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The Forest of Vazon. Unknown
Читать онлайн.Название The Forest of Vazon
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She examined the wound, and raising herself said, "No human hand can save her. The Spirits alone have power: those Spirits who prolong human life regardless of human ills; but they must be besought, and who will care to beseech them?"
"Prayers may save her," answered a stern voice, "but not prayers to devils! The Holy Virgin should we beseech, by whom all pure maidens are beloved. She will save her if it be God's will, or receive her into her bosom if it be decreed that she should die."
The words were those of Father Austin, one of the monks of Lihou, distinguished by his sanctity and the austerity of his habits. He was spare, as one who lived hardly; his grey eyes had a dreamy look betokening much inward contemplation, though they could be keen enough when, as now, the man was roused; there was a gentleness about his mouth which showed a nature filled with love and sympathy.
The woman drew herself to her full stature, and turned on him a defiant look.
"Gods or devils!" she said in a ringing tone—"which you will! What can an immured anchorite know of the vast mysteries of the wind-borne spirits? Is this child to live or die? My gods can save her; if yours can, let them take her! She is nought to me."
"When Elijah wrestled with the prophets of Baal, where did victory rest?" said the priest, and he too stooped down and inspected the wound. "She is past cure," he said, rising sadly; "it remains but to pray for her soul."
At this critical moment an agonizing shriek rang through the forest. The same runners who had sped to Marie Torode's cottage and had learnt there that the wise woman had in truth passed away, had brought back with them Suzanne's mother, who threw herself on her child's body endeavouring to staunch the blood, and to restore animation. Finding her efforts vain, she had listened anxiously to the words that had passed, and on hearing the priest's sentence of doom she burst into frantic grief and supplication. Turning to each disputant she cried—"Save her! save her young life! I suckled her, I reared her, I love her!—oh, how I love her!—do not let her die!"
"She can be saved!" curtly responded the stranger. The priest was silent. A murmur arose. Austin, who had trained himself to study those among whom he laboured, saw that the feeling was rising strongly against him. His antagonist saw it also, and pressed her victory.
"Yes!" she said scornfully, "it is a small matter for my Gods to save her, but they will not be besought while this bald-pate obtrudes his presence. Let him leave us!"
The priest was much perplexed. He knew the skill of these lonely women; secretly he had faith in their power of witchcraft, though attributing it to the direct agency of Satan. He thought it not impossible that there was truth in the boast; and his heart was wrung with the mother's grief. On the other hand, the public defeat was a sore trial; but it was clear to him that for the present at least the analogy of Elijah's struggle was imperfect: he must wait, and meanwhile bear his discomfiture with meekness. He prepared to retire. The victor was not, however, even now satisfied. "Take with you," she said, "yon idol that defaces the sacred oak!"
The good fathers, following their usual practice of associating emblems of heathen with those of Christian worship, in the hope of gradually diverting the reverence to the latter without giving to the former a ruder shock than could be endured, had suspended a small cross on the oak, hoping eventually to carve the tree itself into a sacred emblem; it was to this that the woman was pointing with a sneer.
But this time she had made a blunder. Father Austin turned to the crucifix and his strength and fire returned. Taking it from the tree, reverently kissing it and holding it aloft, he said solemnly—"Let my brothers and sisters come with me! We will pray apart, where no profane words can reach us. Perchance our prayers may be granted!" Not a few of the hearers followed him; sufficient indeed to make an imposing procession: the triumph of the Evil One was at least dimmed.
But his adversary did not appear to notice their departure. She gave a sharp glance in the direction of the oak, and the now discrowned girl was quickly at her side. Receiving some rapid instructions, the latter disappeared into the wood, and shortly returned with some herbs, which she passed to her companion; she then resumed her position by the stone. The old woman placed some leaves, which she selected, on the wound: the bleeding at once ceased; squeezing juice from the herbs, she applied an ointment made from it; then, opening a phial attached to her waist-belt, she poured some drops of liquid into the girl's mouth, gently parting her lips. This done, she stood erect and began an incantation, or rather a supplication, in an unknown tongue. As she proceeded her form became rigid, her eye gleamed, her arms, the hands clenched, were raised above her head. The sun flashed on the circlet, glittered on the embossed girdle: on the right arm was a heavy bracelet, composed of a golden serpent winding in weird folds round a human bone; the head was towards the wearer's wrist, and the jewelled eyes which, being of large size, must have been formed of rare stones, glowed and shot fire as the red beams struck on them through the branches. It seemed that a forked tongue darted in and out, but this may have been imagined by the heated fancies of the bystanders. The prayer ended; the stillness of death rested a moment on man and nature; then a wild gust of wind, striking the oak without any preliminary warning, bent and snapped the upper branches, and crashed inland through the swaying forest. The watchers saw the colour return to the cheeks of the wounded girl, who opened her eyes and sate up. "Take her home," said the sorceress, now quite composed, to the mother; "she is yours again!—till Marie calls her!" she added in a low voice to herself. The happy mother, shedding tears of joy, but in vain attempting to get her thanks accepted, obeyed the injunction.
As she and her friends disappeared, the old woman, turning to the awed people who seemed more than ever disposed to look on her as a supernatural being, said sternly—"Why linger you here? Are you unmindful of your duties? See you not how the shadows lengthen?" These words produced a magical effect: the deep emotions by which the mass had been recently swayed were swiftly replaced by equally profound feelings of a different nature, as cloud succeeds cloud in a storm-swept sky.
And now a singular scene was enacted. A procession was formed, headed by the old men, bare-headed; the musicians followed, behind whom walked with solemn step the younger members of the community. This procession, emerging from the western border of the forest, slowly climbed the slopes of the Rocque du Guet, and arriving at the summit bent its way seaward, halting at the edge of the precipitous cliff.
The sun was nearing the horizon. The scene was one of unsurpassed loveliness. Behind lay the central and southern portions of the island, hushed as if their primaeval rocks were still tenantless. The outlines of the isles of Herm and Jethou were visible, but already sinking into the shades of evening. On the left the bold bluffs of L'Erée and Lihou, on the right the rugged masses of the Grandes and the Grosses Rocques, the Gros Commet, the Grande and Petite Fourque, lay in sharpened outline, the lapping waves already assuming a grey tint. These masses formed the framework of a picture which embraced a boundless wealth of colour, an infinite depth of softness. Straight from the sun shot out across Cobo Bay a joyous river of gold, so bright that eye could ill bear to face its glow; here and there in its course stood out quaintly-shaped rocks, some drenched with the fulness of the glorious bath, others catching now and again a sprinkling shower. On each side of the river the sea, clear to its depths where alternate sand and rock made a tangle of capriciously mingled light and shade; its surface, here blue as the still waters of the Grotta Azzurra, there green as the olive, here again red-brown as Carthaginian marble, lay waveless, as with a sense that the beauty was too perfect to be disturbed. Suddenly the scene was changed; the lustrous outflow was swiftly drawn in and absorbed; a grey hue swept over the darkening surface; in the distance the round, blood-coloured, orb hung above the expectant ocean.
Then all assembled fell on their knees. The music gave out sharp plaintive notes which were answered by the voices of men and women in short, wailing, as it were inquiring, rhythm; this continued till the sun was on the point of disappearance, when music and voices together burst into a sad chant, seemingly of farewell; the kneeling people extending their hands seaward with an appealing gesture. One figure only was erect; on the projecting boulder, which is still so conspicuous a feature of the Rocque du Guet, stood the sorceress, her arms also outstretched, her figure, firm, erect, sharply