LITMIR.BIZ

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then," urged Mr. Magee.

      Mr. Bland felt tenderly of the horseshoe pin in his purple tie.

      "This is just between us," he said. "At that point the trouble began. It came from my being naturally a very brave man. I could have died – easy. The brave thing was to live. To go on, day after day, devoid of Arabella – say, that took courage. I wanted to try it. I'm a courageous man, as I say."

      "You seem so," Mr. Magee agreed.

      "Lion-hearted," assented Mr. Bland. "I determined to show my nerve, and live. But there was my letter to Arabella. I feared she wouldn't appreciate my bravery – women are dull sometimes. It came to me maybe she would be hurt if I didn't keep my word, and die. So I had to – disappear. I had a friend mixed up in affairs at Baldpate. No, I can't give his name. I told him my story. He was impressed by my spirit, as you have been. He gave me a key he had – the key of the door opening from the east veranda into the dining-room. So I came up here. I came here to be alone, to forgive and forget, to be forgot. And maybe to plan a new haberdashery in distant parts."

      "Was it your wedding necktie," asked Mr. Magee, "that you threw into the safe when you saw me coming?"

      "No," replied Mr. Bland, sighing deeply. "A package of letters, written to me by Arabella at various times. I want to forget 'em. If I kept them on hand, I might look at them from time to time. My great courage might give way – you might find my body on the stairs. That's why I hid them."

      Mr. Magee laughed, and stretched forth his hand.

      "Believe me," he said, "your touching confidence in me will not be betrayed. I congratulate you on your narrative power. You want my story. Why am I here? I am not sure that it is worthy to follow yours. But it has its good points – as I have thought it out."

      He went over to the table, and picked up a popular novel upon which his gaze had rested while the haberdasher spun his fabric of love and gloom. On the cover was a picture of a very dashing maiden.

      "Do you see that girl?" he asked. "She is beautiful, is she not? Even Arabella, in her most splendid moments, could get a few points from her, I fancy. Perhaps you are not familiar with the important part such a picture plays in the success of a novel to-day. The truth is, however, that the noble art of fiction writing has come to lean more and more heavily on its illustrators. The mere words that go with the pictures grow less important every day. There are dozens of distinguished novelists in the country at this moment who might be haberdashers if it weren't for the long, lean, haughty ladies who are scattered tastefully through their works."

      Mr. Bland stirred uneasily.

      "I can see you are at a loss to know what my search for seclusion and privacy has to do with all this," continued Mr. Magee. "I am an artist. For years I have drawn these lovely ladies who make fiction salable to the masses. Many a novelist owes his motor-car and his country house to my brush. Two months ago, I determined to give up illustration forever, and devote my time to painting. I turned my back on the novelists. Can you imagine what happened?"

      "My imagination's a little tired," apologized Mr. Bland.

      "Never mind. I'll tell you. The leading authors whose work I had so long illustrated saw ruin staring them in the face. They came to me, on their knees, figuratively. They begged. They pleaded. They hid in the vestibule of my flat. I should say, my studio. They even came up in my dumb-waiter, having bribed the janitor. They wouldn't take no for an answer. In order to escape them and their really pitiful pleadings, I had to flee. I happened to have a friend involved in the management of Baldpate Inn. I am not at liberty to give his name. He gave me a key. So here I am. I rely on you to keep my secret. If you perceive a novelist in the distance, lose no time in warning me."

      Mr. Magee paused, chuckling inwardly. He stood looking down at the lovelorn haberdasher. The latter got to his feet, and solemnly took Magee's hand.

      "I – I – oh, well, you've got me beat a mile, old man," he said.

      "You don't mean to say – " began the hurt Magee.

      "Oh, that's all right," Mr. Bland assured him. "I believe every word of it. It's all as real as the haberdashery to me. I'll keep my eye peeled for novelists. What gets me is, when you boil our two fly-by-night stories down, I've come here to be alone. You want to be alone. We can't be alone here together. One of us must clear out."

      "Nonsense," answered Billy Magee. "I'll be glad to have you here. Stay as long as you like."

      The haberdasher looked Mr. Magee fully in the eye, and the latter was startled by the hostility he saw in the other's face.

      "The point is," said Mr. Bland, "I don't want you here. Why? Maybe because you recall beautiful dames – on book covers – and in that way, Arabella. Maybe – but what's the use? I put it simply. I got to be alone – alone on Baldpate Mountain. I won't put you out to-night – "

      "See here, my friend," cried Mr. Magee, "your grief has turned your head. You won't put me out to-night, or to-morrow. I'm here to stay. You're welcome to do the same, if you like. But you stay – with me. I know you are a man of courage – but it would take at least ten men of courage to put me out of Baldpate Inn."

      They stood eying each other for a moment. Bland's thin lips twisted into a sneer. "We'll see," he said. "We'll settle all that in the morning." His tone took on a more friendly aspect "I'm going to pick out a downy couch in one of these rooms," he said, "and lay me down to sleep. Say, I could greet a blanket like a long-lost friend."

      Mr. Magee proffered some of the covers that Quimby had given him, and accompanied Mr. Bland to suite ten, across the hall. He explained the matter of "stale air", and assisted in the opening of windows. The conversation was mostly facetious, and Mr. Bland's last remark concerned the fickleness of woman. With a brisk good night, Mr. Magee returned to number seven.

      But he made no move toward the chilly brass bed in the inner room. Instead he sat a long time by the fire. He reflected on the events of his first few hours in that supposedly uninhabited solitude where he was to be alone with his thoughts. He pondered the way and manner of the flippant young man who posed as a lovelorn haberdasher, and under whose flippancy there was certainly an air of hostility. Who was Andy Rutter, down in Reuton? What did the young man mean when he asked if he should "close up shop"? Who was the "he" from whom came the orders? and most important of all, what was in the package now resting in the great safe?

      Mr. Magee smiled. Was this the stuff of which solitude was made? He recalled the ludicrous literary tale he had invented to balance the moving fiction of Arabella, and his smile grew broader. His imagination, at least, was in a healthy state. He looked at his watch. A quarter of twelve. Probably they were having supper at the Plaza now, and Helen Faulkner was listening to the banalities of young Williams. He settled in his seat to think of Miss Faulkner. He thought of her for ten seconds; then stepped to the window.

      The moon had risen, and the snowy roofs of Upper Asquewan Falls sparkled in the lime-light of the heavens. Under one of those roofs was the girl of the station – weeping no more, he hoped. Certainly she had eyes that held even the least susceptible – to which class Mr. Magee prided himself he belonged. He wished he might see her again; might talk to her without interruption from that impossible "mamma."

      Mr. Magee turned back into the room. His fire was but red glowing ashes. He threw off his dressing-gown, and began to unlace his shoes.

      "There has been too much crude melodrama in my novels," he reflected. "It's so easy to write. But I'm going to get away from all that up here. I'm going – "

      Mr. Magee paused, with one shoe poised in his hand. For from below came the sharp crack of a pistol, followed by the crash of breaking glass.

      CHAPTER III

      BLONDES AND SUFFRAGETTES

      Mr. Magee slipped into his dressing gown, seized a candle, and like the boy in the nursery rhyme with one shoe off and one shoe on, ran into the hall. All was silent and dark below. He descended to the landing, and stood there, holding the candle high above his head. It threw a dim light as far as the bottom of the stairs, but quickly lost the battle with the shadows that lay beyond.

      "Hello," the voice of Bland, the

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