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Raymond Barfield
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How do humans explore beauty, virtue, love, justice, and goodness? This book argues that philosophical attention to our lives, shaped in part by our choices, is our instrument for investigating these parts of reality. Constructing a life is a philosophical act. Philosophical acts that are shaped by a life, and that shape a life, constitute philosophical style. Everyone has a philosophical style, which is fundamentally about the way we live in the world through our bodies, our reason, our imagination, and our virtue. It is about what we love and how we are loved. Beauty, suffering, and being in the world are placeholders for everything that makes up our lived experience. As we live our lives between beauty and suffering, we learn most about being in the world. The argument of the book moves from a discussion of philosophical style, through the three placeholders for human experience as they are affected by philosophy (beauty, suffering, and being in the world), arriving at a reworking of Pascal's wager about living in relationship to the presence or absence of God as a way of understanding the commitments that are our only way into the truth of our life.
Аннотация
How can a 19-year-old, mixed-race girl who grew up in a crack house and is now pregnant be so innocent? Yslea is full of contradictions, though, seeming both young and old, innocent and wise. Her spirit is surprising, given all the pain she has endured, and that's the counterpoint this story offers—while she sees pain and suffering all around her, Yslea overcomes in her own quiet way.What Yslea struggles with is expressing her thoughts. And she wonders if she will have something of substance to say to her baby. It's the baby growing inside her that begins to wake her up, that causes her to start thinking about things in a different way.Yslea drifts into the lives of four people who occupy three dilapidated row houses along the train tracks outside of Memphis: «The way their three little row houses sort of leaned in toward each other and the way the paint peeled and some of the windows were covered with cardboard, the row might as easily have been empty.»