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Red as a Rose is She: A Novel. Broughton Rhoda
Читать онлайн.Название Red as a Rose is She: A Novel
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Автор произведения Broughton Rhoda
Жанр Зарубежная классика
Издательство Public Domain
The haymakers were much cheerier – "couched at ease" under the nutty hedgerow; bringing slices of unnaturally fat bacon out of blue and white spotted pocket-handkerchiefs, gabbling to one another in the Welsh tongue, which, to one who occupies the room of the unlearned, has always a querulous, quarrelsome, interrogative sound; and digging their clasp knives into the ground to clean them, when their services were no longer required. Jack is out for the day, and the place feels stupid without him. There is not much melody in "I paddle my own canoe," but one misses it when one is accustomed to hear it echoing gaily over the crofts and through the farm-yard and orchard. It would be impossible to talk more dog-Welsh than Jack does to his workmen; but even the mellifluous tongue of the Cymri, with its three or four consonants standing together, undissevered by any vowel, is made harmonious, enunciated by a young, clear voice, that sounds as if it had never been the vehicle for sorrowful words.
"The village seems asleep or dead,
Now Lubin is away,"
and Esther, though she has entered upon her eighteenth year (an age which a century ago would have been rather overripe – Chloe and Cynthia and Phyllis being considered in their prime at fifteen, and toasted accordingly), has as yet no Lubin but her brother. Now and again, Gwen the cook, and Sarah the housemaid, came panting up the hill in lilac cotton gowns and trim white aprons, bearing beer in every jug and mug and tin pipkin that Glan-yr-Afon affords, as Evangeline brought the nut-brown ale to the reapers of the village of Grand Pré. And the haymakers drink insatiably, and wipe the thirsty mouth upon the convenient sleeve as artless Nature bids. By-and-by artless Nature makes them rather unsteady on their legs. As they lead the heavy-laden cart to the last remaining haycock, the one on which their mistress sits enthroned, I am not at all sure that they do not see two haycocks, two wide-leaved white hats, two Esthers. Perceiving their condition, though too old an inhabitant of Wales to be in any degree surprised at what is, after all, the normal condition of the Welsh, Miss Craven rises precipitately. Driven from her fortress, she picks up her needles and threads, and Jack's shirt, from which, as usual, the frequent button is missing, and runs lightly down the mountain path in her strong country boots, which bid defiance to the sharp stones that crop out at every step through the limestone soil. At the hall door – a little arched door like a church's, with a trellised porch and benches, such as one sees Dutch boors sitting on with their beer and schnapps, in Teniers' pictures – Sarah meets her. Sarah is an Englishwoman.
"Mr. Brandon is in the parlour, 'm."
"Parlour! My good Sarah, how many times shall I adjure you, by all you hold most sacred, to say drawing-room?"
"He has been there best part of half-an-hour, 'm."
"Poor man! how lively for him! why on earth didn't you come and call me?"
"He said as he wasn't in no partikler hurry, and he'd as lieve as not wait till you come in. Stop a bit, Miss Esther, you have got some hay on your frock behind."
"People of seventeen wear gowns, not frocks, Sarah. Oh! there, that will do. If I had a haystack disposed about my person, he would never be a bit the wiser."
Half-an-hour passes, and Mr. Brandon is still in the "parlour." It is seven o'clock, and dinner-time. Would you like to know what it is that Mr. Brandon takes so long in saying, and whether it is anything likely to reconcile Miss Craven to the loss of her dinner? A little room that looks towards the sun-setting; a little room full of evening sunshine and the smell of tea-roses; a light paper, with small, bright flower-bunches on the walls; white muslin curtains; a general air of crisp freshness, as of a room that there are no climbing, crawling, sticky-fingered children to crumple and rumple. A young woman, rather red in the face, standing in one corner. She has been driven thither apparently by a young man, who is standing before her, and who is still redder. At a rough calculation, you would say that the young man was seven feet high; but put him with his back against the wall, with his heels together, and his chin in, and you will find that he is exactly six feet four; that is, four inches taller than any man who wishes to do work in the world, and find horses to carry him, ought to be. His clothes are rather shabby, and he looks poor; but, from the crown of his close-clipped head to the sole of his big feet, a gentleman, every inch of him, though he has no "gude braid claith" to help to make him so. His features may be Apollo's or Apollyon's, for all you can see of them, so thickly are they planted out with a forest of yellow hair; but tears do not seem to be at any immense distance from eyes blue as the sky between storm clouds, fearless as a three-years' child's.
"Don't you think that we do very well as we are?" says the young woman, suggestively.
"I don't know about you, I'm sure. I know I've lost a stone and a half within the last year," replies the young man, very ruefully.
Esther laughs. "There is some little of you left still," she says, with rather a mischievous glance up at the two yards and a half of enamoured manhood before her.
This is what has been over-roasting the mutton. He has been asking her to take his heart, his large hand, and the half of one hundred and twenty pounds a year (the exorbitant pay of a lieutenant in Her Majesty's infantry), of an old hunting watch, and a curly retriever dog; and she has been declining these tempting offers, one and all. The minute hand of the gilt clock, on which Minerva sits in a helmet and a very tight gown, with her legs dangling down, has travelled from 6.30 to 7.5, and within these five-and-thirty minutes Miss Craven has refused three proposals, all made by the same person: the first, very stoutly and mercilessly, from Jack's arm-chair, where she had originally taken up her position; the second, decisively still, but with less cruelty, from the music-stool, to which she had next retired; and the third, in a hasty and wavering manner, from the corner, in which she has taken final refuge, in a strong, fortified entrenchment behind the writing-table.
"But – but – " says Esther, her rebellious mouth giving little twitches every now and then as at some lurking thought of the ridiculous – "it's – it's such a very odd idea! I don't think I ever was more surprised in my life. When Sarah told me that you were here, I thought that, of course, you had come to say something about that bone-dust. Why, you never said anything at all tending this way before."
"Didn't I?" answers the young giant, with a crestfallen look. "I tried several times, but I don't think that you could have understood what I meant, for you always began to laugh."
"I always do laugh at civil speeches," answers the girl simply. "I don't know how else to take them: I suppose it is because I have had so few addressed to me; they always sound to me so niais."
"I'm not a bit surprised at your not liking me," he says, with humility. "I don't see how any one