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• Author has a cult following in the US and an international reputation. • More than 15,000 sold in English. • Widely reviewed on first publication: “[Wicomb’s] prose is vigorous, textured, lyrical. . . . a sophisticated storyteller.” –Bharati Mukherjee, New York Times Book Review “Wicomb deserves a wide American audience, on a par with the fabulous reception her white countrymen Nadine Gordimer and J. M. Coetzee have received.”–Wall Street Journal • Previously available in US an UK, published by Pantheon and Virago, respectively. OP Since mid 1980’s. Combined sales of 20,000.

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This contemporary African classic tells the story of seven unforgettable Kenyan women as it traces more than sixty years of turbulent national history. Like their country, this group of old women is divided by ethnicity, language, class, and religion. But around the charcoal fire at the Refuge, the old-age home they share in Nairobi, they uncover the hidden personal histories that connect them as women: stories of their struggles for self-determination; of conflict, violence, and loss, but also of survival.Each woman has found her way to the Refuge because of a devastating life experience—the loss of family and security to revolution, emigration, or poverty. But as they reflect upon their tragedies, they also become aware of the community they have formed—a community of collective history, strength, humor, and affection. And they learn that they are more connected than they know, as the murder of a student in the neighborhood reveals how their lives have intersected across generations, how securely the past is tied to the present—and to the future—of their young nation.

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“….An expansive, eclectic, and innovative novel.”—Women's Review of Books A modern-day Things Fall Apart, The Amputated Memory explores the ways in which an African woman’s memory preserves, and strategically forgets, moments in her tumultuous past as well as the cultural past of her country, in the hopes of making a healthier future possible. Pinned between the political ambitions of her philandering father, the colonial and global influences of encroaching and exploitative governments, and the traditions of her Cameroon village, Halla Njokè recalls childhood traumas and reconstructs forgotten experiences to reclaim her sense of self. Winner of the Noma Award—previous honorees include Mamphela Ramphele, Ngugi wa Thiong’o, and Ken Saro-Wiwa—The Amputated Memory was called by the Noma jury “a truly remarkable achievement . . . a deeply felt presentation of the female condition in Africa; and a celebration of women as the country’s memory.”

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Brilliant, evocative, poetic, savage, this Pulitzer Prize-winning first novel (1934) depicts a white, middle-class urban family that is turned into dirt-poor farmers by the Depression and the great drought of the thirties.Like Ethan Frome, the relatively brief, intense story evokes the torment possible among people isolated and driven by strong feelings of love and hate that, unexpressed, lead inevitably to doom. Reviewers in the thirties praised the novel, calling its prose «profoundly moving music,» expressing incredulity «that this mature style and this mature point of view are those of a young women in her twenties,» comparing the book to «the luminous work of Willa Cather,» and, with prescience, suggesting that it «has that rare quality of timelessness which is the mark of first-rate fiction.»

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Savyon Liebrecht’s intense, lyrical, and emotionally complex stories have made her a best-selling writer in her native Israel. Apples From the Desert brings together Liebrecht’s most vivid and affecting work and makes it available in English for the first time.With a precision and a subtle ferocity reminiscent of the work of Nadine Gordimer, Liebrecht’s stories reveal the impact of larger social and political conflicts within the private worlds of home and family. She depicts the personal tragedies—and the small acts of courage and reconciliation—that grow from the deep-rooted conflict between Arabs and Jews, women and men, and older and younger generations in present-day Israel. These stories create a finely nuanced portrait of contemporary Israel; at the same time, they reach toward truths that know no national boundaries. As Lily Rattok writes in her introduction, “Liebrecht’s skill as a writer, combined with her perceptiveness, her compassion, and her deep humanity, create a body of work that is a testament to the healing power of storytelling.”

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