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The Critic in the Orient. Fitch George Hamlin
Читать онлайн.Название The Critic in the Orient
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Автор произведения Fitch George Hamlin
Жанр Журналы
Издательство Public Domain
The shops at Nikko will be found well worth a visit, as this city is the market for many kinds of furs that are scarce in America. Many fine specimens of wood carving may also be seen in the shops. The main street of the town runs from the Kanaya Hotel to the railroad depot, a distance of a mile and one-half, and it is lined for nearly the whole distance with small shops.
On his return to the railroad the tourist would do well to take a jinrikisha ride of five miles down through the great avenue of old cryptomeria trees to the little station of Imaichi. This is one of the most beautiful rides in the world. The road is bordered on each side by huge cedar trees which are from one hundred and fifty to two hundred feet in height. In many cases the roots of these old trees have formed a natural embankment and the road is thus forced below the level of the surrounding rice fields. These trees were planted nearly three hundred years ago and they are certainly in a remarkable state of preservation. A few gaps there are, due to the vandalism of the country people, but mile after mile is passed with only an occasional break in these stately columns, crowned by the deep green masses of foliage. Another cryptomeria avenue intersects this and runs for twenty-five miles across the country. The two avenues were planted in order that they might be used by the shogun's messengers when they bore important letters to him during his summer residence in Nara.
In Kyoto, The Ancient Capital of Japan
Next to Nikko, one of the most interesting cities in Japan is Kyoto, the old capital under the shoguns, the seat of several fine palaces and many beautiful temples, and the center of large manufacturing works of satsuma and cloissone ware, damascene work and art work on silk and velvet. Kyoto may be reached by a short ride from Kobe, but from Tokio it is an all-day trip of twelve hours by express train. This ride, which would be comfortable in well appointed cars, is made tedious by the Japanese preference for cars with seats arranged along the side, like the new American pay-as-you-enter street cars. For a short ride the side seat may be endured, but for hours of travel (especially when one is a tourist and wishes to see the scenery on both sides of the road) the cars are extremely tiresome.
By selecting the express train and buying first-class tickets it was hoped to avoid any crowd but, unfortunately, the day chosen saw many other tourists on their way across Japan. The result was that the first-class car was packed and many who had paid first-class fares were forced to ride in the second-class cars. In my car one side was occupied almost wholly by Japanese. Two were in American dress, one was an army officer in uniform, another a clerk with many packages, and the remaining two were an old couple, richly dressed. The Japanese, in traveling first-class, generally brings a rug or fur, which he spreads over the seat. On this he sits with his feet drawn up under him in the national style. Smoking is not prohibited even in the first-class cars, so that the American ladies in the cars had to endure the smell of various kinds of Japanese tobacco, in addition to the heat, which was rendered more disagreeable by the frequent closing of the windows as the train dashed through many tunnels. The old couple carried lunch in several hampers and they indulged in a very elaborate luncheon, helped out by tea purchased in little pots from a dealer at a station. The army officer bought one of the small wooden lunch boxes sold along all Japanese railways, which contain boiled rice, fried fish and some boiled sweet potatoes. This, with a pot of tea, made a good lunch. The Japanese in European costume patronized the dining-car, where an excellent lunch was served for one yen, or fifty cents in American money.
The scenery along the line of the railway varied. The road skirts the coast for many miles, then cuts across several mountain ranges to Nagoya, then along the shores of Owari bay (an arm of the ocean), thence across the country to the lower end of Lake Biwa, near which Kyoto is situated. In the old days this journey consumed twelve days, and the road twice every year furnished a picturesque procession of the retinues of great nobles or daimiyos traveling from Kyoto to Tokio to present their respects to the shogun. The road was skirted by great cryptomeria, and avenues of these fine trees may still be seen near Nikko.
Kyoto was a great city in medieval days, when it was the residence of the Mikado. From 793 until 1868, when the court removed to Tokio, Kyoto remained the capital. Its importance, however, began to decline with the founding of Yedo, or Tokio, in 1590, and to-day many miles of its former streets are devoted to the growing of rice. In this way several of the finest temples, which were once in the heart of the old city, are now relegated to the suburbs. Besides the Mikado's palace and Nijo castle, which may be visited only by special permit, Kyoto boasts of an unusual number of richly decorated temples, among which the most noteworthy are the Shinto temple of Inari; the temple of the one thousand images of Kwannon, the Deity of Mercy; the great Buddhist temple of Nishi-Honguanji, celebrated for its art work in paintings and decorated woods; the great bronze Buddha, fifty-eight feet high; the big bell near by, nearly fourteen feet high, and the other in the Cheon-in temple here – these being two of the four largest bells in all Japan. To describe the treasures in art and decoration, in gold and lacquer, in these palaces, would be tiresome. Unless one is a student of Japanese art the visiting of temples soon becomes a great bore, for one temple or one palace is a repetition of others already seen, with merely minor differences in architecture and decoration, which appeal only to the specialist.
Kyoto, however, is of great interest for its many art shops – since applied art, as seen in satsuma and cloissone ware and in damascene, have almost reached the level of pure art. A visit to one of the satsuma factories is an interesting experience, as it shows how little the art of Japan has been influenced by the foreigner. Here one sees the potter at his wheel, precisely as in the days of the Bible. He does not avail himself of electric power but whirls his wheel by hand and foot, exactly as in the time of Christ. Passing from the pottery to the art rooms, one finds a number of Japanese men and girls painting elaborate designs on bowls and vases and other articles. These artists grind and mix their own oil colors, which they proceed to lay on slowly upon the article they are decorating. The patience of these artists is indescribable. Infinite pains is taken with a single flower or tree or figure of man or bird. One vase exhibited here is covered with butterflies which range from natural size down to figures so small that they can be discerned only under a magnifying glass. Yet, this vase, which represents such an enormous outlay of labor and time, is sold at thirty dollars in American money.
At the damascene works both men and women are also employed, although the finest work is done by the men. The art consists in beating into bronze small particles of gold leaf until they have become an actual part of the baser metal. This gold is arranged in a great variety of design and, after being beaten in, the article is subjected to powerful heat, which oxidizes the metal and thus prevents any change due to the weather. At this Kyoto factory were turned out the most artistic jewelry, boxes, cigarette cases and a great variety of small articles, many of which sold at absurdly low prices, considering the amount of labor and time expended on them.
Kyoto will be found one of the best cities in Japan for the purchase of the art work just described, as well as embroidery, silks and other stuffs. In many of these shops the work is done on the premises and hence the prices are cheaper than in any other city except Yokohama. It is worth while to visit the shops that exhibit bronze work, silks, velvets and carvings in ivory and wood, as well as curios of many kinds. Most of these shopkeepers demand more than they expect to receive, but in a few shops the goods are plainly marked and no reduction in price can be secured. At Kyoto the tourist will find many traces of primitive Japanese life, especially in the unfrequented streets and in the suburbs. Here in the bed of the river, a portion of which was being walled up for a canal, were employed a dozen women digging up gravel and carrying it in baskets to carts near by. They had their skirts tied up and they were working in mud and water which reached to their knees. It was not a pleasant spectacle, but it excited no comment in this country, where women labor in the rice fields by the side of men.
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