LITMIR.BIZ

"[Labbé] wreaks havoc on narrative rules from the start and keeps doing it."—Bookforum Loquela, Carlos Labbé's fourth novel and second to be translated into English, is a narrative chameleon, a shape-shifting exploration of fiction's possibilities. At a basic level, this book is like a hybrid of Julio Cortázar and Paul Auster: a distorted detective novel, a love story, and a radical statement about narrative art. Behind the silence that unites and separates Carlos and Elisa, behind the game that estranges the albino girls, Alicia and Violeta, from the best summer afternoons, behind the destiny of Neutria—a city that disappears with childhood and returns with desire—and behind a literary move­ment that might be the ultimate vanguard while at the same time the greatest falsification, questions arise concerning who truly writes for whom in a novel—the author or the reader. Through an array of voices, overlapping story­lines, a kaleidoscope of literary references, and a delirious prose, Labbé carves out a space for himself among such form-defying Latin American greats as Diamela Eltit, Juan Carlos Onetti, and Jorge Luis Borges. [b]Carlos Labbé, one of [i]Granta's «Best Young Spanish-Language Novelists,» was born in Chile and is the author of a collection of short stories and six novels, one of which, [i]Navidad & Matanza, is available in English from Open Letter. In addition to his writings, he is a musician, and has released three albums. [b]Will Vanderhyden received an MA in literary translation from the University of Rochester.

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"Carlos Labbé's [ Navidad & Matanza ] begins to fuck with your head from its very first word—moving through journalese, financial reporting, whodunit, Joseph Conrad, Raymond Chandler, Nabokov to David Lynch."—Toby Litt It's the summer of 1999 when the two children of wealthy video game executive Jose Francisco Vivar, Alicia and Bruno, go missing in the beach town of Matanza. Long after their disappearance, the people of Matanza and the adjacent town of Navidad consistently report sightings of Bruno—on the beach, in bars, gambling—while reports on Alicia, however, are next to none. And every clue keeps circling back to a man named Boris Real . . . At least that's how the story—or one of many stories, rather—goes. All of them are told by a journalist narrator, who recounts the mysterious case of the Vivar family from an underground laboratory where he and six other «subjects» have taken up a novel-game, writing and exchanging chapters over email, all while waiting for the fear-inducing drug hadón to take its effect, and their uncertain fates. A literary descendant of Roberto Bolaño and Andrés Neuman, Carlos Labbé's Navidad & Matanza is a work of metafiction that not only challenges our perceptions of facts and observations, and of identity and reality, but also of basic human trust. Carlos Labbé[/b], one of Granta's «Best Young Spanish-Language Novelists,» was born in Chile and is the author of six novels, including Navidad & Matanza and Locuela , and a collection of short stories. In addition to his writings he is a musician, and has released three albums. He is a co-editor at Sangria, a publishing house based in Santiago and Brooklyn, where he translates and runs workshops. He also writes literary essays, the most notable ones on Juan Carlos Onetti, Diamela Eltit and Roberto Bolaño—three writers whose influence can be seen in Navidad & Matanza. Will Vanderhyden[/b] received an MA in Literary Translation from the University of Rochester. He has translated fiction by Carlos Labbé, Edgardo Cozarinsky, Alfredo Bryce Echenique, Juan Marsé, Rafael Sanchez Ferlosio, and Elvio Gandolfo.

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