LITMIR.BIZ

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thousand years ago: "Behold the Palace of the Kings, whose turrets pierce the skies, and whose foundations penetrate even to the empire of the dead." Julius Cæsar gazed proudly upon those turrets; and here the shouts of Roman legions, fifteen hundred years ago, proclaimed Julian emperor; and Roman maidens, with throbbing hearts, trod these floors in the mazy dance. No one can enter the grand hall of the baths, without being deeply impressed with the majestic aspect of the edifice, and with the grandeur of its gigantic proportions. The decay of nearly two thousand years has left its venerable impress upon those walls. Here Roman generals proudly strode, encased in brass and steel, and the clatter of their arms resounded through these arches. In these mouldering, crumbling tubs of stone, they laved their sinewy limbs. But where are those fierce warriors now? In what employments have their turbulent spirits been engaged, while generation after generation has passed on earth, in the enactment of the comedies and the tragedies of life? Did their rough tutelage in the camp, and their proud bearing in the court, prepare them for the love, the kindness, the gentleness, the devotion of Heaven? In fields of outrage, clamor, and blood, madly rushing to the assault, shouting in frenzy, dealing, with iron hand, every where around, destruction and death, did they acquire a taste for the "green pastures and the still waters?" Alas! for the mystery of our being! They are gone, and gone forever! Their name has perished – their language is forgotten.

      "The storm which wrecks the wintry sky,

      No more disturbs their deep repose,

      Than summer evening's gentlest sigh,

      Which shuts the rose."

      Upon a part of the ruins of this old palace of the Cæsars, there has been reared, by more modern ancients, still another palace, where mirth and revelry have resounded, where pride has elevated her haughty head, and vanity displayed her costly robes – but over all those scenes of splendor, death has rolled its oblivious waves. About four hundred years ago, upon a portion of the crumbling walls of this old Roman mansion, the Palace of Cluny was reared. For three centuries, this palace was one of the abodes of the kings of France. The tide of regal life ebbed and flowed through those saloons, and along those corridors. There is the chamber where Mary of England, sister of Henry VIII., and widow of Louis XII., passed the weary years of her widowhood. It is still called the chamber of the "white queen," from the custom of the queens of France to wear white mourning. Three hundred years ago, these Gothic turrets, and gorgeously ornamented lucarne windows, gleamed with illuminations, as the young King of Scotland, James V., led Madeleine, the blooming daughter of Francis I., to the bridal altar. Here the haughty family of the Guises ostentatiously displayed their regal retinue – vying with the kings of France in splendor, and outvying them in power. These two palaces, now blended by the nuptials of decay into one, are converted into a museum of antiquities – silent depositories of memorials of the dead. Sadly one loiters through their deserted halls. They present one of the most interesting sights of Paris. In the reflective mind they awaken emotions which the pen can not describe.

      2. The Louvre.– When Paris consisted only of the little island in the Seine, and kings and feudal lords, with wine and wassail were reveling in the saloons of Cluny, a hunting-seat was reared in the dense forest which spread itself along the banks of the river. As the city extended, and the forest disappeared, the hunting-seat was enlarged, strengthened, and became a fortress and a state-prison. Thus it continued for three hundred years. In its gloomy dungeons prisoners of state, and the victims of crime, groaned and died; and countless tragedies of despotic power there transpired, which the Day of Judgment alone can reveal. Three hundred years ago, Francis I. tore down the dilapidated walls of this old castle, and commenced the magnificent Palace of the Louvre upon their foundations. But its construction has required the labor of ages, and upon it has been expended millions, which despotic power has extorted from the hard hands of penury. This gorgeous palace contains a wilderness of saloons and corridors, and flights of stairs; and seems rather adapted to accommodate the population of a city, than to be merely one of the residences of a royal family. The visitor wanders bewildered through its boundless magnificence. The spirits of the dead rise again, and people these halls. Here the pure and the noble Jeanne d'Albret was received in courtly grandeur, by the impure and the ignoble Catherine de Medici. Here Henry IV. led his profligate and shameless bride to the altar. From this window Charles IX. shot down the Protestants as they fled, amidst the horrors of the perfidious massacre of St. Bartholomew. In this gilded chamber, with its lofty ceiling and its tapestried walls, Catherine de Medici died in the glooms of remorse and despair. Her bed of down, her despotic power could present no refuge against the King of Terrors; and the mind is appalled with the thought, that from this very room, now so silent and deserted, her guilty spirit took its flight to the tribunal of the King of kings, and the Lord of lords. Successive generations of haughty sovereigns have here risen and died. And if there be any truth in history, they have been, almost without exception, proud, merciless, licentious oppressors. The orgies of sin have filled this palace. Defiance to God and man has here held its high carnival.

