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First published in 1928, “Quicksand” is the first novel by American author Nella Larsen. It is the semi-autobiographical tale of a young, mixed race woman who struggles to find her place in the world. Like her main character, Helga Crane, Larsen was the daughter of a Danish white mother and a West Indian black father who disappeared from her life as a baby. Larsen and the fictional Crane never feel that they belong in either the white world or the black world and both travel around the United States and to Europe in search for a place that feels like home. “Quicksand” is an important novel of the Harlem Renaissance and one of the few novels of its time to explore the sexual feelings of women of color. Helga is a lovely and refined woman, a complicated and nuanced character, who is searching for meaning and purpose in her life. She is also far ahead of her time as she is self-reliant, adventurous, and intent on taking her fate into her own hands. This deeply personal story of a woman’s difficult search for acceptance and human connection while caught between two worlds remains to this day an insightful and thought-provoking novel.

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In Larsen’s second novel, “Passing,” first published in 1929, the author revisits the theme of her first novel “Quicksand”, that being the struggle for racial identity by children of mixed-race. The novel details the lives of two childhood friends, Clare Kendry and Irene Redfield, both of whom are of mixed African and European ancestry and are “passing” as whites. The novel picks up in the lives of the two as they later reunite in adulthood. An ambiguous relation develops between the two as they share a fascination for how each other’s lives have transpired since they last knew each other. Larsen’s work has been lauded for its exploration of race, gender, class, and sexuality amongst African Americans in early part of the 20th century. Now considered as a major figure of the Harlem Renaissance, Larsen’s writing gives a firsthand insight into the struggle of African Americans during this era.

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Helga's mother is white, and her father is black–and absent. Ostracized throughout her lonely childhood for her dark skin, Helga spends her adult life seeking acceptance. Everywhere she goes — the American South, Harlem, even Denmark–she feels oppressed. Socially, economically, and psychologically, Helga struggles against the «quicksand» of classism, racism, and sexism.One of the most acclaimed and influential writers of the Harlem Renaissance, Nella Larsen published her powerful first novel in 1928. Quicksand features intriguing autobiographical parallels with Larsen's own life, in addition to reflecting many aspects of African-American culture of the 1920s. Alice Walker praised it and Passing (Larsen's second novel, also available in a Dover edition) as «novels I will never forget. They open up a whole world of experience and struggle that seemed to me, when I first read them years ago, absolutely absorbing, fascinating, and indispensable.»

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"Absolutely absorbing, fascinating, and indispensable.–Alice Walker"A work so fine, sensitive, and distinguished that it rises above race categories and becomes that rare object, a good novel."–The Saturday Review of LiteratureMarried to a successful physician and prominently ensconced in Harlem's vibrant society of the 1920s, Irene Redfield leads a charmed existence-until she is shaken out of it by a chance encounter with a childhood friend who has been «passing for white.» An important figure in the Harlem Renaissance, Nella Larsen was the first African-American woman to be awarded a Guggenheim fellowship. Her fictional portraits of women seeking their identities through a fog of racial confusion were informed by her own Danish-West Indian parentage, and Passing offers fascinating psychological insights into issues of race and gender.

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Published in 1928, Nella Larsen's first novel «Quicksand» regards the story of Helga Crane, the lovely and refined mixed-race daughter of a Danish mother and a West Indian black father. The character is loosely based on Larsen's own experiences and deals with the character's struggle for racial and sexual identity, a theme common to Larsen's work. In Larsen's second novel, «Passing,» published in 1929, the author revisits this struggle through the lives of two childhood friends, Clare Kendry and Irene Redfield, both of whom are of mixed African and European ancestry and are «passing» as whites. The novel picks up in the lives of the two as they later reunite in adulthood. An ambiguous relation develops between the two as they share a fascination for how each other's lives have transpired since they last knew each other. Larsen's work has been lauded for its exploration of race, gender, class, and sexuality amongst African Americans in early part of the 20th century. Now considered as a major figure of the Harlem Renaissance, Larsen's writing gives a firsthand insight into the struggle of African Americans during this era. Along with her two novels three of Larsen's short stories, «The Wrong Man,» «Freedom,» and «Sanctuary» are presented together here in this volume.

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