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hand of the terrible Dragut upon finding him his captive.

      The Mediterranean man, fixed on the shores that gave him birth, was accustomed to accept all the changes of history, as the mollusks fastened to the rocks endure the tempests. For him the only important thing was not to lose sight of his blue sea. The Spaniard used to pull an oar on the Liburnian felucca, the Christian would join the crews of the Saracen ships of the Middle Ages; the subjects of Charles V would pass through the fortunes of war from the galleys of the Cross to those of the Crescent, and would end by becoming rulers of Algiers, rich captains of the sea, or by making their names famous as renegades.

      In the eighth century the inhabitants of the Valencian coast united with the Andalusian Moors to carry the war to the ends of the Mediterranean and to the island of Crete, taking possession of it and giving it the name of Candia. This nest of pirates was the terror of Byzantium, taking Salonica by assault and selling as slaves the patricians and most important ladies of the realm. Years afterwards, when dislodged from Candia, the Valencian adventurers returned to their native shores and there established a town in a fertile valley, giving it the name of the distant island which was changed to Gandia.

      Every type of human vigor had sprung from the Mediterranean race,—fine, sharp and dry as flint, doing good and evil on a large scale with the exaggeration of an ardent character that discounts halfway measures and leaps from duplicity to the greatest extremes of generosity. Ulysses was the father of them all, a discreet and prudent hero, yet at the same time complex and malicious. So was old Cadmus with his Phoenician miter and curled beard, a great old sea-wolf, scattering by means of his various adventures the art of writing and the first notions of commerce.

      In one of the Mediterranean islands Hannibal was born, and twenty centuries after, in another of them, the son of a lawyer without briefs embarked for France, with no other outfit than his cadet's uniform, in order to make famous his name of Napoleon.

      Over the Mediterranean waves had sailed Roger de Lauria, knight-errant of vast tracts of sea, who wished to clothe even the fishes with the colors of Aragon. A visionary of obscure origin named Columbus had recognized as his country the republic of Genoa. A smuggler from the coasts of Laguria came to be Messina, the marshal beloved by Victory, and the last personage of this stock of Mediterranean heroes associated with the heroes of fabulous times was a sailor from Nice, simple and romantic, a warrior called Garibaldi, an heroic tenor of all seas and lands who cast over his century the reflection of his red shirt, repeating on the coast of Marseilles the remote epic of the Argonauts.

      Then Ferragut summed up the various defects of his race. Some had been bandits and others saints, but none mediocre. Their most audacious undertakings had much about them that was prudent and practical. When they devoted themselves to business they were at the same time serving civilization. In them the hero and the trader were so intermingled that it was impossible to discern where one ended and the other began. They had been pirates and cruel men, but the navigators from the foggy seas when imitating the Mediterranean discoveries in other continents had not shown themselves any more gentle or loyal.

      After these conversations, Ulysses felt greater esteem for the old pottery and the shabby little figures that adorned his uncle's bedroom.

      They were objects vomited up by the sea, Grecian amphoras wrested from the shells of mollusks after a submarine interment centuries long. The deep waters had embossed these petrified ornaments with strange arabesques that made one think of the art of another planet, and, twined in with the pottery that had held the wine and water of a shipwrecked Liburnian felucca, were bits of rope hardened by limey deposit and flukes of anchors whose metal was disintegrating into reddish scales. Various little statues corroded by the salt sea inspired in the boy as much admiration as his grandfather's frigates. He laughed and trembled before these Cabiri coming from the Phoenician or Carthaginian biremes,—grotesque and terrible gods that contracted their faces with grimaces of lust and ferocity.

      Some of these muscular and bearded marine divinities bore a remote resemblance to his uncle. Ulysses had overheard certain strange conversations among the fishermen and had noticed, besides, the precipitation of the women and their uneasy glances when they found the doctor near them in a solitary part of the coast. Only the presence of his nephew had made them recover tranquility and check their step.

      At times the sea seemed to craze him with gusts of amorous fury. He was Poseidon rising up unexpectedly on the banks in order to surprise goddesses and mortals. The women of the Marina ran away as terrified as those Greek princesses on the painted vases when surprised, washing their robes, by the apparition of a passionate triton.

      Some nights at the hour when the lighthouses were beginning to pierce the coming dusk with their fresh shafts of light, he would become melancholy and, forgetting the difference in their age, would talk with his nephew as though he were a sailor companion.

      He regretted never having married…. He might have had a son by this time. He had known many women of all colors—white, red, yellow, and bronze—but only once had he really been in love, very far away on the other side of the planet, in the port of Valparaiso.

      He could still see in imagination a certain graceful Chilean maiden, wrapped in her great black veil like the ladies of the Calderonian theater, showing only one of her dark and liquid eyes, pale and slender, speaking in a plaintive voice.

      She enjoyed love-songs, always provided that they were sung "with great sadness"; and Ferragut would devour her with his eyes while she plucked the guitar, chanting the song of Malek-Adhel and other romances about "Roses, sighs and Moors of Granada," that from childhood the doctor had heard sung by the Berbers of his country. The simple attempt at taking one of her hands always provoked her modest resistance…. "That, then…." She was ready to marry him; she wished to see Spain…. And the doctor might have fulfilled her wishes had not a good soul informed him that in later hours of the night, others were accustomed to come in turns to hear her romantic solos…. Ah, these women! and then, on recalling the finale of his trans-oceanic idyl, Ferragut would become reconciled to his celibacy.

      Late in the Fall the notary had to go in person to the Marina to make his brother give Ulysses up. The boy held the same opinion as did his uncle. The very idea of losing the winter fishing, the cold sunny morning, the spectacle of the great tempests, just for the silly reason that the Institute had commenced, and he must study for his bachelor's degree!…

      The following year Doña Cristina tried to prevent the Triton's carrying off her son, since he could learn nothing but bad words and boastful bullying in the old home of the Ferraguts. And trumping up the necessity of seeing her own family, she left the notary alone in Valencia, going with her boy to spend the summer on the coast of Catalunia near the French frontier.

      This was Ulysses' first important journey. In Barcelona he became acquainted with his uncle, the rich and talented financier of the Blanes family,—one of his mother's brothers, proprietor of a great hardware shop situated in one of the damp, narrow and crowded streets that ran into the Rambla. He soon came to know other maternal uncles in a village near the Cape of Creus. This promontory with its wild coasts reminded him of that other one where the Triton lived. The first Hellenic sailors had also founded a city here, and the sea had also cast up amphoras, little statues and petrified bits of iron.

      The Blanes family had gone much to sea. They loved it as intensely as did the doctor, but with a cold and silent love, appreciating it less for its beauty than for the profits which it offered to the fortunate. Their trips had been to America, in their own sailing vessels, importing sugar from Havana and corn from Buenos Ayres. The Mediterranean was for them only a port that they crossed carelessly on departure and arrival. None of them knew the white Amphitrite even by name.

      Moreover, they did not have the devil-may-care and romantic appearance of the bachelor of the Marina, ready to live in the water like an amphibian. They were gentlemen of the coast who, having retired from the sea, were entrusting their barks to captains who had been their pilots,—middle class citizens who never laid aside the cravat and silk cap that were the symbols of their high position in their natal town.

      The gathering-place of the rich was the Athenæum,—a society that in spite of its title offered no other reading matter than two Catalunian periodicals. A large telescope mounted on

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