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mentioning therein that Brackenridge was at the head of Sommerset Academy, to which he himself had come on October 18th of that year, and where he was teaching the young idea and pursuing at the same time his theological studies.

      As illustration of how much Freneau was at heart in tune with the work, we note that he says, "We have about thirty students in this Academy who prey upon me like leeches."

      According to Brackenridge's son, whose Memoir of his father is published in the 1846 edition of "Modern Chivalry," there must, however, have been in this part of Maryland a polished social atmosphere, which gave ample opportunity for the wit, the scholarship, and the conversational and social powers of Brackenridge to develop.

      For the students of Sommerset Academy, Brackenridge wrote his play, "The Battle of Bunkers-Hill,"4 and though there is no record of this piece having been actually presented, it is generally agreed that the Principal wrote his drama as an exercise for the pupils to perform. It was published anonymously, the fashion of the day which has led to many disputes, – for example, as to the authorship claims of John Leacock and Mrs. Mercy Warren. Royall Tyler was likewise diffident about letting his name appear on the title-page of "The Contrast."

      When published in 1776, Brackenridge's piece was dedicated to Richard Stockton, and its tone and temper are thoroughly indicative of the spirit that must have dominated all his writings while at College.

      The year 1776 marks Brackenridge's severance from teaching work. He soon after went to Philadelphia with his small fortune of one thousand pounds, and continued his efforts to make a livelihood by editing the United States Magazine, which afforded him an opportunity of airing his patriotic views, and gave him the added pleasure of inviting his associate, Freneau, to become one of the leading contributors. The following year, even though he had never been ordained in the Church, Brackenridge, nevertheless, a licensed divine, enlisted as Chaplain in the Revolutionary Army, and there are extant a number of vigorous political sermons which it was his wont to deliver to the soldiers – the same fiery eloquence seen in his "Eulogium on the Brave Men who fell in the Contest with Great Britain," delivered in 1778.

      Some time elapsed while he travelled hither and thither with a bible in his saddle-bags, according to description, and then Brackenridge took up the study of law, inasmuch as his very advanced views on religious questions would not allow him to subscribe to all the tenets of his Presbyterian faith. This drew down upon him the inimical strictures of the pulpit, but marked him as a man of intellectual bravery and certain moral daring.

      Having completed his law reading in Annapolis, under Samuel Chase, afterwards Supreme Court Judge, he crossed the Alleghanies, in 1781, and established himself in Pittsburgh, where he rapidly grew in reputation, through his personal magnetism and his undoubted talents as a lawyer. He was strictly in favour of the Federal Constitution, and those who wish to fathom his full political importance should not only study his record as Judge of the Supreme Court of the State of Pennsylvania, when he was appointed by Governor McKean, but, more significant still, the part he took in the Whiskey Insurrection, which brought him in touch with Albert Gallatin. In accord with the temper of the times, he was a man of party politics, although he never allowed his prejudices to interfere with his duties on the bench. As a Judge, his term of office ran from 1800 to the day of his death, June 25, 1816.

      Mr. Brackenridge, besides being the author of the dialogue and play mentioned, likewise wrote several other dramas, among them being a tragedy, "The Death of General Montgomery at the Siege of Quebec" (1777), and a number of Odes and Elegies. The historical student will find much material relating to Brackenridge's political manoeuvres, in his book on the Western Insurrection; but probably as an author he is more justly famous for his series of stories and sketches published under the title, "Modern Chivalry" (1792), and representing a certain type of prose writing distinctive of American letters of the time of Clay and Crawford. These impressions were later added to. It is a type to be compared with the literary work done in the Southern States by J. J. Hooper, Judge Longstreet, and Judge Baldwin in ante-bellum days.

      Among Brackenridge's other works may be mentioned:

      An account of Pittsburgh in 1786. (Pittsburgh Gazette, July 29, 1786. Carnegie Library, Pittsburgh: Monthly Bulletin, 1902, v., 257-262, 288-290, 332-335.)

      The Adventures of Captain Farrago. Philadelphia, 1856.

      The Adventures of Major O'Regan. Philadelphia, 1856.

      Gazette Publications. Carlisle, 1806.

      Incidents of the Insurrection in the western parts of Pennsylvania. Philadelphia, 1795.

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      1

      Burk wrote another play, "Female Patriotism; or, The Death of Joan d'Arc," given a New York production in 1798. An interesting letter from Burk to J. Hodgkinson, who produced his "Bunker Hill," is to be found in Dunlap's "The American

1

Burk wrote another play, "Female Patriotism; or, The Death of Joan d'Arc," given a New York production in 1798. An interesting letter from Burk to J. Hodgkinson, who produced his "Bunker Hill," is to be found in Dunlap's "The American Theatre" (London, 1833, i, 313). The play has been reissued by the Dunlap Society (1891, no. 15), and edited, with an introduction by Brander Matthews.

2

Philadelphia:/Printed by Joseph Crukshank, for R. Aitken,/Bookseller, Opposite the London-Coffee-/House, in Front-Street./M,DCC,LXXII./

3

The students of Princeton have not revived the "Battle of Bunkers-Hill," but they point still with some pride to the ivy which was planted by the class of 1771.

4

The/Battle/of/Bunkers-Hill./A Dramatic Piece,/of Five Acts,/in Heroic Measure. /By a Gentleman of Maryland./ – Pulcrumque mori succurrit in armis./Virgil./ – 'Tis glorious to die in Battle. – /Philadelphia:/Printed and Sold by Robert Bell, in Third-Street./MDCCLXXVI./

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