LITMIR.BIZ

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all the preceding ages were greedily swallowed. I became crazy about the theatre, and for a long time I went every night to the play, though my uncle gave me only a hundred francs a month. This parsimony, to which the good old man was compelled by his regard for the poor, had the effect of keeping a young man’s desires within reasonable limits.

      “When I went to live with Comte Octave I was not indeed an innocent, but I thought of my rare escapades as crimes. My uncle was so truly angelic, and I was so much afraid of grieving him, that in all those four years I had never spent a night out. The good man would wait till I came in to go to bed. This maternal care had more power to keep me within bounds than the sermons and reproaches with which the life of a young man is diversified in a puritanical home. I was a stranger to the various circles which make up the world of Paris society; I only knew some women of the better sort, and none of the inferior class but those I saw as I walked about, or in the boxes at the play, and then only from the depths of the pit where I sat. If, at that period, any one had said to me, ‘You will see Canalis, or Camille Maupin,’ I should have felt hot coals in my head and in my bowels. Famous people were to me as gods, who neither spoke, nor walked, nor ate like other mortals.

      “How many tales of the Thousand-and-one Nights are comprehended in the ripening of a youth! How many wonderful lamps must we have rubbed before we understand that the True Wonderful Lamp is either luck, or work, or genius. In some men this dream of the aroused spirit is but brief; mine has lasted until now! In those days I always went to sleep as Grand Duke of Tuscany, – as a millionaire, – as beloved by a princess, – or famous! So to enter the service of Comte Octave, and have a hundred louis a year, was entering on independent life. I had glimpses of some chance of getting into society, and seeking for what my heart desired most, a protectress, who would rescue me from the paths of danger, which a young man of two-and-twenty can hardly help treading, however prudent and well brought up he may be. I began to be afraid of myself.

      “The persistent study of other people’s rights into which I had plunged was not always enough to repress painful imaginings. Yes, sometimes in fancy I threw myself into theatrical life; I thought I could be a great actor; I dreamed of endless triumphs and loves, knowing nothing of the disillusion hidden behind the curtain, as everywhere else – for every stage has its reverse behind the scenes. I have gone out sometimes, my heart boiling, carried away by an impulse to rush hunting through Paris, to attach myself to some handsome woman I might meet, to follow her to her door, watch her, write to her, throw myself on her mercy, and conquer her by sheer force of passion. My poor uncle, a heart consumed by charity, a child of seventy years, as clear-sighted as God, as guileless as a man of genius, no doubt read the tumult of my soul; for when he felt the tether by which he held me strained too tightly and ready to break, he would never fail to say, ‘Here, Maurice, you too are poor! Here are twenty francs; go and amuse yourself, you are not a priest!’ And if you could have seen the dancing light that gilded his gray eyes, the smile that relaxed his fine lips, puckering the corners of his mouth, the adorable expression of that august face, whose native ugliness was redeemed by the spirit of an apostle, you would understand the feeling which made me answer the Cure of White Friars only with a kiss, as if he had been my mother.

      “‘In Comte Octave you will find not a master, but a friend,’ said my uncle on the way to the Rue Payenne. ‘But he is distrustful, or to be more exact, he is cautious. The statesman’s friendship can be won only with time; for in spite of his deep insight and his habit of gauging men, he was deceived by the man you are succeeding, and nearly became a victim to his abuse of confidence. This is enough to guide you in your behavior to him.’

      “When we knocked at the enormous outer door of a house as large as the Hotel Carnavalet, with a courtyard in front and a garden behind, the sound rang as in a desert. While my uncle inquired of an old porter in livery if the Count were at home, I cast my eyes, seeing everything at once, over the courtyard where the cobblestones were hidden in the grass, the blackened walls where little gardens were flourishing above the decorations of the elegant architecture, and on the roof, as high as that of the Tuileries. The balustrade of the upper balconies was eaten away. Through a magnificent colonnade I could see a second court on one side, where were the offices; the door was rotting. An old coachman was there cleaning an old carriage. The indifferent air of this servant allowed me to assume that the handsome stables, where of old so many horses had whinnied, now sheltered two at most. The handsome facade of the house seemed to me gloomy, like that of a mansion belonging to the State or the Crown, and given up to some public office. A bell rang as we walked across, my uncle and I, from the porter’s lodge —Inquire of the Porter was still written over the door – towards the outside steps, where a footman came out in a livery like that of Labranche at the Theatre Francais in the old stock plays. A visitor was so rare that the servant was putting his coat on when he opened a glass door with small panes, on each side of which the smoke of a lamp had traced patterns on the walls.

      “A hall so magnificent as to be worthy of Versailles ended in a staircase such as will never again be built in France, taking up as much space as the whole of a modern house. As we went up the marble steps, as cold as tombstones, and wide enough for eight persons to walk abreast, our tread echoed under sonorous vaulting. The banister charmed the eye by its miraculous workmanship – goldsmith’s work in iron – wrought by the fancy of an artist of the time of Henri III. Chilled as by an icy mantle that fell on our shoulders, we went through ante-rooms, drawing-rooms opening one out of the other, with carpetless parquet floors, and furnished with such splendid antiquities as from thence would find their way to the curiosity dealers. At last we reached a large study in a cross wing, with all the windows looking into an immense garden.

      “‘Monsieur le Cure of the White Friars, and his nephew, Monsieur de l’Hostal,’ said Labranche, to whose care the other theatrical servant had consigned us in the first ante-chamber.

      “Comte Octave, dressed in long trousers and a gray flannel morning coat, rose from his seat by a huge writing-table, came to the fireplace, and signed to me to sit down, while he went forward to take my uncle’s hands, which he pressed.

      “‘Though I am in the parish of Saint-Paul,’ said he, ‘I could scarcely have failed to hear of the Cure of the White Friars, and I am happy to make his acquaintance.’

      “‘Your Excellency is most kind,’ replied my uncle. ‘I have brought to you my only remaining relation. While I believe that I am offering a good gift to your Excellency, I hope at the same time to give my nephew a second father.’

      “‘As to that, I can only reply, Monsieur l’Abbe, when we shall have tried each other,’ said Comte Octave. ‘Your name?’ he added to me.

      “‘Maurice.’

      “‘He has taken his doctor’s degree in law,’ my uncle observed.

      “‘Very good, very good!’ said the Count, looking at me from head to foot. ‘Monsieur l’Abbe, I hope that for your nephew’s sake in the first instance, and then for mine, you will do me the honor of dining here every Monday. That will be our family dinner, our family party.’

      “My uncle and the Count then began to talk of religion from the political point of view, of charitable institutes, the repression of crime, and I could at my leisure study the man on whom my fate would henceforth depend. The Count was of middle height; it was impossible to judge of his build on account of his dress, but he seemed to me to be lean and spare. His face was harsh and hollow; the features were refined. His mouth, which was rather large, expressed both irony and kindliness. His forehead perhaps too spacious, was as intimidating as that of a madman, all the more so from the contrast of the lower part of the face, which ended squarely in a short chin very near the lower lip. Small eyes, of turquoise blue, were as keen and bright as those of the Prince de Talleyrand – which I admired at a later time – and endowed, like the Prince’s, with the faculty of becoming expressionless to the verge of gloom; and they added to the singularity of a face that was not pale but yellow. This complexion seemed to bespeak an irritable temper and violent passions. His hair, already silvered, and carefully dressed, seemed to furrow his head with streaks of black and white alternately. The trimness of this head spoiled the resemblance I had remarked in the Count to the wonderful monk described by Lewis after Schedoni in the Confessional of the Black Penitents (The Italian),

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