LITMIR.BIZ

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same laconic poster: ‘Rhythm and Blues with the Rollin’ Stones [sic]. Admission 4s.’ Fortunately, Ian Stewart owned a van as well as his racing bike, and could chauffeur them and their equipment to pubs in places even further distant, like Windsor, Guildford and Maidenhead. Stew proved a sterling hand at unloading guitar cases and amps, even though he might not himself always get the chance to play. ‘If there was no piano, I’d just settle down in the van and go to sleep. I did have to be up the next morning to go to work at ICI.’

      The lack of a permanent drummer continued to be vexing. Mick Avory, who sat in with them most often, had little natural feel for r & b. Carlo Little, from Cyril Davies’s group, whom they liked much better, had more pressing extra-curricular work with Screaming Lord Sutch and the Savages. Unable to approach Charlie Watts, they reluctantly settled for a boy called Tony Chapman, who had played in several semi-pro rock ’n’ roll groups. But Chapman, a commercial traveller, wasn’t always reliable and was frequently out of town on business trips.

      Just before Christmas came another setback. Dick Taylor, their bass player, announced he was quitting to begin a course at the Royal College of Art. The others asked Tony Chapman if he knew any bass guitarists looking for work. Chapman said he might know someone, an ex-colleague of his in a conventional pop group called the Cliftons. It was arranged that Tony Chapman’s friend should come for an audition with Brian, Keith and Mick at their local Chelsea pub, the Wetherby Arms, one cold, snowy day in December.

      Bill Perks had always hated his family name, and wished he could change it to something more in keeping with his nature and ambitions. His grandfather Perks, he knew, had done the same thing fifty years earlier when fighting illegally as a bare-fist pugilist. ‘And when he got older and used to breed racing pigeons, he still went on using another name,’ the metamorphosed Bill Wyman says. ‘He always raced his pigeons under the name of Jackson.’

      The son born to William and Kathleen Perks on October 24, 1936, showed little sign of his ultimate destiny for almost the first quarter of his life. As a child, he was thoughtful, steady, quiet, rather pious. His mother remembers how he would spend hours in his bedroom, in Blenheim Road, Penge, just reading the Bible. At Beckenham Grammar School he was proficient in art and mathematics and a useful athlete. With his precise mind and prodigious memory, he would have been natural university material if born just one decade later. Then, amid Britain’s post-war and class-ridden chill, the best a bright working-class boy could hope for was respectable clerkship. His father, a bricklayer out of doors in all weathers, was delighted to think Bill might get a comfortable office job.

      His first employment was with the City Tote, a firm of multiple bookmakers in London’s West End. He was then called up for two years’ service as a clerk in the Royal Air Force. Some of that time he spent in West Germany, at an RAF station near Bremen, where he heard rock ’n’ roll music for the first time over the American Forces Network. He remembers, too, what a liking he developed for a fellow serviceman called Lee Wyman, not realizing it was the surname that really appealed to him.

      He already thought of himself as Bill Wyman when, demobbed from the RAF, he took a job as storekeeper with an engineering firm in Streatham, south London. He organized the stores with fastidious efficiency, cataloguing the stock and recording its level by a neat system of dockets and coloured strings. In 1959, he married a girl named Diane whom he had met at a dance in Beckenham, and moved with her into a flat above a Penge garage.

      His first guitar, bought during his RAF service, was a Spanish model, so badly made he could hardly hold down the strings. He played with scratch groups, in and out of the service, for the next year or two. ‘I was never much of a guitarist. I was no good at playing chords. That’s why I switched to bass as soon as they started coming in.’

      In December 1962 he was already semi-professional, playing bass regularly in the Cliftons and, occasionally, in stage shows presented by the great pop impresario Larry Parnes. He had risen as high as backing Parnes’s discovery Dickie Pride, a tiny youth then billed as ‘Britain’s Little Richard’. ‘We had to wear stage make-up … little suits all the same. Horrible, they were. You always knew they’d been passed on to you from someone else.’

