Скачать книгу

to man it denotes properly the breath. The idea of the soul as a breath appears in the explanation which was given to Dumont d'Urville of the Maori form of salutation by rubbing noses together. The French traveller was told that the real intention of this salute was to mingle the breath and thereby the souls of the persons who gave each other this token of friendship. But as his informant was not a Maori but a certain Mr. Kendall, the truth of the explanation remains doubtful, though the Frenchman believed that he obtained confirmation of it from his own observation and the testimony of a native.34 On the other hand the comparison of the soul to a shadow comes out in the answer given by a Maori to an Englishman who had asked him why his people did not prevent their souls from passing away to the nether world. The Maori replied by pointing to the Englishman's shadow on the wall and asking him whether he could catch it.35

      Thus far the Maori conception of the soul does not perhaps differ very materially from the popular notion of it current among ourselves. But we come now to a marked difference between the Maori idea of the soul and our own. For whereas the European commonly believes his soul to be fixed during life immovably in his body, and only to depart from it once for all at death, the soul of the Maori is under no such narrow restrictions, but is free to quit its bodily mansion at pleasure and to return to it without prejudice to the life and health of its owner. For example, the Maori explains a dream by supposing that the soul of the sleeper has left his body behind and rambled away to places more or less distant, where it converses with the spirits of other people, whether alive or dead. Hence no well-bred Maori would waken a sleeper suddenly by shaking him or calling out to him in a loud voice. If he must rouse him, he will do it gradually, speaking to him at first in low tones and then raising his voice by degrees, in order to give the truant soul fair warning and allow it to return at leisure.36 Believing in the power of the soul to wander far away and converse with other spiritual beings in sleep, the Maoris naturally paid great attention to dreams, which they fancied were often sent them by the gods to warn them of coming events. All dreams were supposed to have their special significance, and the Maoris had framed a fanciful system for interpreting them. Sometimes, as with ourselves, the interpretation went by contraries. For example, if a man dreamed that he saw a sick relative at the point of death, it was a sign that the patient would soon recover; but if, on the contrary, the sufferer appeared in perfect health, it was an omen of his approaching end. When a priest was in doubt as to the intentions of the higher powers, he usually waited for his god to reveal his will in a dream, and accepted the vagaries of his slumbering fancy as an infallible intimation of the divine pleasure. Spells were commonly recited in order to annul the effect of ill-omened dreams.37

      But the departure of the soul from the body in life was not always voluntary; it might take place under the compulsion of a hostile sorcerer or magician. In a Maori legend called The curse of Manaia we read that "the priests next dug a long pit, termed the pit of wrath, into which by their enchantments they might bring the spirits of their enemies, and hang them and destroy them there; and when they had dug the pit, muttering the necessary incantations, they took large shells in their hands to scrape the spirits of their enemies into the pit with, whilst they muttered enchantments; and when they had done this, they scraped the earth into the pit again to cover them up, and beat down the earth with their hands, and crossed the pit with enchanted cloths, and wove baskets of flax-leaves to hold the spirits of the foes which they had thus destroyed, and each of these acts they accompanied with the proper spells."38

      This mode of undoing an enemy by extracting and killing his soul was not with the Maoris a mere legendary fiction; it was practised in real life by their wizards. For we are told that when a priest desired to slay a person by witchcraft, he would often dig a hole in the ground, and standing over it with a cord in his hand would let one end of the cord hang down into the hole. He then recited an incantation which compelled the soul of the doomed man to swarm down the cord into the pit, whereupon another potent spell chanted by the magician speedily put an end to the poor soul for good and all.39

      It seems obvious that spells of this sort may be used with great advantage in war, for if you can only contrive to kill the souls of your foes, their mere bodies will probably give you little or no trouble. Nor did this practical application of the magic art escape the sagacity of the Maoris. When they marched to attack an enemy's stronghold, it was an ancient custom to halt and kindle a fire, over which the priest recited certain spells to cause the souls of his adversaries to be drawn into the fire and there to perish miserably in the flames. In theory the idea was admirable, but unfortunately it did not always work out in practice. For magic is a game at which two can play, and it sometimes happened that the spells of the besieged proved more powerful than those of the besiegers and enabled the garrison to defy all the attempts of the enemy to filch their souls from their bodies.40 But even when the assailants were obliged to retire discomfited, they did not always lose heart, the resources of the magic art were not yet exhausted. On their return home the priest, nothing daunted by a temporary discomfiture, might betake himself again to his spells, and by crooning his incantations over a garment or a weapon belonging to one of his party, might dash in pieces the arms of the enemy and cause their souls to perish. Thus by his ghostly skill would he snatch victory from defeat, and humble the pride of the insolent foe in the very moment of his imaginary triumph.41 One way in which he effected his purpose was to take a bag or basket containing some sacred food, hold it to the fire, and then opening the bag point the mouth of it in the direction of the enemy. The simple recitation of a spell then sufficed to draw the souls of the adversaries into the bag, after which nothing was easier for him than to destroy them utterly by means of the appropriate incantation.42

