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remarks in illustration,

      “must be allowed to be an exception, its Greek derivation being universally admitted, corresponding so exactly as it does in its rectangular form and compactness to the perfection of manhood, according to the views of Plato and Simonides; but any deviation from the simple expression, in which locality is indicated, – as, for instance, ‘a genuine Bath,’ – decidedly breathes the Oriental spirit.”

      It is singular that what Punch says, unwittingly and in humour, respecting the Slang expression, BOSH, should be quite true. Bosh, remarks Punch, after speaking of it as belonging to the stock of words pilfered from the Turks, “is one whose innate force and beauty the slangographer is reluctantly compelled to admit. It is the only word which seems a proper appellation for a great deal which we are obliged to hear and to read every day of our life.” Bosh, nonsense or stupidity, is derived from the Gipsey and the Persian. The universality of Slang, I may here remark, is proved by its continual use in the pages of Punch. Whoever thinks, unless belonging to a past generation, of asking a friend to explain the stray vulgar words employed by the London Charivari?

      The Athenæum, the most learned and censor-like of all the “weeklies,” often indulges in a Slang word, when force of expression or a little humour is desired, or when the writer wishes to say something which is better said in Slang, or so-called vulgar speech, than in the authorised language of Dr. Johnson or Lindley Murray. It was but the other day that a writer in its pages employed an old and favourite word, used always when we were highly pleased with any article at school, – STUNNING. Bartlett, the compiler of the Dictionary of Americanisms, continually cites the Athenæum as using Slang and vulgar expressions; – but the magazine the American refers to is not the excellent literary journal which is so esteemed at the present day, it was a smaller, and now defunct “weekly.” Many other highly respectable journals often use Slang words and phrases. The Times (or, in Slang, the THUNDERER) frequently employs unauthorised terms; and, following a “leader”53 of the purest and most eloquent English composition, may sometimes be seen another “article”53 on a totally different subject, containing, perhaps, a score or more of exceedingly questionable words. Among the words and phrases which may be included under the head of Literary Slang are, – BALAAM, matter kept constantly in type about monstrous productions of nature, to fill up spaces in newspapers; BALAAM BOX, the term given in Blackwood to the depository for rejected articles; and SLATE, to pelt with abuse, or CUT UP in a review. The Slang names given to newspapers are curious; – thus, the Morning Advertiser is known as the TAP-TUB, the TIZER, and the GIN AND GOSPEL GAZETTE. The Morning Post has obtained the suggestive soubriquet of JEAMES; whilst the Morning Herald has long been caricatured as MRS. HARRIS, and the Standard as MRS. GAMP.54

      The Stage, of course, has its Slang – “both before and behind the curtain,” as a journalist remarks. The stage manager is familiarly termed DADDY; and an actor by profession, or a “professional,” is called a PRO. A man who is occasionally hired at a trifling remuneration to come upon the stage as one of a crowd, or when a number of actors are wanted to give effect, is named a SUP, – an abbreviation of “supernumerary.” A SURF is a third-rate actor who frequently pursues another calling; and the band, or orchestra between the pit and the stage, is generally spoken of as the MENAGERY. A BEN is a benefit; and SAL is the Slang abbreviation of “salary.” Should no wages be forthcoming on the Saturday night, it is said that the GHOST DOESN’T WALK. The travelling or provincial theatricals, who perform in any large room that can be rented in a country village, are called BARN STORMERS. A LENGTH is forty-two lines of any dramatic composition; and a RUN is the good or bad success of a performance. A SADDLE is the additional charge made by a manager to an actor or actress upon their benefit night. To MUG UP is to paint one’s face, or arrange the person to represent a particular character; to CORPSE, or to STICK, is to balk, or put the other actors out in their parts by forgetting yours. A performance is spoken of as either a GOOSER or a SCREAMER, should it be a failure or a great success; – if the latter, it is not infrequently termed a HIT. To STAR IT is to perform as the centre of attraction, with none but subordinates and indifferent actors in the same performance. The expressive term CLAP-TRAP, high-sounding nonsense, is nothing but an ancient theatrical term, and signified a TRAP to catch a CLAP by way of applause. “Up amongst the GODS,” refers to being among the spectators in the gallery, – termed in French Slang PARADIS.

