LITMIR.BIZ

At the age of 37, Bill Harshaw was diagnosed with Parkinson’s Disease. The news changed his life forever,bringing forth a saga that will give hope to not only Parkinsonians, but to people with chronic disease everywhere. My Second Life is not a detailed road map or a set of instructions. Instead, it is an account of his changing state of mind over the two decades that he has had Parkinson’s Disease. Beginning with his diagnosis at the age of 37, this twenty-year journey covers diagnosis, denial, coping with work, early retirement, experimental neurosurgery, and taking a major leadership role in The Parkinson Foundation of Canada. Bill’s account of the two neurosurgical procedures is the first by a patient of the operations that gave him a second chance at life. "They say adversity draws out our deepest human qualities. To read Bill Harshaw’s story is to confirm that truth. From the scrap heap of neurogeneration at the same age as Michael J. Fox, to guinea pig for risky brain surgery and then to resurgence and rejoicing, Bill’s exemplary journey is a metaphor for the vast and positive capabilities of the human spirit." -David C. Simmonds, Chair, Parkinson Foundation of Canada

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Music Makers examines and celebrates the extraordinary lives of composer Harry Freedman and his partner, soloist Mary Morrison. Harry, with roots in jazz and popular music, was a member of the Toronto Symphony Orchestra for 25 years. Canada’s Composer of the Year in 1979, he has written an enormous repertoire that celebrates Canada and is sung and played around the world. After a stellar career in Canada as a popular singer and opera diva, Mary became an esteemed exponent of Canadian vocal works. She was a prestigious mentor and teacher of young Canadians now appearing on famous opera stages worldwide. She received the League of Composers’ Music Citation in 1968 and won Canada’s major award as Opera Educator in 2002.

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Elizabeth Simcoe’s diary, describing Canada from 1791 to 1796, is history written as it was being made. Created largely while she was seated in canoes and bateaux, the diary documents great events in a familiar way and opens our eyes to a side of Canadian history that is too little shown. During her time in Upper Canada (now Ontario), Mrs. Simcoe encountered fascinating figures, such a explorer, Alexander Mackenzie, and Mohawk Chief, Joseph Brant. She took particular interest in the First Nations people, the social customs of the early settlers, and the flora and fauna of a land that contained a mere 10, 000 non-Natives in 1791. The realm she observed so vividly was quite alien to a woman used to a world of ball gowns, servants, and luxury in England, but the lieutenant-governor’s wife was made of stern stuff and embraced her new environment with relish, leaving us with an account instilled with excitement and delight at everything she witnessed.

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Short-listed for the 2003 Edna Staebler Award for Creative Non-Fiction A world exists on the nighttime streets that the average person cannot envision. Taxi driver Peter McSherry recounts tales of his thirty years of experience driving cabs at night on the hard-bitten streets of Canada’s largest city. Drunks, punks, con artists, hookers, pimps, drug addicts, drug pushers, thugs, nymphomaniacs, snakes, politicians, celebrities . . . he’s experienced them all. McSherry serves up his stories with forthrightness, humour, and the occasional dash of cynicism. In this well-written and street-smart book, the author tells the rest of us about a world we can only imagine – if we dare.

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Although Charles Best is known for discovering insulin, the story of his life neither begins nor ends with that one moment. Not only did he make many other discoveries, he was also one half of an extraordinary couple who, during their almost sixty years together, were involved in many of the significant events of the twentieth century. Margaret & Charley is the story of these two people from their beginnings on the east coast at the turn of the century through the years that followed. Through diaries, scrapbooks, photograph albums, and other documentation, the details of their lives are shared with the reader.

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In addition to his activities as conductor, administrator, educator, composer, and organist, Sir Ernest MacMillan (1893-1973) found time to write more than one hundred essays and lectures on music. Always ready to use his enormous prestige to further the causes of music, MacMillan took every opportunity to admonish Canadians to develop our own composers, to honour our own performers, to educate our children musically, and to offer opportunities for all to hear, learn about, and enjoy great music. This selection of twenty essays and lectures covers the period from 1928 to 1964, and ranges over the gamut of MacMillan’s life and interests: the cause of the Canadian composer; music education for adults as well as children; critical reviews; his early years as an organist; internment in a German prison camp during the First World War; Shakespeare and music; church music; and the lighter side in two humorous send-ups of academic lectures on Bach and Wagner. Here is a panorama of music over thirty-five years at mid-century, through the eyes of one of Canada’s most brilliant and all-embracing musicians.

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French Canadians have a long, proud history of serving their nation. From the earliest beginnings, French Canadians assisted in carving out and defending the nascent country. They were critical as defenders and as allies against hostile Natives and competing European powers. In the aftermath of the conquest, they continued, albeit under a different flag, to defend Canada. Loyal Service examines the service of a number of French-Canadian leaders and their contributions to the nation during times of peace, crisis, and conflict spanning the entire historical spectrum from New France to the end of the twentieth century.

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Canadian composer Louis Applebaum devoted his life to the cultural awakening of his native land, and this «magnificent obsession» drove him to become a founder of the Canadian League of Composers and the Canadian Music Centre. He was an instrumental figure in the early development of the National Film Board, the Stratford Festival, and the National Art Centre in Ottawa. For nearly half a century he composed music for the Stratford Festival, television, radio, and films. This illustrated biography explores the man who was beloved by his fellow artists and the icon to whom every Canadian, knowingly or not, is indebted.

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Donald Smith, known to most Canadians as Lord Strathcona, was an adventurer who made his fortune building railroads. He joined the Hudson’s Bay Company at age eighteen and went on to build the first railway to open the Canadian Northwest to settlement. As his crowning achievement, he drove the last spike for the nation-building Canadian Pacific Railway. In 1896, Smith became Canada’s High Commissioner in London and was soon elevated to the peerage. He became a generous benefactor to Canadian institutions. This eminently readable biography brings to light new information, including details about Strathcona’s personal life and his scandalous marriage.

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Lawren Stewart Harris’ artistic career began in the first decade of our century. Well known for the nationalist-inspired landscapes that he painted between 1908 and 1932, Harris turned resolutely in 1934 to the painting of abstractions. He continued to create works that reflected his own modernist and mystical developments until the end of his life. Canadians praise Harris’ landscapes and admire him as a planner of innovative and heroic-sounding sketching trips into the North. He is also recognized as the chief organizer of the Group of Seven. A long list of younger artists he considered creative greatly benefited from Harris’ encouragement and often generous, practical help; many of them have been interviewed for this book. In the lives of some Canadians harris still functions as a gurulike guide – a role he was quite content to take on during his own lifetime – because of the spiritual content of his art and aesthetic writings and the example of his optimistic, vigorous and apparently untroubled life. But Harris’ was not an untroubled life, and Light for a Cold Land examines his personal crises and difficulties, some of which caused important changes in his art. The book also uncovers the painting styles, artistic tensions and cultural dynamics of the German milieu in which Harris received his only formal art education. His student years in Berlin profoundly influenced not only his art but also his artistic politics and his philosophy. It is ironic that in the art of this most articulate of Canadian nationalist painters, there are extensive German influences. Light for a Cold Land is the first art-historical study of Lawren Harris that attempts to explore his life and all aspects of his career. It is based on extensive work in archives, libraries, public art galleries and private collections in Canada, as well as research in Germany and interviews with members of Harris’ family and many of his friends, acquaintances, colleagues and critics.

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