LITMIR.BIZ

I took my tears and turned them into paintings' In the electric calm of a blue-painted room, a dying woman reassembles the images of an extraordinary life. The woman is Mexican painter Frida Kahlo. The life is one of struggle – with love, with the body, with her country, and most of all, with her art.La Casa Azul is a collaboration between Quebeçois playwright Sophie Faucher, who also played Frida Kahlo in this production, and internationally acclaimed director Robert Lepage.

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Collected for the first time in print, over a decade of texts from one of British theatre’s fiercest and most individual voices, documenting the extraordinary site-specific solo performances which have run parallel to Bartlett’s acclaimed work as a mainstream director.Neil Bartlett was Artistic Director of the Lyric Theatre Hammersmith for a number of years. Many of his adaptations for the stage are published by Oberon Books, including Oliver Twist, The Prince of Homburg and Don Juan.

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In the winter of 2036, in a shabby apartment in Port Elizabeth, two old men search for a way to say goodbye after a lifetime spent together. In the perfect summer of 1971, in a very different South Africa, their handsome younger selves search for the courage to fall in love. And poised halfway between these two stories – one imagined, one remembered – their real-life counterparts bear witness to both the beginning and ending of an incredible journey.Neil Bartlett returns to The National in collaboration with the award winning War Horse team to create an intimate history of two very private lives, lived in extraordinary times.

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Although his mainstream career has recently included major work for the RSC and the National, the five new pieces collected here show just how close playwright and director Neil Bartlett has stayed to the radical queer cultural roots that first brought him to prominence in the early 1980s. Commissioned to be performed in spaces as various as South London’s notorious Vauxhall Tavern, Brighton’s Theatre Royal and the pulpit of Westminster Abbey, these hit-and-run dramatic monologues bring all of his trademark wit and passion to bear on the issues that run throughout his work – the power of love, and the necessity for anger. Together, they make up a trenchantly personal take on what it feels like to have spent nearly thirty years standing up and speaking one’s mind.The collection also includes his 2011 adaptation of Oscar Wilde’s The Remarkable Rocket , which uses the diamond-sharp text of one of Wilde’s children’s stories as the springboard for a haunting meditation on the enduring power of Wilde to inspire, dazzle and move. A follow on from his earlier collection Solo Voices, this new collection is vivid, fierce and tender, with five provocative and highly actable new works from one of British theatre’s most idiosyncratic voices.www.neil-bartlett.com

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