      But valuable as are these applications of magic to practical life, the art, like every good thing, is liable to abuse; and even where it is employed with the best intentions, the forces which it controls are so powerful that in spite of all precautions an accident will sometimes happen. For example, in sickness the patient often had recourse to a priest, who would lead him down to the nearest water, whether a pool or a stream, and there perform the magical rites necessary for the relief of his particular malady. While the wizard was engaged in this beneficent task, all the people in the village kept strictly indoors, lest their souls should wander forth to the water-side and there colliding, if I may be allowed the expression, with the mystic forces of the priest's spells be damaged or even annihilated by the collision.43 In such a case the fatal consequences were the result of a pure accident, but sometimes they were intentional. For this fell purpose a malignant wizard would dig a hole, invoke the spirit of the man against whom he had a grudge, and when the spirit appeared over the hole in the form of a light, he would curse it, and the man whose soul was cursed would be sure to die, sooner or later; nothing could save him. The Uriwera, who dwelt dispersed among the forests and lonely hills of a wild mountainous region in the North Island, were reputed to be the greatest warlocks in all New Zealand. When they descended from their mountains to the coast, the lowlanders scarcely dared refuse them anything for fear of incurring their displeasure. It is said that in their magical rites they made a special use of the spittle of their destined victims; hence all visitors to their country were careful to conceal their spittle lest they should give these wicked folk a handle against them.44 Another mode in which a Maori wizard could obtain power over a man's soul was by working magic on the footprints of his intended victim. The thing was done in this way. Suppose you are walking and leave your footprints behind you on the ground. I come behind you, take up the earth from your footprints, and deposit it on the sacred whata puaroa, that is, a post or pillar set up in the holy place of a village and charged in a mysterious manner with the vitality both of the people and of the land. Having laid the earth from your footprints on the sacred post, I next perform a ceremony of consecration over it, and then bury it with a seed of sweet potato in the ground. After that you are doomed. You may consider yourself for all practical purposes not only dead but buried, like the earth from your footprints. Скачать книгу


<p>34</p>

J. Dumont d'Urville, Voyage autour du Monde et à la recherche de la Pérouse, Histoire du Voyage (Paris, 1832-1833), ii. 558 sq.

<p>35</p>

William Brown, New Zealand and its Aborigines (London, 1845), p. 81.

<p>36</p>

Elsdon Best, "Spiritual Concepts of the Maori," Journal of the Polynesian Society, vol. ix. no. 4 (December 1900), pp. 177 sq.

<p>37</p>

R. Taylor, Te Ika A Maui, pp. 333-335. As to omens derived from dreams see Elsdon Best, "Omens and Superstitious Beliefs of the Maori," Journal of the Polynesian Society, vol. vii. no. 27 (September 1898), pp. 124 sqq.

<p>38</p>

Sir George Grey, Polynesian Mythology (London, 1855), pp. 168 sq.

<p>39</p>

Elsdon Best, "Spiritual Concepts of the Maori," Journal of the Polynesian Society, vol. ix. no. 4 (December 1900), p. 187.

<p>40</p>

Elsdon Best, "Spiritual Concepts of the Maori," Journal of the Polynesian Society, vol. ix. no. 4 (December 1900), p. 181.

<p>41</p>

Elsdon Best, "Notes on the Art of War as conducted by the Maori of New Zealand," Journal of the Polynesian Society, vol. xi. no. 3 (September 1902), p. 141.

<p>42</p>

Elsdon Best, "Notes on the Art of War as conducted by the Maori of New Zealand," Journal of the Polynesian Society, vol. xii. no. 2 (June 1903), p. 72.

<p>43</p>

Elsdon Best, "Maori Medical Lore," Journal of the Polynesian Society, vol. xiii. no. 4 (December 1904), p. 225.

<p>44</p>

E. Dieffenbach, Travels in New Zealand (London, 1843), ii. 58 sq.; E. Shortland, Traditions and Superstitions of the New Zealanders, pp. 116 sq.; id., Maori Religion and Mythology (London, 1882), p. 31.