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“Salaam treats words like the seductive weapons they are. She wields them to weave fierce, gorgeous stories that stroke your sensibilities, challenge your preconceptions and leave you breathless with their beauty.”—Nalo Hopkinson, Author of the Nebula nominated novel The New Moon's Arms Kiini Ibura Salaam’s short stories (and the characters who inhabit them) are vital, fantastic in all senses of the word, audacious and tender.”—Kelly Link, author of the Pulitzer Prize nominated collection Get In Trouble In this eagerly-awaited collection, Kiini Ibura Salaam continues her exploration of the dark, the sensual, and the mysterious with fiction that disturbs, delights, and dazzles. The five stories and one novella collected in When the World Wounds examine the tumultuous nature of the human condition through such wild imaginings as sensual encounters with deer, escapism in a dystopic prison, and volcano women. In “The Taming,” a lupine creature is trapped by beasts whose nefarious nature is beyond their prey’s understanding. In “Hemmie’s Calenture,” a woman escaping enslavement is thrust into a war between gods. “The Pull of the Wing” is the prequel to Salaam’s wildly popular Of Wings, Nectar, and Ancestors trilogy. “Because of the Bone Man” transports readers to the desolate landscape of post-Katrina New Orleans and the struggle of the city’s culture bearers to carry on.A welcome follow-up to Salaam’s award-winning Ancient, Ancient, When the World Wounds is perceptive and engaging as it examines our world’s callous and perilous landscapes while tickling the imagination and startling the senses.“Kiini Ibura Salaam is a natural-born storyteller and a gorgeous writer who chooses her characters and words with the care and skill of a poet. Her stories are transformative, wise and vivid with the quality of fantasy and fable. I loved reading this!”—Sherre Renée Thomas, Editor of the World Fantasy Award winning anthology Dark Matter: Reading the Bones“Salaam’s collection… introduces readers to alternate worlds built around magic, sensuality, sexuality, and the search for emotional comfort, however tenuous. … Salaam’s unusual settings and lonely characters will call to readers who hunger for sex, identity, or just a place to belong.”—Publishers WeeklyKiini Ibura Salaam's first collection Ancient, Ancient (Aqueduct Press, 2012) won the James Tiptree Award. She lives in Brooklyn, New York.

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"In the Days of Serfdom" and Other Stories , originally published in 1911, presents in miniature themes developed in Tolstoy's longer works War and Peace and Anna Karenina . The compelling stories in this collection have largely been ignored by contemporary scholars and teachers because of their general unavailability. Available once again, the stories reveal new thematic and stylisitic dimensions to Tolstoy's oeuvre. While not all of the stories deal with actual serfdom, they all address the legacy of serfdom, of choicelessness, in Tolstoy's Russia. These stories are also thoroughly modern, concerned as they are with the market economy, changing values, and women's roles in society. Artistically and historically significant, they constitute ethical and spiritual questionings that deal with lives out of control, with characters making sense of the experience of living.

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Though most widely known for the novella The Great Gatsby , F. Scott Fitzgerald gained a major source of income as a professional writer from the sale of short stories. Over the course of his career, Fitzgerald published more than 160 stories in the period's most popular magazines. His second short fiction collection, Tales of the Jazz Age (1922), includes two masterpieces as well as several other stories from his earlier career. One, «May Day,» depicts a party at a popular club in New York that becomes a night of revelry during which former soldiers and an affluent group of young people start an anti-Bolshevik demonstration that results in an attack on a leftist newspaper office. «The Diamond as Big as the Ritz» is a fantastic satire of the selfishness endemic to the wealthy and their undying pursuit to preserve that way of life. All of these stories, like his best novels, meld Fitzgerald's fascination with wealth with an awareness of a larger world, creating a subtle social critique. With his discerning eye, Fitzgerald elucidates the interactions of the young people of post-World War I America who, cut off from traditions, sought their place in the modern world amid the general hysteria of the period that inaugurated the age of jazz. This new edition reproduces in full the original collection, stories that represent a clear movement in theme and character development toward what would become The Great Gatsby . In introducing each story, Fitzgerald offers accounts of its textual history, revealing decisions about which stories to include.

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A complete review of the modern publishing process, this resource is an ideal companion for aspiring authors who want to understand and break into this ever-changing industry. Featuring advice from a robust roster of literary agents, editors, authors, and insiders-including Random House Editor at Large David Ebershoff, literary agent and former Book of the Month Club Editor in Chief Victoria Skurnick, and New York Times-best selling author Bob Mayer-this guidebook demystifies the entire publishing process and offers some hints on where the publishing industry is headed. Thorough discussions on the difference between fiction and nonfiction publishing, working with an agent, maximizing marketing and promotional opportunities, and getting published in magazines, newspapers, and online make this an essential reference for anyone wanting to plot a course for publishing success.