      There exists, too, in the great territory of vulgar speech what may not inappropriately be termed Civic Slang. It consists of mercantile and Stock Exchange terms, and the Slang of good living and wealth. A turkey hung with sausages is facetiously styled AN ALDERMAN IN CHAINS; and a half-crown, perhaps from its rotundity, is often termed an ALDERMAN. A BEAR is a speculator on the Exchange; and a BULL, although of another order, follows a like profession. There is something very humorous and applicable in the slang term LAME DUCK, a defaulter in stock-jobbing speculations. The allusion to his “waddling out of the Alley,” as they say, is excellent. Breaking shins, in City slang, is borrowing money; a rotten or unsound scheme is spoken of as FISHY; “RIGGING the market” means playing tricks with it; and STAG was a common term during the railway mania for a speculator without capital, a seller of “scrip” in “Diddlesex Junction” and other equally safe lines. In Lombard-street a MONKEY is £500, a PLUM £100,000, and a MARYGOLD is one million sterling. But before I proceed further in a sketch of the different kinds of Slang, I cannot do better than to speak here of the extraordinary number of Cant and Slang terms in use to represent money, – from farthings to bank notes the value of fortunes. Her Majesty’s coin, collectively or in the piece, is insulted, by no less than one hundred and thirty distinct Slang words, from the humble BROWN (a halfpenny) to FLIMSIES, or LONG-TAILED ONES (bank notes).

      “Money,” it has been well remarked, “the bare, simple word itself, has a sonorous, significant ring in its sound,” and might have sufficed, one would have imagined, for all ordinary purposes. But a vulgar or “fast” society has thought differently, and so we have the Slang synonymes BEANS, BLUNT, (i. e., specie, – not stiff or rags, bank notes), BRADS, BRASS, BUSTLE, COPPERS (copper money, or mixed pence), CHINK, CHINKERS, CHIPS, CORKS, DIBBS, DINARLY, DIMMOCK, DUST, FEATHERS, GENT (silver, – from argent), HADDOCK (a purse of money), HORSE NAILS, LOAVER, LOUR (the oldest Cant term for money), MOPUSSES, NEEDFUL, NOBBINGS (money collected in a hat by street performers), OCHRE (gold), PEWTER, PALM OIL, QUEEN’S PICTURES, QUIDS, RAGS (bank notes), READY, or READY GILT, REDGE (gold), RHINO, ROWDY, SHINERS (sovereigns), SKIN (a purse of money), STIFF (paper, or bill of acceptance), STUFF, STUMPY, TIN (silver), WEDGE (silver), and YELLOW-BOYS (sovereigns); – just forty-two vulgar equivalents for the simple word money. So attentive is Slang speech to financial matters, that there are seven terms for bad, or “bogus” coin (as our friends, the Americans, call it): a CASE is a counterfeit five-shilling piece; HALF A CASE represents half that sum; GRAYS are halfpence made double for gambling purposes; QUEER-SOFT is counterfeit or lead coin; SCHOFEL refers to coated or spurious coin; SHEEN is bad money of any description; and SINKERS bears the same and not inappropriate meaning. Flying the kite, or obtaining money on bills and promissory notes, is a curious allusion to children tossing about a paper kite; and RAISING THE WIND is a well-known phrase for procuring money by immediate sale, pledging, or a forced loan. In winter or in summer any elderly gentleman who may have prospered in life is pronounced WARM; whilst an equivalent is immediately at hand in the phrase “his pockets are well LINED.” Each separate piece of money has its own Slang term, and often half a score of synonymes. To begin with that extremely humble coin, a farthing: first we have FADGE, then FIDDLER, then GIG, and lastly QUARTEREEN. A halfpenny is a BROWN or a MADZA SALTEE (Cant), or a MAG, or a POSH, or a RAP, – whence the popular phrase, “I don’t care a rap.” The useful and universal penny has for Slang equivalents a COPPER, a SALTEE (Cant), and a WINN. Two-pence is a DEUCE, and three-pence is either a THRUMS or a THRUPS. Four-pence, or a groat, may in vulgar speech he termed a BIT, a FLAG, or a JOEY. Six-pence is well represented in street talk, and some of the Slangisms are very comical, for instance, BANDY, BENDER, CRIPPLE, and DOWNER;

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