      It was, therefore, with no great hope or expectation that Bill Wyman walked into the Wetherby Arms in Chelsea and beheld the group with whom Tony Chapman had arranged for him to audition. His first thought – tinged with working-class resentment – was that they looked off-puttingly ‘bohemian’ and ‘arty’. They, on their side, felt no instant rapport with the hollow-cheeked, unsmiling newcomer, seven years older than Mick and Keith, and whose reserved manner suggested the superiority of a bass player who had once accompanied Dickie Pride.

      What made him desirable was the sheer magnificence of his equipment. With his bass guitar, he hauled in two enormous black and gold amplifiers. Even the one he airily called his ‘spare’ was a Vox 850, bigger than Keith Richards had ever seen outside a shop window. Plugging in his bass, he indicated the 850 and said, ‘One of you can put your guitar through that.’

      ‘I wasn’t sure – I thought I’d just try things out with them for a bit,’ Bill says, ‘even though I did think they looked too bohemian. Not long afterwards, they decided they wanted to get rid of Tony Chapman as drummer and bring in Charlie Watts. Tony came to me and said, “Well, that’s it, Bill. We can form a new group of our own now.” I said, ‘No – I think I’m all right where I am.” I think I made a wise decision.

      Initially, it seemed far from wise. Bill Wyman’s recruitment to ‘the Rollin’ Stones’ coincided with heavy snowfalls, which, as they grew steadily worse, prevented them from getting to all but a scattered few of their suburban dates. At those they did manage to reach, attendance was disastrously reduced. Even their large Eel Pie Island following seemed reluctant to brave the toll bridge over the fast-freezing Thames. Wyman, perched on his amplifier rim, a cigarette dangling from his mouth, regretted his folly in exchanging Larry Parnes’s stage shows for arty types like this, who did not even stand up to play, but sat on chairs or stools in a semicircle behind their head-shaking vocalist.

      The winter, it turned out, was Britain’s worst for more than a hundred years. The entire country became submerged in a featureless white plain, swept by unremittingly savage cold which turned milk to creamy granite and made beer explode spontaneously in its bottles. From December to mid-February, the weather was Britain’s sole talking point – apart from a brief scandal, reported from Carlisle just after Christmas, when a group called the Beatles was ejected from a Young Conservatives dance for the impossibly tasteless offence of arriving in black leather jackets.

      At Edith Grove, the water pipes were now all frozen solid: Mick, Keith, Brian and Phelge could not wash or pull the lavatory chain. What puny room heaters they had barely took the edge off the biting cold. Bill Wyman, the settled married man, could hardly believe the squalor of the conditions. ‘They weren’t cooking – just living on pork pies and cups of instant coffee,’ Bill says. ‘I used to get through pounds, just feeding that electric meter of theirs.’

      Their diet was mainly potatoes and eggs, which Brian and Keith would pilfer from Fulham Road grocery shops, and stale bread scavenged from the debris of parties given by other tenants in the house. Bill Wyman, when he dropped by, would bring food and cigarettes as well as shillings for their ravenous coin meter. Once a week, Ian Stewart would hand them a supply of six-shilling (30p) luncheon vouchers, bought up at a shilling each from weight-conscious secretaries in his office at ICI.

      On many days, Keith remembers, it would not be worthwhile even getting out of bed. ‘We hadn’t got any gigs. Nothing to do. We’d spend hours at a time just making faces at each other. Brian was always the best at that. There was a particularly horrible one he could do by pulling his eyes down at the corners and sticking his fingers up his nostrils. He called it “doing a Nanker”.’ Even when every pipe in the flat was frozen, Brian somehow managed to wash his hair every day, and find a shilling somewhere to blow-dry it into its elaborate cresting wave. He seemed, for all his fastidiousness, the most adept of them all at living rough. Even Keith did not have Brian’s sublime assurance, as each frozen midday dawned outside their filthy, iced-up windows, that the wherewithal of keeping warm and not starving could always be borrowed, begged or

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