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THE CHARACTERS IN SCOTT NADELSON’S third collection are living in the wake of momentous events– the rupture of relationships, the loss of loved ones, the dissolution of dreams, and yet they find new ways of forging on with their lives, making accommodations that are sometimes delusional, sometimes destructive, sometimes even healthy. In “Oslo,” a thirteen-year-old boy on a trip to Israel with his grandparents grapples with his father’s abandonment and his own rocky coming-of-age. In “The Old Uniform,” a young man left by his fiancée revisits the haunts of his single days, and on a drunken march through nighttime Brooklyn, begins to shed the false selves that have kept him from fully living. And in the title story, a couple testing out the waters of trial separation quickly discover how deeply the fault lines of their marriage run and how desperately they want to hang onto what remains. Mining Nadelson’s familiar territory of Jewish suburban New Jersey, these fearless, funny, and quietly moving stories explore the treacherous crossroads where disappointments meet unfulfilled desire.

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WINNER OF THE H.L. DAVIS AWARD FOR SHORT FICTION at the 2004 Oregon Book Awards and GLCA's 2005 New Writers Award, Scott Nadelson’s interrelated short stories are graceful, vivid narratives that bring into sudden focus the spirit and the stubborn resilience of the Brickmans, a Jewish family of four living in suburban New Jersey. The central character, Daniel Brickman, forges obstinately through his own plots and desires as he struggles to balance his sense of identity with his longing to gain acceptance from his family and peers. In Kosher, Daniel’s disdain for his parents’ values and lifestyle, for their materialism and need for security, leads him to take a job as a telemarketer for the Robowski Fund for the Disabled, a charity benefiting two people only: Daniel and Helen Robowski. And in Young Radicals, Daniel gathers research for a thesis on early Soviet history by interviewing his grandfather, now a retiree in Florida, who painted factories and sang Communist work songs in 1920s Leningrad before immigrating to America. This fierce collection provides an unblinking examination of family life and the human instinct for attachment.

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The Cantor's Daughter is the compelling new collection from Oregon Book Award Winner and recipient of the GLCA's New Writers Award for 2005, Scott Nadelson. In his follow-up to Saving Stanley, these stories capture Jewish New Jersey suburbanites in moments of crucial transition, when they have the opportunity to connect with those closest to them or forever miss their chance for true intimacy. In «The Headhunter,» two men develop an unlikely friendship at work, but after twenty years of mutually supporting each other’s families and careers their friendship comes to an abrupt and surprising end. In the title story, Noa Nechemia and her father have immigrated from Israel following a tragic car accident her mother did not survive. In one stunning moment of insight following a disastrous prom night, Noa discovers her ability to transcend grief and determine the direction of her own life. And in “Half a Day in Halifax” Beth and Roger meet on a cruise ship where their shared lack of enthusiasm for their trip sparks the possibility of romance. Nadelson's stories are sympathetic, heartbreaking, and funny as they investigate the characters' fragile emotional bonds and the fears that often cause those bonds to falter or fail.

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In Rattlebone, a «fictional» black community north of Kansas City, the smell of manure and bacon from Armour's Packing House is everywhere; Shady Maurice's roadhouse plays the latest jazz; the best eggs are sold by the Red Quanders; and gospel rules at the Strangers Rest Baptist Church.This is the black Midwest of the 1950s, when towns could count their white folks on one hand—the years before the Civil Rights movement came along and changed everything. In perfectly cadenced vernacular, Maxine Clair speaks to us through the voices of Rattlebone's citizens: October Brown, the new schoolteacher with a camel's walk and shoulder-padded, to-the-nines dresses; Irene Wilson, naive and wise, who must grapple with her parent's failing marriage as she steps eagerly into adulthood; and Thomas Pemberton, owner of the local rooming house, an old man with a young heart.Sparkling with lyricism, Clair's interconnected stories celebrate the natural beauty of the Midwest and the dignity and vitality of these most ordinary lives. Rattlebone, winner of the Heartland Prize for fiction, is a tremendous work by a supremely talented writer, now available for the first time in digital form.

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The seventeen stories in this debut collection by Juyanne James interpret the Louisiana experience. They stage encounters mostly with strong women—but also interesting men and families—all trying to survive in their own way. While this collection is as an evolution of the idea of «double-consciousness» and how African Americans see themselves in the world, the characters are remarkable in their own right, without having to be labeled. They are not so much concerned with color as they are with survival.The collection opens with «You Don't Know Me, Child»: a young bus rider grows fascinated with a female passenger who carries pictures in her hair, and the rider imagines the woman's past. The fractured «Bayou Buoys» is about a mother whose two boys are missing on the bayou. «Doll» is about early twentieth-century life—when black teachers were brought into small towns in the South to teach—and what happens when a field hand falls in love with a teacher.James has written a thoroughly eclectic, lyrical collection of stories that speaks to the African American tradition, depicting life in New Orleans and rural Louisiana. Juyanne James grew up on a farm in southeast Louisiana; she left at seventeen to join the US Navy. After holding a number of odd jobs (such as over-the-road truck driver), she returned to Louisiana to write and teach. Her fiction has been nominated for a Pushcart Prize.

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