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Means we shall extract from it most of those Salts Spirits of which Food must consist, and of which all Animal Substance is composed.

      The Botanists are sensible of this: When they dry their Herbs, they lay them in a Place where no Sun can come to them, well knowing that too much Sun would take off their Flavour, and render them unfit for their different Physical Uses. Not that Hay would be made so well without Sun, on Account of the Largeness of the Quantity, and at the same Time it ought to be dryed enough, and no more than enough; for it is as easy to roast Hay too much as a Piece of Meat.

      VIII

      That the Violin is a wanton Instrument, and not proper for Psalms; and that the Organ is not proper for Country-Dances, and brisk Airs.

      This Error is entirely owing to Prejudice. The Violin being a light, small Instrument, easy of Conveyance, and withal much played upon in England, and at the same Time being powerful and capable of any Expression which the Performer pleases to give it, is commonly made Use of at Balls and Assemblies; by which Means it has annexed the Idea of Merriment and Jollity to itself, in the Minds of those, who have been so happy as to be Caperers to those sprightly English Airs, called Country Dances.

      The Organ, on the other Hand, being not easily moved on Account of it's Size, and expensive on Account of the complicated Machinery which is necessary to the Construction of it, is not convenient for Country Dances; and at the same Time being loud, capable of playing full Pieces of Music, Choruses, Services, &c. is made Use of in most Churches where the Inhabitants can afford to purchase this fine Instrument.

      Nevertheless, notwithstanding these great Advantages, two or three Violins and a Bass, are more capable of performing any solemn Hymn or Anthem than an Organ; for the Violin, as has been before observed, is capable of great Expression, but especially it is most exquisitely happy in that grave and resigned Air, which the common Singing-Psalms ought to be played with. When the Bow is properly made Use of, there is a Solemnity in the Strokes of it, which is peculiar to itself. And on the other Hand, on Account of the Convenience of Keys for the Readiness of Execution, nothing can be more adapted to the Performance of a Country-Dance, than an Organ. For the Truth of which Assertion I appeal to those who have been so often agreeably surprized with those sprightly Allegros, in the Country-Dance Style, with which many Organists think fit to entertain the Ladies, in the middle of Divine Service.

      If Jack Latten is played at all, it is Jack Latten still, whether it be played in Church or in an Assembly Room; and I am only surprized, that People can so obstinately persist in the Denial of a Thing, concerning the Truth of which it lies in their Power to be convinced every Sunday.

      IX

      That the Organ and Harpsichord are the two Principal Instruments, and that other Instruments are inferior to them in a Concert.

      Notwithstanding the great Advantage which these Instruments have of playing several Parts together, there is nevertheless one Imperfection which they have, or rather they want one, or more properly a thousand Beauties contained in one Word; which is no less material an Article than that of Expression.

      There is no Word more frequently in the Mouths of all Sorts of Performers, than this of Expression; and we may venture to affirm, that it is as little understood as any one Term which is made Use of, in the Science of Music.

      Above three Parts in four make Use of it, without having any Meaning of their own, only having heard some one else observe, that such or such a Person plays with great Expression, they take a Fancy to this new adopted Child, and become as fond of it, as if it was the legitimate Offspring of their own Brain. Some who are more considerate, think that the Meaning of it entirely consists in playing Staccato; and indeed these People come nearer the Mark than the others, but they have not picked up all the Meaning of the Word.

      One who plays with Expression, is he who, in his Performance, gives the Air or Piece of Music (let it be what it will) such a Turn, as conveys that Passion into the Hearts of the Audience, which the Composer intended to excite by it. Dryden, in that masterly Poem, his Ode in Honour of St. Cecilia's Day, has given us a true Idea of the Meaning of the Word; the Beauties of which Poem, though they are enough to hurry any Man away from his Subject, shall not be discussed at present, not being to the Point in Hand. We shall only make Use of an Instance or two out of it, to illustrate what has been said.

      Handel was so sensible of it's being capable, by the Help of Musical Sounds, of raising those very Passions in the Hearts of the Audience, which Dryden fables Alexander to have felt by the masterly Hand of Timotheus, that, by setting it to Music, he has himself boldly stepped into the Place of Timotheus.

      In this Performance called Alexander's Feast, it may easily be discerned, that Expression does not consist in the Staccato only, or in any one Power or Manner of playing. For Instance this Air,

      Softly sweet in Lydian Measures, &c.

      would be quite ruined by playing it Staccato; and again,

      Revenge, Revenge, Timotheus cries, &c.

      requires to be played in a very different Style from the foregoing Air.

      Passions are to be expressed in Music, as well as in the other Sister Arts, Poetry and Painting.

      Having thus explained what is meant by Expression in Music, we will return to the Point, viz. that the Organ and Harpsichord, though they have many other Advantages, yet want that great Excellence of Music, Expression. Surely it may not be thought a Straining of the Meaning of St. Paul's Words too far, when I surmise, that he, who had a fine Education, and in all Probability knew Music well, might have an Eye to the Want of Meaning or Expression of the ancient Cymbal, when he says, "Tho' I speak with the Tongues of Men and of Angels, and have not Charity, I am become as a sounding Brass, and a tinkling Cymbal." That is, though I have ever so much Skill in Languages, and the Arts and Sciences, my Knowledge is vain if I am without the Virtue of Charity, and my Works will have no Force, and will in that Respect resemble the Cymbal, which, though it makes a tinkling, and plays the Notes, yet is destitute of the main Article Expression. For we must not suppose, that so refined a Scholar as St. Paul was, could have such a settled Contempt for the Science of Music, as to make Use of it even as a Simile for what is trifling. We may venture to think, that the Apostle alluded to that Want of Power in the Cymbal to move the Passions, which other Instruments have.

      This is the very Case with the modern Harpsichord; it is very pretty, notwithstanding it's Imperfections, with Regard to the Change of Keys, (of which more in it's Place.) But no one can say, that it speaks to his Passions like those Instruments which have so immediate a Connection with the Finger of the Performer, as to sound just in the Manner which he directs.

      In that Case the Powers are great; you have the Numbers of Graces which have Names to them, and the still greater Number which have none; you have the Staccato and the Slur, the Swell and the Smotzato, and the Sostenuto, and a great Variety of other Embellishments, which are as necessary as Light and Shade in Painting.

      To convince the Reader of this, let him hear any Master play Handel's Song, Pious Orgies, pious Airs, upon the Organ or Harpsichord, and he will find, that, though it will appear to be Harmony, yet it will want that Meaning, and (not to make Use of the Word too often) Expression, which it is intended to have given it by the Word Sostenuto, which Mr. Handel has placed at the Beginning of the Symphony.

      Now a fine Performer upon the Violin or Hautboy, with a Bass to accompany him, will give it that Sostenuto, even with greater Strength than the human Voice itself, if possible.

      I by no Means intend to debase that noble and solemn Instrument the Organ, nor the Wonders that are done upon it, nor the great Merit of the Performers who execute them, by what has been here said; only to discuss a little upon the Perfections and Imperfections of different Instruments, as the more the Imperfections of an Instrument are looked into, the more likely is the Ingenuity of Mechanics one Day or other to rectify them.

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