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Considered one of Ivan Turgenev's finest works, Fathers and Sons was the first of the great nineteenth-century Russian novels to achieve international renown. A stirring tale of generational conflict during a period of social revolution, it vividly depicts the friction between liberal and conservative thought and the rise of the radical new philosophy of nihilism. Set in Russia during the 1860s against the backdrop of the liberation of the serfs, the story concerns the clash of older aristocrats with the new democratic intelligentsia.The impressionable young student Arkady Kirsanoff arrives home in the company of his friend Bazarov, a cynical biologist. Arkady's father and uncle, already distressed by the upheaval of the peasants, grow increasingly irritated at Bazarov's outspoken nihilism and his ridicule of the conventions of state, church, and home. The young friends, bored by the rustic life of the Kirsanoff estate, venture off to the provincial capital in search of amusement. There they encounter both romance and alienation.This inexpensive edition of a literary landmark affords students and general readers the opportunity to savor a timeless masterpiece of world literature.

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One of the most famous literary works of the 20th century, the novella «Death in Venice» embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann's handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power. It is presented here in an excellent new translation with extensive commentary on many facets of the story.

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Daisy Miller is a fascinating portrait of a young woman from Schenectady, New York, who, traveling in Europe, runs afoul of the socially pretentious American expatriate community in Rome. First published in 1878, the novella brought American novelist Henry James (1843–1916), then living in London, his first international success. Like many of James' early works, it portrays a venturesome American girl in the treacherous waters of European society — a theme that would culminate in his 1881 masterpiece, The Portrait of a Lady.On the surface, Daisy Miller unfolds a simple story of a young American girl's willful yet innocent flirtation with a young Italian, and its unfortunate consequences. But throughout the narrative, James contrasts American customs and values with European manners and morals in a tale rich in psychological and social insight. A vivid portrayal of Americans abroad and a telling encounter between the values of the Old and New World, Daisy Miller is an ideal introduction to the work of one of America's greatest writers of fiction.

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A group of Utopians, dispirited by a mid-19th-century America they view as dissolute, takes to the pastoral life, but finds little satisfaction in its socialist living experiments. Little by little, the members' hypocrisies, contradictions, and ideological and economic paradoxes are exposed — even as they attempt to create the ideal community. Among the group are Hollingsworth, an idealistic but egotistical reformer; Zenobia, an ardent feminist and exotic beauty; Priscilla, her frail and mysterious sister; Old Moodie, the sisters' manipulative father; Westervelt, a demonic mesmerist; and Miles Coverdale, whose narrative of the Blithedale experiment reveals the sexist and classist oppression permeating the Utopian group. First published in 1852, The Blithedale Romance was based in part on Hawthorne's disillusioning experiences with the Brook Farm experimental community near Boston in 1841. An engrossing novel about love, idealism, and politics tragically gone amiss, this captivating work bristles with the author's perceptive wit and intelligence.

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A tribute to the first great age of fictional sleuthing, this delightful collection of 13 mystery classics is devoted to the genuine tale of ratiocination, in which the detective solves the crime by investigation and observation, by using his or her wits.Included among these gems, written between 1841 and 1920, are Edgar Allan Poe's «The Murders in the Rue Morgue,» widely acknowledged as the first detective story; Charles Dickens' «Three Detective Anecdotes,» in which a policeman is the detective-hero; Jack London's «The Leopard Man's Story,» featuring an unusually grisly but thoroughly plausible murder method; «The Phantom Motor,» by Jacques Futrelle; as well as tales by Wilkie Collins, Gelett Burgess, Susan Glaspell, E. C. Bentley, Rodrigues Ottolengui, Baroness Orczy, Samuel Hopkins Adams, Meville Davisson Post, and H. C. Bailey.Douglas G. Green, a widely recognized authority in the field of mystery fiction, provides an Introduction and informative headnotes for the stories.

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The two years before he wrote Crime and Punishment (1866) had been bad ones for Dostoyevsky. His wife and brother had died; the magazine he and his brother had started, Epoch, collapsed under its load of debt; and he was threatened with debtor's prison. With an advance that he managed to wangle for an unwritten novel, he fled to Wiesbaden, hoping to win enough at the roulette table to get himself out of debt. Instead, he lost all his money; he had to pawn his clothes and beg friends for loans to pay his hotel bill and get back to Russia. One of his begging letters went to a magazine editor, asking for an advance on yet another unwritten novel — which he described as Crime and Punishment. One of the supreme masterpieces of world literature, Crime and Punishment catapulted Dostoyevsky to the forefront of Russian writers and into the ranks of the world's greatest novelists. Drawing upon experiences from his own prison days, the author recounts in feverish, compelling tones the story of Raskolnikov, an impoverished student tormented by his own nihilism, and the struggle between good and evil. Believing that he is above the law, and convinced that humanitarian ends justify vile means, he brutally murders an old woman — a pawnbroker whom he regards as «stupid, ailing, greedy…good for nothing.» Overwhelmed afterwards by feelings of guilt and terror, Raskolnikov confesses to the crime and goes to prison. There he realizes that happiness and redemption can only be achieved through suffering. Infused with forceful religious, social, and philosophical elements, the novel was an immediate success. This extraordinary, unforgettable work is reprinted here in the authoritative Constance Garnett translation.A selection of the Common Core State Standards Initiative.

