LITMIR.BIZ

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them. The beauties of nature seem rather squalid compared to the representation of them at the opera. Paris, by retrospection, shines from all its facets. Unless some particular interest attaches us, as it did in Blondet’s case, to scenes honored by the steps and lighted by the eyes of a certain person, one would envy the birds their wings and long to get back to the endless, exciting scenes of Paris and its harrowing strifes.

      The long letter of the young journalist must make most intelligent minds suppose that he had reached, morally and physically, that particular phase of satisfied passions and comfortable happiness which certain winged creatures fed in Strasbourg so perfectly represent when, with their heads sunk behind their protruding gizzards, they neither see nor wish to see the most appetizing food. So, when the formidable letter was finished, the writer felt the need of getting away from the gardens of Armida and doing something to enliven the deadly void of the morning hours; for the hours between breakfast and dinner belonged to the mistress of the house, who knew very well how to make them pass quickly. To keep, as Madame de Montcornet did, a man of talent in the country without ever seeing on his face the false smile of satiety, or detecting the yawn of a weariness that cannot be concealed, is a great triumph for a woman. The affection which is equal to such a test certainly ought to be eternal. It is to be wondered at that women do not oftener employ it to judge of their lovers; a fool, an egoist, or a petty nature could never stand it. Philip the Second himself, the Alexander of dissimulation, would have told his secrets if condemned to a month’s tete-a-tete in the country. Perhaps this is why kings seek to live in perpetual motion, and allow no one to see them more than fifteen minutes at a time.

      Notwithstanding that he had received the delicate attentions of one of the most charming women in Paris, Emile Blondet was able to feel once more the long forgotten delights of a truant schoolboy; and on the morning of the day after his letter was written he had himself called by Francois, the head valet, who was specially appointed to wait on him, for the purpose of exploring the valley of the Avonne.

      The Avonne is a little river which, being swollen above Conches by numerous rivulets, some of which rise in Les Aigues, falls at Ville-aux-Fayes into one of the large affluents of the Seine. The geographical position of the Avonne, navigable for over twelve miles, had, ever since Jean Bouvet invented rafts, given full money value to the forests of Les Aigues, Soulanges, and Ronquerolles, standing on the crest of the hills between which this charming river flows. The park of Les Aigues covers the greater part of the valley, between the river (bordered on both sides by the forest called des Aigues) and the royal mail road, defined by a line of old elms in the distance along the slopes of the Avonne mountains, which are in fact the foot-hills of that magnificent amphitheater called the Morvan.

      However vulgar the comparison may be, the park, lying thus at the bottom of the valley, is like an enormous fish with its head at Conches and its tail in the village of Blangy; for it widens in the middle to nearly three hundred acres, while towards Conches it counts less than fifty, and sixty at Blangy. The position of this estate, between three villages, and only three miles from the little town of Soulanges, from which the descent is rapid, may perhaps have led to the strife and caused the excesses which are the chief interest attaching to the place. If, when seen from the mail road or from the uplands beyond Ville-aux-Fayes, the paradise of Les Aigues induces mere passing travellers to commit the mortal sin of envy, why should the rich burghers of Soulanges and Ville-aux-Fayes who had it before their eyes and admired it every day of their lives, have been more virtuous?

      This last topographical detail was needed to explain the site, also the use of the four gates by which alone the park of Les Aigues was entered; for it was completely surrounded by walls, except where nature had provided a fine view, and at such points sunk fences or ha-has had been placed. The four gates, called the gate of Conches, the gate of Avonne, the gate of Blangy, and the gate of the Avenue, showed the styles of the different periods at which they were constructed so admirably that a brief description, in the interest of archaeologists, will presently be given, as brief as the one Blondet has already written about the gate of the Avenue.

      After eight days of strolling about with the countess, the illustrious editor of the “Journal des Debats” knew by heart the Chinese kiosk, the bridges, the isles, the hermitage, the dairy, the ruined temple, the Babylonian ice-house, and all the other delusions invented by landscape architects which some nine hundred acres of land can be made to serve. He now wished to find the sources of the Avonne, which the general and the countess daily extolled in the evening, making plans to visit them which were daily forgotten the next morning. Above Les Aigues the Avonne really had the appearance of an alpine torrent. Sometimes it hollowed a bed among the rocks, sometimes it went underground; on this side the brooks came down in cascades, there they flowed like the Loire on sandy shallows where rafts could not pass on account of the shifting channels. Blondet took a short cut through the labyrinths of the park to reach the gate of Conches. This gate demands a few words, which give, moreover, certain historical details about the property.

      The original founder of Les Aigues was a younger son of the Soulanges family, enriched by marriage, whose chief ambition was to make his elder brother jealous, – a sentiment, by the bye, to which we owe the fairy-land of Isola Bella in the Lago Maggiore. In the middle ages the castle of Les Aigues stood on the banks of the Avonne. Of this old building nothing remains but the gateway, which has a porch like the entrance to a fortified town, flanked by two round towers with conical roofs. Above the arch of the porch are heavy stone courses, now draped with vegetation, showing three large windows with cross-bar sashes. A winding stairway in one of the towers leads to two chambers, and a kitchen occupies the other tower. The roof of the porch, of pointed shape like all old timber-work, is noticeable for two weathercocks perched at each end of a ridge-pole ornamented with fantastic iron-work. Many an important place cannot boast of so fine a town hall. On the outside of this gateway, the keystone of the arch still bears the arms of Soulanges, preserved by the hardness of the stone on which the chisel of the artist carved them, as follows: Azure, on a pale, argent, three pilgrim’s staff’s sable; a fess bronchant, gules, charged with four grosses patee, fitched, or; with the heraldic form of a shield awarded to younger sons. Blondet deciphered the motto, “Je soule agir,” – one of those puns that crusaders delighted to make upon their names, and which brings to mind a fine political maxim, which, as we shall see later, was unfortunately forgotten by Montcornet. The gate, which was opened for Blondet by a very pretty girl, was of time-worn wood clamped with iron. The keeper, wakened by the creaking of the hinges, put his nose out of the window and showed himself in his night-shirt.

      “So our keepers sleep till this time of day!” thought the Parisian, who thought himself very knowing in rural customs.

      After a walk of about quarter of an hour, he reached the sources of the river above Conches, where his ravished eyes beheld one of those landscapes that ought to be described, like the history of France, in a thousand volumes or in only one. We must here content ourselves with two paragraphs.

      A projecting rock, covered with dwarf trees and abraded at its base by the Avonne, to which circumstance it owes a slight resemblance to an enormous turtle lying across the river, forms an arch through which the eye takes in a little sheet of water, clear as a mirror, where the stream seems to sleep until it reaches in the distance a series of cascades falling among huge rocks, where little weeping willows with elastic motion sway back and forth to the flow of waters.

      Beyond these cascades is the hillside, rising sheer, like a Rhine rock clothed with moss and heather, gullied like it, again, by sharp ridges of schist and mica sending down, here and there, white foaming rivulets to which a little meadow, always watered and always green, serves as a cup; farther on, beyond the picturesque chaos and in contrast to this wild, solitary nature, the gardens of Conches are seen, with the village roofs and the clock-tower and the outlying fields.

      There are the two paragraphs, but the rising sun, the purity of the air, the dewy sheen, the melody of woods and waters – imagine them!

      “Almost as charming as at the Opera,” thought Blondet, making his way along the banks of the unnavigable portion of the Avonne, whose caprices contrast with the straight and deep and silent stream of the lower river, flowing between the tall trees of the forest of Les Aigues.

      Blondet did not proceed far on his morning walk, for he was presently brought to a stand-still by the sight of

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