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iii. 13. See further my notes on Pausanias i. 18. 2 and i. 26. 5, vol. ii. pp. 168
sqq., 330
sqq.
244
Apollodorus, iii. 14. i; Aristophanes, Wasps, 438. Compare J. Tzetzes, Chiliades, v. 641.
245
W. H. Roscher, Lexikon d. griech. und röm. Mythologie, ii. 1019. Compare Euripides, Ion, 1163 sqq.
246
O. Immisch, in W. H. Roscher's Lexikon d. griech. und röm. Mythologie, ii. 1023.
247
Apollodorus, iii. 12. 7; Diodorus Siculus, iv. 72; J. Tzetzes, Schol. on Lycophron, 110, 175, 451.
248
Pausanias, i. 36. 1. Another version of the story was that Cychreus bred a snake which ravaged the island and was driven out by Eurylochus, after which Demeter received the creature at Eleusis as one of her attendants (Hesiod, quoted by Strabo, ix. 1. 9, p. 393).
249
Stephanus Byzantius, s. v. Κυχρεῖος πάγος; Eustathius, Commentary on Dionysius, 507, in Geographi Graeci minores, ed. C. Müller, ii. 314.
250
Hesychius, s. v. Ἐρεχθεύς; Athenagoras, Supplicatio pro Christianis, 1; [Plutarch], Vit. X. Orat. p. 843 b c; Corpus inscriptionum Atticarum, i. No. 387, iii. Nos. 276, 805; compare Pausanias, i. 26. 5.
251
Apollodorus, iii. 14. 1; Herodotus, viii. 55; compare Pausanias, viii. 10. 4.
253
Apollodorus, iii. 4. 1 sq.; Pausanias, ix. 12. 1 sq.; Schol. on Homer, Iliad, ii. 494; Hyginus, Fabulae, 178. The mark of the moon on the cow is mentioned only by Pausanias and Hyginus.
254
Apollodorus, iii. 4. 2; Euripides, Phoenissae, 822 sq.; Pindar, Pyth. iii. 155 sqq.; Diodorus Siculus, v. 49. 1; Pausanias, iii. 18. 12, ix. 12. 3; Schol. on Homer, Iliad, ii. 494.
255
Proclus, quoted by Photius, Bibliotheca, p. 321, ed. Bekker.
257
Pindar, Pyth. iii. 155 sqq.; Diodorus Siculus, v. 49. 1; Pausanias, ix. 12. 3; Schol. on Homer, Iliad, ii. 494.
258
Schol. on Euripides, Phoenissae, 7 καὶ νῦν ἔτι ἐν τῇ Σαμοθρᾴκῃ ζητοῦσιν αὐτὴν [scil. Ἁρμονίαν] ἐν ταῖς ἑορταῖς. According to the Samothracian account, Cadmus in seeking Europa came to Samothrace, and there, having been initiated into the mysteries, married Harmonia (Diodorus Siculus, v. 48 sq.). It is probable, though it cannot be proved, that the legend was acted in the mystic rites.
259
See The Magic Art and the Evolution of Kings, ii. 133. Mr. A. B. Cook has suggested that the central scene on the eastern frieze of the Parthenon represents the king and queen of Athens about to take their places among the enthroned deities. See his article “Zeus, Jupiter, and the Oak,” Classical Review, xviii. (1904) p. 371. As the scenes on the frieze appear to have been copied from the Panathenaiac festival, it would seem, on Mr. Cook's hypothesis, that the sacred marriage of the King and Queen was celebrated on that occasion in presence of actors who played the parts of gods and goddesses. In this connexion it may not be amiss to remember that in the eastern gable of the Parthenon the pursuit of the moon by the sun was mythically represented by the horses of the sun emerging from the sea on the one side, and the horses of the moon plunging into it on the other.
260
Schol. on Pindar, Olymp. iii. 35 (20).
261
Compare Aug. Boeckh, on Pindar, l. c., Explicationes, p. 138; L. Ideler, Handbuch der mathematischen und technischen Chronologie, i. 366 sq.; G. F. Unger, “Zeitrechnung der Griechen und Römer,” in Iwan Müller's Handbuch der classischen Altertumswissenschaft, i. 605 sq. All these writers recognise the octennial cycle at Olympia.
262
K. O. Müller, Die Dorier,2 ii. 483; compare id. i. 254 sq.
264
Aug. Boeckh, l. c.; A. Schmidt, Handbuch der griechischen Chronologie (Jena, 1888), pp. 50 sqq.; K. O. Müller, Die Dorier,2 i. 438; W. H. Roscher, Selene und Verwandtes, pp. 2 sq., 80 sq., 101.
265
See Aug. Boeckh and L. Ideler, ll.cc. More recent writers would date it on the second full moon after the summer solstice, hence in August or the last days of July. See G. F. Unger, l. c.; E. F. Bischoff, “De fastis Graecorum antiquioribus,” Leipziger Studien zur classischen Philologie, vii. (1884) pp. 347 sq.; Aug. Mommsen, Über die Zeit der Olympien (Leipsic, 1891); and my note on Pausanias, v. 9. 3 (vol. iii. pp. 488 sq.).