      The mind is indeed bewildered with a flood of emotions rushing through it, as one is pointed to the alcove where Henry IV. was accustomed to sleep three hundred years ago, and to the very spot where, in anguish, he gasped and died, after having been stabbed by Ravaillac. Here one sees the very helmet worn by Henry II. on that unfortunate day, when the tilting spear of the Count of Montgommeri, entering his eye, pierced his brain. It requires the labor of a day even to saunter through the innumerable rooms of this magnificent abode. But it will never again resound with the revelries of kings and queens. Royalty has forsaken it forever. Democracy has now taken strange and anomalous possession of its walls. It is converted into the most splendid museum in the world – filled with the richest productions of ancient and modern art. The people now enter freely that sanctuary, where once none but kings and courtiers ventured to appear. The Louvre now is useful to the world; but upon its massive walls are registered deeds of violence, oppression, and crime which make the ear to tingle.

      3. Malmaison.– When Napoleon was in the midst of his Egyptian campaign, he wrote to Josephine, to purchase somewhere in the vicinity of Paris, a pleasant rural retreat, to which they could retire from the bustle of the metropolis, and enjoy the luxury of green fields and shady groves. Josephine soon found a delightful chateau, about nine miles from Paris, and five from Versailles, which she purchased, with many acres of land around it, for about one hundred thousand dollars. The great value of the place was in the spacious and beautiful grounds, not in the buildings. The chateau itself was plain, substantial, simple, far less ostentatious in its appearance than many a country-seat erected upon the banks of the Hudson, or in the environs of Boston. Here Josephine resided most of the time during the eighteen months of Napoleon's absence in Egypt. Upon Napoleon's return, this became the favorite residence of them both. Amid all the splendors of the Empire, it was ever their great joy to escape to the rural quietude of Malmaison. There they often passed the Sabbath, in the comparative happiness of private life. Often Napoleon said, as he left those loved haunts, to attend to the cares and toils of the Tuileries, "Now I must again put on the yoke of misery." Napoleon ever spoke of the hours passed at Malmaison, as the happiest of his life. He erected for himself there, in a retired grove, a little pavilion, very simple, yet beautiful, in its structure, which still retains the name of the Pavilion of the Emperor. Here he passed many hours of uninterrupted solitude, in profound study of his majestic plans and enterprises. Directly behind the chateau there was a smooth and beautiful lawn, upon a level with the ground floor of the main saloon. The windows, extending to the floor, opened upon this lawn. When all the kings of Europe were doing homage to the mighty emperor, crowds of visitors were often assembled at Malmaison; and upon this lawn, with the characteristic gayety of the French, many mirthful games were enacted. The favorite amusement here was the game of prisoners. Frequently, after dinner, the most distinguished gentlemen and ladies, not of France only, but of all Europe, were actively and mirthfully engaged in this sport. Kings and queens, and princes of the blood royal were seen upon the green esplanade, pursuing and pursued. Napoleon occasionally joined in the sport. He was a poor runner, and not unfrequently fell and rolled over upon the grass, while he and his companions were convulsed with laughter. Josephine, fond of deeds of benevolence, loved to visit the cottages in the vicinity of Malmaison; and her sympathy and kindness gave her enthronement in the hearts of all their inmates. After the divorce of Josephine, the Palace of Malmaison, which Napoleon had embellished with all those

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