death camps were less unreal. The movie (like the play) ends with Anne’s sweet voice declaring, “In spite of everything, I still believe that people are really good at heart.” But I wondered. I left the movie theater feeling more shaken than I’d ever been by a film. I immediately read Anne Frank’s book, and felt implicated by it. Yes, she wrote those affirming words—but that was before she was taken off to Auschwitz. If she could have spoken from the grave—or the pit—what would she have said, actually? That question was the beginning of my inquiry.⁴

      Anne’s was a real face for the horror, a girl with whom to identify. Many stateside Americans had this reaction to her, I knew, yet on Wiesbaden’s Biebricher Allee, where my Air Force family lived, I was all at once aware of Jews—former neighbors who were simply no longer there. Ghosts indeed. The film and book turned the abstraction of the “displaced persons,” as Jewish victims were still referred to, into a deeply felt anguish. On my street, Jews had been rounded up. Yet what I felt was less empathy than perplexity. I knew better than to assume that, had I been in Amsterdam, I myself would have been at risk in an annex room, like the Franks. No, I would not have been a victim. Then what? Sophocles again.

      Elie Wiesel, whose Night I read only a year or two later, just as I was embarking on the religious life as a young seminarian, was another sufferer whose fate troubled me. The book describes the cramped dormitory where young Eliezer slept on the narrow upper berth of a bunk bed, a detail with which I unexpectedly identified, since my own childhood bed had been a shelflike upper bunk above the bed below. It seems wrong now to have made any comparison, yet I did. Under my bunk had been my brother Joe’s bed. Two years my senior, he had been stricken with childhood polio, and the disease, after numerous surgeries, left his legs twisted and shorn of muscle. Sometimes in the night, across the years that took me into adolescence, I would crane over the edge of my bunk to look down at my sleeping brother, expecting that he had kicked his blankets off. I would stare at his skeletal thighs and shinbones, bruised and gnarly with scar tissue. Under Eliezer, in that rancid death-camp dormitory, was not a disease-tortured brother, but his dying father. Eliezer, too, was powerless to help.

      A shallow sort of empathy for Wiesel—even if my brother’s suffering went deep—yet I felt it. But that was as far as this recognition could take me. As a young seminarian anxious to prove my faith, I was troubled by the outrageous challenge to God around which Night organizes its narrative. Whatever my sympathy for Wiesel, it could not outweigh the scandal I took from his book’s climactic blasphemy—that, after such death as Auschwitz inflicted on the chosen people, God himself was dead.

      In response to a fellow inmate’s called-out prayer at Auschwitz, Wiesel replied, “Blessed be God’s name? Why, but why would I bless Him? Every fiber in me rebelled. Because He caused thousands of children to burn in His mass graves? Because He kept six crematoria working day and night . . . ? How could I say to Him: Blessed be Thou, Almighty Master of the Universe, who chose us among all nations to be tortured day and night, to watch as our fathers, our mothers, our brothers end up in the furnaces?” Then Wiesel reports that a man asked, “Where is God? Where is He?”

      In a well-known passage, Wiesel recounts an incident that occurred at Auschwitz. Prisoners were forced by the Nazi guards to stand before the gallows and watch as a child hung from a noose,

      struggling between life and death, dying in slow agony under our eyes. And we had to look him full in the face. He was still alive when I passed in front of him. . . .

      Behind me, I heard the same man asking:

      “Where is God now?”

      And I heard a voice within me answer him:

      “Where is He? Here He is—He is hanging here on this gallows.”⁵

      For Wiesel, this moment epitomizes the death of God, an end of faith that equates, as negating revelation, with the theophany on Mount Sinai. Indeed, Auschwitz was the opposite of theophany—the manifestation of nothingness. Yet it transformed the imagination of many Jews, with history trumping religion as a defining note of identity—history perceived from the point of view of its climax in the Shoah.⁶

      But I did not read the gallows passage as divine abandonment. For me, the vision evoked by Elie Wiesel at Auschwitz was a manifestation—and I would not see for years what a perversion this was—of the depth of God’s longing for human beings, God’s readiness to take their suffering as His own. Quite simply, to me, the young man whom Wiesel saw on the gallows was Jesus on the cross. His death was a replay of the great redeeming sacrifice. Jesus was the answer to suffering—to my brother’s, surely, but also to Anne’s and to Elie’s.

      Like Christians of old, I was struck that the Jewish vision—Wiesel’s vision—entirely missed the meaning of Jesus’ death on the cross. In my own version of an ancient Christian surprise, I thought it obtuse of Wiesel—though I’d never have uttered such an insult—not to have recognized in his lynched campmate the agonized Christ, who alone redeems the evil of every abyss.

Enchantment

      What one makes of Jesus depends, first, on how one sees the world. Though born near the middle of the twentieth century, I was initiated, like so many of my kind, into a way of thinking and believing that owed more to the Middle Ages than to modernity. I use myself as an example not because my case is special, but because it is not. My faith was grounded in a common teaching that shaped the views of most Catholics and many Christians. Fewer and fewer people in the contemporary age have experience of such a worldview, yet it was the decisive milieu in which every experience of Jesus could be had.

      Religion, as I first embraced it, was less a realm apart than all of life, taken together from a certain perspective—a naive perspective, since it was not understood as such; not understood to be merely one of numerous possible vantage points. In my youth, all but unknown to me, premises of belief had supposedly been refuted decades or centuries before. Descartes, Darwin, Nietzsche, Freud, Marx, Sartre: hadn’t they all done their worst—or best—already?⁷ But the intact cogency of immigrant Catholicism in postwar America—and the same was true in other denominational settings—felt perennial, immune from any possible assault, including those said to have already occurred, whether from a profoundly threatening “science,” depth psychology, or from the erosions of “materialism.” In piety, liturgy, theology, and even metaphysics, midcentury Christian institutions were advancing conceptions of reality that had been untouched by the Enlightenment.

      Intellectually, the parish in which our values and understandings were rooted was, well, parochial. But then, in our view, so was the much larger cosmos, consisting of a three-tiered geography, with Earth firmly bracketed by the up and down of heaven and hell, which were actual places to us. If space was constricted, so was time, with the now of this life set off from the then of afterlife. The realm of nature was set off from grace, the immanent from the transcendent. Yet all of these borders

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