Crete-Mycenaean culture and religion as part of the Indo-European culture of the Bronze Age of Eurasia - Sergey Solovyov

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from the myths belonging to Athena-Pallas, the creation of all that exists by the power of his mind-the expanding branch from her head. Also on the large photo is a palmette-sign of rebirth from the ways of death. Acanthus, palmetta and meander (Μαίανδρος-translation from Greek is «Μαί-I ανδρος-man», or if the double vowel letter was not written in Greek-Mαία – the birth of ανδρος- (person) or simply the birth) is the most famous decor of antiquity, and its meaning as the meaning of birth and life. Probably, the meander occurred as a simplified image of swans, on vessels. Swans are connected in myths with the birth of man and are associated with Apollo and Aphrodite. Photo below. Artifacts were found in the marshes of the Urals, 2 thousand BC.

      pic.2 Wooden scoop Ural, 2 thousand BC.

      Meander is the sign of life. Meander is known on images and vessels from 2 thousand BC. Below is a vessel with a meander. The exhibit was found in the steppes of Orenburg 2 thousand BC.SHM, Moscow.

      pic.3 Vessel with meander, Orenburg region. Andronov Culture

      Acantus is a sign of sorrow and death. Photo below. And, then already in baroque, in garden and park culture, for example in Kuskovo, this ornament was used as a pedestal for busts of famous and dead people.

      pic. 4 Acanthus and Palmetta, Meander.

      A palmetta, the hope of resurrection. Photo above. Acanthus and palmettes were used on all orders of the Doric, Ionic and Corinthian columns, as well as on the vessels of antiquity. That is, Aphrodite-Ella is not only a goddess who gives birth, but also gives a resurrection. Acanthus and palmetta are repeatedly depicted on acroteria. That is, acanthus and palmetta are inextricably linked with the cult of Ella-Aphrodite.

      pic.6 Aphrodite with Eros. Pushkin Museum of Fine Arts, Moscow

      And Paris-Alexander, apparently was the king-priest of this deity, and accordingly the favorite of Aphrodite (Elena) -Ella. That is, the kidnapping was thought out by the Greeks much later than the capture of Troy, when they forgot about the identity of Elena and Aphrodite. At the Athens Museum there is a gold decoration of the 16th century. AD with a similar plot. As you can see in the photo, the goddess generates everything with the power of her mind. On the photo below, there are capitals of columns with acanthus and palmetto. These were sacred signs. In the case of applying the Doric order, the acanthus was painted on the frieze.

      pic. 7. The screw from Mycenae. The Athenian Archaeological Museum

      pic.8 Types of orders of columns

      As can be seen from the epithets, the identity of Athena and Aphrodite is obvious. Below in the photo, as it is said, a lead plaque from Sparta, and it is said that this is Artemis-Oryphia. Images. as can be seen in the images of Athena, Aphrodite.Ilyphia (also Eilithia / Ilithia, dr.-Greek Εἰλείθυια, Mycenae e-re-u-ti-ja, Elifia – in ancient mythology, the mother-goddess, usually

      appears as a saving, but sometimes as a hostile force in childbirth. Without her help birth can not happen. Sometimes Ilfia is a simple attribute of Hera or Artemis, sometimes an independent being. According to Hesiod, Eliphia (Elisia) is the daughter of Zeus and Hera. According to the Cretan version, the daughter of Hera was born in Amnis (the Knaeus region). In Amnis, however, a sign of Linear Letter B was found with the mention of the sacrifice of Ilifia. Homer pointed out that there were several Ilifi (Elysius), whom he calls the daughters of Hera. However, Homer and Pindar mention it in the singular. In Olena’s hymn in honor of Ilifia it is said that she is older than Crohn, she is likened to the goddess of fate, and she was the mother of Eros (that is, the Creator-Love).

      pic.9 Artemis of Ephesus

      Just as interesting is the image of Artemis of Ephesus, as proof of the identity of the goddesses of Artemis, Elisia, Persephone, Aphrodite, Athens, because the meaning of this sculpture is the pictogram, meaning the meaning is ciphered in sculpture, when most believers could not read, and the deity sculptures had to be the most informative, that is, this image means «Nourishing, enlarging, all-good, all caring.» That is, this attribute just goes beyond the usual meanings associated with the image of Artemis-hunters and virgins.

      pic.10 Lead plates from Sparta with the image of Artemis

      Corinth, (Greek-Greek Ϙόρινθος, Greek Κόρινθος, Corinthos-Ancient Greek polis and modern city on the Corinthian isthmus, Corinth can be translated from ancient Greek as the city of Cora, Virgin.) Later, in the classical period, this beautiful city vied with Athens and Thebes in exchange and control of transportation through the isthmus… There was a magnificent temple dedicated to the goddess Aphrodite on the acropolis, according to some sources, there were more than a thousand priestesses in the temple. A priestesses of the temple of Aphrodite always wore long hair, and the longer they were, the better They never wore handkerchiefs, bedspreads or anything else that covered their hair, while all women in Greece wore dresses that covered them from head to toe. In Corinth, Isthmian games were held. In Corinth, the goddess Athena was called Gelotis – Hellötis, BOT-reads, as always-ELLOTIS and in her honor arranged the feast of Hellotia (Ellotia),

      as well as the Athens-Europe holiday in Crete: «a glotoid (ellotid) was a wreath woven from a myrtle wreath with a circumference of 20 cubits and that it was borne out at the festival of Hellotia (Elliotia). In it, they say, they bore the bones of Europe, which [also] was called the Hellottida (Ellotida). Hellotia (Elliotia) was also governed in Corinth.» (Athen XV 678b). But perhaps the Word Illothis-Ellotis is a compound. But the root of Illa Ella is understandable. According to the Hittite sources, there were two areas-Taruisa and Vilusa, but more correctly Ilusa. And Paris-Alexander, apparently was the priest of this deity, and accordingly the favorite of Aphrodite (Helena) -Ella. That is, the kidnapping was thought out by the Greeks much later than the capture of Troy, when they forgot about the identity of Elena and Aphrodite. If you remember the special honor in Aphrodite of the goddess Aphrodite, and that according to Homer Aphrodite was on the side of the Trojans, it turns out that the name Ilion dates back to the real name of Aphrodite, Elle-Ille (one must understand that in the Greek there is no letter «E»). In the retelling of the Trojan War, there is a hint that the main thing for the capture of Troy was the return to the Greeks of palladium, that is, the sacred image of Athena. And then again, the connection with the myth of Gelle (Ella) and Fricke is slipping. And it seems that the first Hellas (Hellas) was a Trojan. After the Trojan War, Neoptolemus took Andromache and took part of the Trojans to Thessaly. The first area, called Hellas, was in Northern Greece. Now, more in detail about Persephone and Perseus. So, the meaning of the word «Persephone» is «Perseus + phonos, that is, the sound or voice.» That is the voice of the dead.This is not even a name, but an epithet, like Tritiginea for Athena. Perseus, his birth is also associated with the cult of the dead He was born in a tomb from a deceased mother, or taken for a deceased mother, Danai.The exact translation of the word

      «Perseus» is not yet obtained, but the meaning, as in the analogy with Persephone is clear, and is connected with the dead. The cult of Persephone is associated with Eleusis, with the famous Eleusinian mysteries. And then the fun begins. The root of «Ela-Eli» is the name of the goddess Aphrodite. That is, the city is named after the goddess

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