Paul Clifford — Volume 06 - Эдвард Бульвер-Литтон

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second shared the same fate; and the stout leader of the enemy, who, like a true general, had kept himself in the rear, paused now in the middle of the steps, dismayed alike by the reception of his friends and the athletic form towering above, with raised weapons and menacing attitude. Perhaps that moment seemed to the judicious Mr. Nabbem more favourable to parley than to conflict. He cleared his throat, and thus addressed the foe:

      "You, sir, Captain Lovett, alias Howard, alias Jackson, alias Cavendish, alias Solomons, alias Devil,—for I knows you well, and could swear to you with half an eye, in your clothes or without,—you lay down your club there, and let me come alongside of you, and you'll find me as gentle as a lamb; for I've been used to gemmen all my life, and I knows how to treat 'em when I has 'em!"

      "But if I will not let you 'come alongside of me,' what then?"

      "Why, I must send one of these here pops through your skull, that's all!"

      "Nay, Mr. Nabbem, that would be too cruel! You surely would not harm one who has such an esteem for you? Don't you remember the manner in which I brought you off from Justice Burnflat, when you were accused, you know whether justly or—"

      "You're a liar, Captain!" cried Nabbem, furiously, fearful that something not meet for the ears of his companions should transpire. "You knows you are! Come down, or let me mount; otherwise I won't be 'sponsible for the consequences!"

      Clifford cast a look over his shoulder. A gleam of the gray daylight already glimmered through a chink in the secret door, which Tomlinson had now unbarred and was about to open.

      "Listen to me, Mr. Nabbem," said he, "and perhaps I may grant what you require! What would you do with me if you had me?"

      "You speaks like a sensible man now," answered Nabbem; "and that's after my own heart. Why, you sees, Captain, your time is come, and you can't shilly-shally any longer. You have had your full swing; your years are up, and you must die like a man! But I gives you my honour as a gemman, that if you surrenders, I'll take you to the justice folks as tenderly as if you were made of cotton."

      "Give way one moment," said Clifford, "that I may plant the steps firmer for you."

      Nabbem retreated to the ground; and Clifford, who had, good-naturedly enough, been unwilling unnecessarily to damage so valuable a functionary, lost not the opportunity now afforded him. Down thundered the steps, clattering heavily among the other officers, and falling like an avalanche on the shoulder of one of the arresters of Long Ned.

      Meanwhile Clifford sprang after Tomlinson through the aperture, and found himself—in the presence of four officers, conducted by the shrewd MacGrawler. A blow from a bludgeon on the right cheek and temple of Augustus felled that hero. But Clifford bounded over his comrade's body, dodged from the stroke aimed at himself, caught the blow aimed by another assailant in his open hand, wrested the bludgeon from the officer, struck him to the ground with his own weapon, and darting onward through the labyrinth of the wood, commenced his escape with a step too fleet to allow the hope of a successful pursuit.

      CHAPTER XXIX

      "In short, Isabella, I offer you myself!"

      "Heavens!" cried Isabella, "what do I hear? You, my lord?"

Castle of Otranto.

      A novel is like a weatherglass,—where the man appears out at one time, the woman at another. Variable as the atmosphere, the changes of our story now re-present Lucy to the reader.

      That charming young person—who, it may be remarked, is (her father excepted) the only unsophisticated and unsullied character in the pages of a story in some measure designed to show, in the depravities of character, the depravities of that social state wherein characters are formed—was sitting alone in her apartment at the period in which we return to her. As time, and that innate and insensible fund of healing, which Nature has placed in the bosoms of the young in order that her great law, the passing away of the old, may not leave too lasting and keen a wound, had softened her first anguish at her father's death, the remembrance of Clifford again resumed its ancient sway in her heart. The loneliness of her life, the absence of amusement, even the sensitiveness and languor which succeed to grief, conspired to invest the image of her lover in a tenderer and more impressive guise. She recalled his words, his actions, his letters, and employed herself whole hours, whole days and nights, in endeavouring to decipher their mystery. Who that has been loved will not acknowledge the singular and mighty force with which a girl, innocent herself, clings to the belief of innocence in her lover? In breasts young and unacquainted with the world, there is so pure a credulity in the existence of unmixed good, so firm a reluctance to think that where we love there can be that which we would not esteem, or where we admire there can be that which we ought to blame, that one may almost deem it an argument in favour of our natural power to attain a greater eminence in virtue than the habits and arts of the existing world will allow us to reach. Perhaps it is not paradoxical to say that we could scarcely believe perfection in others, were not the germ of perfectibility in our own minds! When a man has lived some years among the actual contests of faction without imbibing the prejudice as well as the experience, how wonderingly be smiles at his worship of former idols, how different a colour does history wear to him, how cautious is he now to praise, how slow to admire, how prone to cavil! Human nature has become the human nature of art; and he estimates it not from what it may be, but from what, in the corruptions of a semi-civilization, it is! But in the same manner as the young student clings to the belief that the sage or the minstrel, who has enlightened his reason or chained his imagination, is in character as in genius elevated above the ordinary herd, free from the passions, the frivolities, the little meannesses, and the darkening vices which ordinary flesh is heir to, does a woman who loves for the first time cling to the imagined excellence of him she loves. When Evelina is so shocked at the idea of an occasional fit of intoxication in her "noble, her unrivalled" lover, who does not acknowledge how natural were her feelings? Had Evelina been married six years, and the same lover, then her husband, been really guilty of what she suspected, who does not feel that it would have been very unnatural to have been shocked in the least at the occurrence? She would not have loved him less, nor admired him less, nor would he have been less "the noble and the unrivalled,"—he would have taken his glass too much, have joked the next morning on the event, and the gentle Evelina would have made him a cup of tea; but that which would have been a matter of pleasantry in the husband would have been matter of damnation in a lover. But to return to Lucy.

      If it be so hard, so repellent, to believe a lover guilty even of a trivial error, we may readily suppose that Lucy never for a moment admitted the supposition that Clifford had been really guilty of gross error or wilful crime. True that expressions in his letter were more than suspicious; but there is always a charm in the candour of self- condemnation. As it is difficult to believe the excellence of those who praise themselves, so it is difficult to fancy those criminal who condemn. What, too, is the process of a woman's reasoning? Alas! she is too credulous a physiognomist. The turn of a throat, with her, is the unerring token of nobleness of mind; and no one can be guilty of a sin who is blessed with a beautiful forehead! How fondly, how fanatically Lucy loved! She had gathered together a precious and secret hoard,— a glove, a pen, a book, a withered rose-leaf,—treasures rendered inestimable because he had touched them; but more than all, had she the series of his letters,—from the first formal note written to her father, meant for her, in which he answered an invitation, and requested Miss Brandon's acceptance of the music she had wished to have, to the last wild and, to her, inexplicable letter in which he had resigned her forever. On these relics her eyes fed for hours; and as she pored over them, and over thoughts too deep not only for tears but for all utterance or conveyance, you might have almost literally watched the fading of her rich cheek and the pining away of her rounded and elastic form.

      It was just in such a mood that she was buried when her uncle knocked at her door for admittance. She hurried away her treasures, and hastened to admit and greet him.

      "I have come," said he, smiling, "to beg the pleasure of your company for an old friend who dines with us to-day. But, stay, Lucy, your hair is ill-arranged. Do not let me disturb so important an occupation as your toilette; dress yourself,

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