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Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V. Various
Читать онлайн.Название Harper's New Monthly Magazine, No. XXVII, August 1852, Vol. V
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England, however, still refused, upon one pretense and another, to yield Malta; and both parties were growing more and more exasperated, and were gradually preparing for the renewal of hostilities. Napoleon, at times, gave very free utterance to his indignation. "Malta," said he, "gives the dominion of the Mediterranean. Nobody will believe that I consent to surrender the Mediterranean to the English, unless I fear their power. I thus loose the most important sea in the world, and the respect of Europe. I will fight to the last, for the possession of the Mediterranean; and if I once get to Dover, it is all over with those tyrants of the seas. Besides, as we must fight, sooner or later, with a people to whom the greatness of France is intolerable, the sooner the better. I am young. The English are in the wrong; more so than they will ever be again. I had rather settle the matter at once. They shall not have Malta."
Still Napoleon assented to the proposal for negotiating with the English for the cession of some other island in the Mediterranean. "Let them obtain a port to put into," said he. "To that I have no objection. But I am determined that they shall not have two Gibraltars in that sea: one at the entrance, and one in the middle." To this proposition, however, England refused assent.
Napoleon then proposed that the Island of Malta should be placed in the hands of the Emperor of Russia; leaving it with him in trust, till the discussions between France and England were decided. It had so happened that the emperor had just offered his mediation, if that could be available, to prevent a war. This the English government also declined, upon the plea that it did not think that Russia would be willing to accept the office thus imposed upon her. The English embassador now received instructions to demand that France should cede to England, Malta for ten years; and that England, by way of compensation, would recognize the Italian republic. The embassador was ordered to apply for his passports, if these conditions were not accepted within seven days. To this proposition France would not accede. The English minister demanded his passports, and left France. Immediately the English fleet commenced its attack upon French merchant-ships, wherever they could be found. And the world was again deluged in war.
THE PALACES OF FRANCE
France has recorded her past history and her present condition, in the regal palaces she has reared. Upon these monumental walls are inscribed, in letters more legible than the hieroglyphics of Egypt, and as ineffaceable, the long and dreary story of kingly vice, voluptuousness and pride, and of popular servility and oppression. The unthinking tourist saunters through these magnificent saloons, upon which have been lavished the wealth of princes and the toil of ages, and admires their gorgeous grandeur. In marbled floors and gilded ceilings and damask tapestry, and all the appliances of boundless luxury and opulence, he sees but the triumphs of art, and bewildered by the dazzling spectacle, forgets the burning outrage upon human rights which it proclaims. Half-entranced, he wanders through uncounted acres of groves and lawns, and parterres of flowers, embellished with lakes, fountains, cascades, and the most voluptuous statuary, where kings and queens have reveled, and he reflects not upon the millions who have toiled, from dewy morn till the shades of night, through long and joyless years, eating black bread, clothed in coarse raiment – the man, the woman, the ox, companions in toil, companions in thought – to minister to this indulgence. But the palaces of France proclaim, in trumpet tones, the shame of France. They say to her kings, Behold the undeniable monuments of your pride, your insatiate extortion, your measureless extravagance and luxury. They say to the people, Behold the proofs of the outrages which your fathers, for countless ages, have endured. They lived in mud hovels that their licentious kings might riot haughtily in the apartments, canopied with gold, of Versailles, the Tuileries, and St. Cloud – the Palaces of France. The mind of the political economist lingers painfully upon them. They are gorgeous as specimens of art. They are sacred as memorials of the past. Vandalism alone would raze them to their foundations. Still, the judgment says, It would be better for the political regeneration of France, if, like the Bastile, their very foundations were plowed up, and sown with salt. For they are a perpetual provocative to every thinking man. They excite unceasingly democratic rage against aristocratic arrogance. Thousands of noble women, as they traverse those gorgeous halls, feel those fires of indignation glowing in their souls, which glowed in the bosom of Madame Roland. Thousands of young men, with compressed lip and moistened eye, lean against those marble pillars, lost in thought, and almost excuse even the demoniac and blood-thirsty mercilessness of Danton, Marat, and Robespierre. These palaces are a perpetual stimulus and provocative to governmental aggression. There they stand, in all their gorgeousness, empty, swept, and garnished. They are resplendently beautiful. They are supplied with every convenience, every luxury. King and Emperor dwelt there. Why should not the President? Hence the palace becomes the home of the Republican President. The expenses of the palace, the retinue of the palace, the court etiquette of the palace become the requisitions of good taste. In America, the head of the government, in his convenient and appropriate mansion, receives a salary of twenty-five thousand dollars a year. In France, the President of the Republic receives four hundred thousand dollars a year, and yet, even with that vast sum, can not keep up an establishment at all in accordance with the dwellings of grandeur which invite his occupancy, and which unceasingly and irresistibly stimulate to regal pomp and to regal extravagance. The palaces of France have a vast influence upon the present politics of France. There is an unceasing conflict between those marble walls of monarchical splendor, and the principles of republican simplicity. This contest will not soon terminate, and its result no one can foresee. Never have I felt my indignation more thoroughly aroused than when wandering hour after hour through the voluptuous sumptuousness of Versailles. The triumphs of taste and art are admirable, beyond the power of the pen to describe. But the moral of execrable oppression is deeply inscribed upon all. In a brief description of the Palaces of France, I shall present them in the order in which I chanced to visit them.
1. Palais des Thermes.– In long-gone centuries, which have faded away into oblivion, a wandering tribe of barbarians alighted from their canoes, upon a small island in the Seine, and there reared their huts. They were called the Parisii. The slow lapse of centuries rolled over them, and there were wars and woes, bridals and burials, and still they increased in numbers and in strength, and fortified their little isle against the invasions of their enemies; for man, whether civilized or savage, has ever been the most ferocious wild beast man has had to encounter. But soon the tramp of the Roman legions was heard upon the banks of the Seine, and all Gaul, with its sixty tribes, came under the power of the Cæsars. Extensive marshes and gloomy forests surrounded the barbarian village; but, gradually, Roman laws and institutions were introduced; and Roman energy changed the aspect of the country. Immediately the proud conquerors commenced rearing a palace for the provincial governor. The Palace of Warm Baths rose, with its massive walls, and in imposing grandeur. Roman spears drove the people to the work; and Roman ingenuity knew well how to extort from the populace the revenue which was required. Large remains of that palace continue to the present day. It is the most interesting memorial of the past which can now be found in France. The magnificence of its proportions still strike the beholder with awe. "Behold," says a writer, who trod its marble