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Аннотация
Аннотация
Set in vaudeville in the early twentieth century, Jonah Man is a gripping and ultimately heartbreaking novel that reveals the often tragic lives of performers struggling to make it to the big time. Told from the perspectives of multiple characters, including a one-handed juggler who moonlights as a drug trafficker, a talented young boy who longs to escape the shadow of his abusive father, and a police inspector whose bumbling attempts to solve a murder result in a series of calamitous missteps, Jonah Man explores the dark side of life behind the curtain, where performers will resort to the most extreme measures—including drug dealing, self-mutilation, and even murder—to keep their ever shrinking dream of becoming a star alive. Resurrecting the lost language and world of vaudeville—a «Jonah Man» was a performer who, despite his best efforts, had stalled in his career—Jonah Man is an unforgettable portrait of people trapped between their highest hopes and the crushing realties of their lives. Christopher Narozny earned an MFA in fiction from Syracuse University and a PhD in creative writing and literature from the University of Denver. His fiction has appeared or is forthcoming in the American Literary Review, Denver Quarterly, Marginalia, elimae, and Hobart. While at Syracuse he won the Peter Neagoe Prize for Fiction, and at the University of Denver he was awarded the Frankel Dissertation Fellowship for an earlier draft of Jonah Man. He currently lives in Brooklyn, New York.
Аннотация
Set in vaudeville in the early twentieth century, Jonah Man is a gripping and ultimately heartbreaking novel that reveals the often tragic lives of performers struggling to make it to the big time. Told from the perspectives of multiple characters, including a one-handed juggler who moonlights as a drug trafficker, a talented young boy who longs to escape the shadow of his abusive father, and a police inspector whose bumbling attempts to solve a murder result in a series of calamitous missteps, Jonah Man explores the dark side of life behind the curtain, where performers will resort to the most extreme measures—including drug dealing, self-mutilation, and even murder—to keep their ever shrinking dream of becoming a star alive. Resurrecting the lost language and world of vaudeville—a «Jonah Man» was a performer who, despite his best efforts, had stalled in his career—Jonah Man is an unforgettable portrait of people trapped between their highest hopes and the crushing realties of their lives. Christopher Narozny earned an MFA in fiction from Syracuse University and a PhD in creative writing and literature from the University of Denver. His fiction has appeared or is forthcoming in the American Literary Review, Denver Quarterly, Marginalia, elimae, and Hobart. While at Syracuse he won the Peter Neagoe Prize for Fiction, and at the University of Denver he was awarded the Frankel Dissertation Fellowship for an earlier draft of Jonah Man. He currently lives in Brooklyn, New York.
Аннотация
Fear, Contemporary Society, and its Consequences For anyone suffering from the global pandemic anxiety surrounding the new coronavirus, comes a long awaited exploration of one of the most powerful and primitive human emotions. A history and culture of fear. Over the last five hundred years, life for the average human being has changed dramatically—plagues no longer wipe out entire families, and no longer do we empty our chamber pots into the street. But, progress in the West has shown that no matter how many dangers we neutralize, new ones emerge. Why? Because our level of fear remains constant. Fear in contemporary society. For years, Dr. Frank Faranda studied a state of fearfulness in his patients—an evolutionary state that relentlessly drove them toward avoidance, alienation, hypercriticism, hyper-control, and eventually, depression and anxiety. He began to wonder what they were afraid of, and how embedded these fears might be in contemporary society. This book aims to break us free from what he found. Fear not. Faranda’s Fear Paradox is simple—even though fear has a prime directive to keep us safe and comfortable, it has grown into the single greatest threat to humanity and collective survival. As a consequence, fear is embedded in our culture, creating new dangers and inciting isolation. With global pandemic disruptions and rising anxiety levels, now is the time to shine a light on our deepest fears and examine the society that fear is creating. But fear not—inside, you’ll learn about: The fear of pain and the fear of the unknownHow fear has driven progress in the WestThe price paid to eradicate fear If you learned from reading books like Fear , The Culture of Fear , or The Science of Fear ; then The Fear Paradox is your next read. Come on, what are you afraid of?
