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Considered to be the least characteristic of Melville's stories, somewhat resembling the work of Nathaniel Hawthorne and Edgar Allan Poe, “The Bell-Tower” is a dark literary work that explores, though never fully reveals, its central mystery. An eccentric artist and architect dreams up plans for a magnificent bell tower. After receiving approval from the city, he happily begins construction. When city residents begin to notice strange occurrences associated with the project, their complaints eventually force the city magistrates to investigate. Showing the magistrates around the tower, the artist proudly shows off his work and answers their questions, but one curiosity remains unanswered—what lies beneath the shroud in the bell-tower?

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A fictionalized account about the revolt on a 19th-century Spanish slavery ship, Benito Cereno was first published in three installments in 1855. Melville scholar Merton M. Sealts, Jr. called the story “an oblique comment on those prevailing attitudes toward blacks and slavery in the United States that would ultimately precipitate civil war between North and South.” The famous question of what had cast such a shadow upon Cereno was used by American author Ralph Ellison as an epitaph to his 1952 novel Invisible Man, excluding Cereno's answer, The negro. Over time, Melville's story has been increasingly recognized as among his greatest achievements.

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In Manhattan, an elderly lawyer's business is growing. Having two scriveners in his employ, the lawyer advertises for a third to meet demand. Enter Bartleby, a glum albeit quality scrivener. However, the lawyer quickly discovers that something is off with his new employee. When asked to perform any duties outside of copying, Bartleby responds with a canned I would prefer not to. Soon Bartleby is living at the office and performing less and less at work. Finally fed up with his strange new scrivener, the lawyer asks Bartleby to leave, only to find himself on the receiving end of yet another I would prefer not to.

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