LITMIR.BIZ

Alexandra Chreiteh's Ali and his Russian Mother is at once an ordinary and extraordinary story of two young people in Lebanon. At the outbreak of the July War in 2006, the novel's unnamed young protagonist reconnects with her childhood friend and develops a little crush on him, as they flee the bombs unleashed upon their country by Israel. Displaced, along with a million others across the country, she and her Russian mother have joined an evacuation for Russian citizens, when she again meets up with Ali, her former schoolmate from the South, who also has a Russian (Ukrainian) mother.As the two friends reunite, chat, and bond during a harrowing bus caravan across the Syrian border to Lattakia, en route to Moscow, Chreiteh's unique, comic sense of the absurd speaks to contradictions faced by a young generation in Lebanon now, sounding out taboos surrounding gender, sexual, religious, and national identities. Carrying Russian passports like their mothers—both of whom married Lebanese men and settled there—they are forced to reflect upon their choices, and lack of them, in a country that is yet again being torn apart by violent conflict.

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The story of three different young women marks the literary debut of an amazing writer from LebanonAlways Coca-Cola is the story of three very different young women attending university in Beirut: Abeer, Jana, and Yasmine. The narrator, Abeer Ward (fragrant rose, in Arabic), daughter of a conservative family, admits wryly that her name is also the name of her father’s flower shop. Abeer’s bedroom window is filled by a view of a Coca-Cola sign featuring the image of her sexually adventurous friend, Jana. From the novel’s opening paragraph—“When my mother was pregnant with me, she had only one craving. That craving was for Coca Cola”—first-time novelist Alexandra Chreiteh asks us to see, with wonder, humor, and dismay, how inextricably confused naming and desire, identity and branding. The names—and the novel’s edgy, cynical humor—might be recognizable across languages, cultures, and geographies. But Chreiteh’s novel is first and foremost an exploration of a specific Lebanese milieu. Critics in Lebanon have responded in a storm, calling the novel “an electric shock” and finding that the problems of its characters reflect grave “social anomalies.” Read Chreiteh and see what the storm is all about.

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