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"Like many fond parents, I have in my heart of hearts a favourite child," confessed Charles Dickens in the preface of this novel, «and his name is David Copperfield.» Millions of readers have taken young David into their hearts as well, weeping over his misfortunes and exulting in his triumphs. Dickens' seventh novel, David Copperfield, appeared in 1850, by which time he was a British national institution. Based on the author's own tumultuous journey from boy to man, this epic traces David's progress from his mother's sheltering arms to the miseries of boarding-school and sweatshop, and the rewards of friendship, romance, and self-discovery in his vocation as a writer.In addition to its compelling narrative, the great appeal of David Copperfield lies in its memorable cast of characters. From Mr. Murdstone, the brutal stepfather, to the scheming clerk Uriah Heep, the novel is peopled by vividly observed characters. Nursemaid Peggoty, bursting with vitality, leaves a trail of flying buttons in her wake. Grandiloquent Mr. Micawber is ever-confident that something will turn up to save his large brood from penury. Kind by wildly eccentric, Aunt Betsey Trotwood accepts counsel from the wise fool, Mr. Dick, and provides a heated reception for trespassing donkeys. Dickens' genius was comic, and David Copperfield reflects his view of existence as a mixture of laughter and tears — with laughter uppermost.

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"An unforgettable novel, written with pride and anger, with rebellion and tears." — Herald Tribune Book Review"Passionate, compelling . . . an impressive accomplishment." — Saturday Review"Remarkable for its courage, its color, and its natural control." — The New YorkerSelina's mother wants to stay in Brooklyn and earn enough money to buy a brownstone row house, but her father dreams only of returning to his island home. Torn between a romantic nostalgia for the past and a driving ambition for the future, Selina also faces the everyday burdens of poverty and racism. Written by and about an African-American woman, this coming-of-age story unfolds during the Depression and World War II. Its setting — a close-knit community of immigrants from Barbados — is drawn from the author's own experience, as are the lilting accents and vivid idioms of the characters' speech. Paule Marshall's 1959 novel was among the first to portray the inner life of a young female African-American, as well as depicting the cross-cultural conflict between West Indians and American blacks. It remains a vibrant, compelling tale of self-discovery.

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Jack London's novels and ruggedly individual life seemed to embody American hopes, frustrations, and romantic longings in the turbulent first years of the twentieth century, years infused with the wonder and excitement of great technological and historic change. The author's restless spirit, taste for a life of excitement, and probing mind led him on a series of hard-edged adventures from the Klondike to the South Seas. Out of these sometimes harrowing experiences — and his fascination with the theories of such thinkers as Darwin, Spencer, and Marx — came the inspiration for novels of adventure that would make him one of America’s most popular writers.The Call of the Wild, considered by many London's greatest novel, is a gripping tale of a heroic dog that, thrust into the brutal life of the Alaska Gold Rush, ultimately faces a choice between living in man's world and returning to nature. Adventure and dog-story enthusiasts as well as students and devotees of American literature will find this classic work a thrilling, memorable reading experience.

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A sensitive and moving portrait of a Victorian town, captured at a transitional period in English society, Cranford first appeared serially in Charles Dickens's magazine Household Words from 1851 to 1853, and in book form in 1853. Author Elizabeth Gaskell situated her stories in a hamlet very like the one in which she grew up, and her affectionate but unsentimental portraits of the residents of Cranford offer a realistic view of life and manners in an English country village during the 1830s.Cranford recounts the events and activities in the loves of a group of spinsters and widows who struggle in genteel poverty to maintain their standards of propriety, decency, and kindness. Tales of the heroism and self-sacrifice of Captain Brown, the surprisingly betrothal of Lady Glenmire, and the future for pretty but poor Miss Jessie support a web of subtle but serious themes that include the movement from aristocratic to middle-class values, the separate spheres and diverse experiences of men and women, and the curious coexistence of customs old and new in a changing society.Often referred to as Mrs. Gaskell, the author preferred Cranford to all her other works, which include a popular biography of her friend Charlotte Brontë. Praised by Charles Dickens as «delightful, and touched with the most tender and delicate manner,» the novel remains a favorite with students and aficionados of nineteenth-century literature.