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Robin Jenkins
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Аннотация
'Half Scotland sniggered and the other half scowled, when in letters to the Scotsman and the Glasgow Herald, I put forward my suggestion that prisoners in Scottish jails be allowed to wear their kilts as their national birthright if such be their wish.'
From his origins as an illegitimate child in the slums of Glasgow, Fergus Lamont sets out to reclaim his inheritance and to remake his identity as soldier, poet and would-be aristocrat.
Covering the years from the turn of the century to the Second World War, Fergus's unforgettable voice recounts a tale of vanity, success and betrayal which shines its own sardonic light on Scotland and the cultural and political issues of the day.
At odds with his origins and unsettled in his aristocratic pretensions, Fergus Lamont reaches middle age before he is offered at least the hope of redemption in a love affair with an island woman.
How it turns out and what he learns too late, adds a tragic dimension to the scathing humour of this, Robin Jenkins's most searching exploration of the modern Scottish psyche.
From his origins as an illegitimate child in the slums of Glasgow, Fergus Lamont sets out to reclaim his inheritance and to remake his identity as soldier, poet and would-be aristocrat.
Covering the years from the turn of the century to the Second World War, Fergus's unforgettable voice recounts a tale of vanity, success and betrayal which shines its own sardonic light on Scotland and the cultural and political issues of the day.
At odds with his origins and unsettled in his aristocratic pretensions, Fergus Lamont reaches middle age before he is offered at least the hope of redemption in a love affair with an island woman.
How it turns out and what he learns too late, adds a tragic dimension to the scathing humour of this, Robin Jenkins's most searching exploration of the modern Scottish psyche.
Аннотация
Thirteen-year-old Tom Curdie, the product of a Glasgow slum, is on probation for theft. His teachers admit that he is clever, but only one, Charlie Forbes, sees something in Tom and his seemingly insolent smile. So, Forbes decides to take Tom on holiday with his own family, with tragic consequences.
From one of Scotland's greatest writers, The Changeling explores how goodness and innocence is compromised when faced with the pressures of growing up and becoming part of society.
From one of Scotland's greatest writers, The Changeling explores how goodness and innocence is compromised when faced with the pressures of growing up and becoming part of society.
Аннотация
Introduced by Margery Palmer McCulloch.
In writing Just Duffy, a novel set amidst the urban decay of Lanarkshire, Robin Jenkins has created a modern-day Confession of a Justified Sinner. Convinced of his own rectitude, appalled at the moral squalor around him, Duffy declares war on society. Ridiculous, yet horrifying at the same time, his campaign builds to a terrifying conclusion. Beset with ambiguity, Duffy is a ferocious indictment of Calvinistic moral certainty, of a struggle for good which results in only evil and destruction. The deeply ironic title bears witness to the mismatch of Duffy’s aspiration against his own insignificance.
The themes of this novel are central to all Jenkins’ work. In its stark simplicity Just Duffy lays claim to being one of his most significant and powerful novels. Its inexorable drive and power bear witness to a modern Greek tragedy played out on a Scottish stage.
‘Challenging and absorbing . . . a powerful and mordant irony.’ Scotsman
‘Stark and hypnotically well written.’ Irish Independent
‘Robin Jenkins is the most outstanding novelist that Scotland has produced since the war.’ Compton Mackenzie
In writing Just Duffy, a novel set amidst the urban decay of Lanarkshire, Robin Jenkins has created a modern-day Confession of a Justified Sinner. Convinced of his own rectitude, appalled at the moral squalor around him, Duffy declares war on society. Ridiculous, yet horrifying at the same time, his campaign builds to a terrifying conclusion. Beset with ambiguity, Duffy is a ferocious indictment of Calvinistic moral certainty, of a struggle for good which results in only evil and destruction. The deeply ironic title bears witness to the mismatch of Duffy’s aspiration against his own insignificance.
The themes of this novel are central to all Jenkins’ work. In its stark simplicity Just Duffy lays claim to being one of his most significant and powerful novels. Its inexorable drive and power bear witness to a modern Greek tragedy played out on a Scottish stage.
‘Challenging and absorbing . . . a powerful and mordant irony.’ Scotsman
‘Stark and hypnotically well written.’ Irish Independent
‘Robin Jenkins is the most outstanding novelist that Scotland has produced since the war.’ Compton Mackenzie
Аннотация
‘The best-kept secret in modern British literature.’ Andrew Marr
A haunting story of violence and love.
Calum and Neil are the cone-gatherers – two brothers at work in the forest of a large Scottish estate. But the harmony of their life together is shadowed by the obsessive hatred of Duror, the gamekeeper.
Set during the Second World War, Robin Jenkins’ greatest novel is an immensely powerful examination of good and evil, and mankind’s propensity for both. Removed from the destruction and bloodshed of the war, the brothers’ oblivious happiness becomes increasingly fragile as darker forces close in around them.
Suspenseful, dark and unforgettable, The Cone-Gatherers is a towering work of fiction, a masterpiece of modern Scottish literature.
‘Let me alert everyone to the best-kept secret in modern British literature. If you love the novel; if you are interested in books that are humane and wise, not slick and cynical; then treat yourself this year to some Robin Jenkins.’ Andrew Marr
‘A masterpiece of concision and terrible pathos.’ Isobel Murray
‘Like all the great masters, his skill is lightly worn, his sentences singing with what he does not say.’ The Times
‘Few novels in our heritage have the bell-like harmonies of this book . . . it has a strange, haunting poetic quality, conjuring from a few props a fable of eternal significance.’ Iain Crichton Smith
A haunting story of violence and love.
Calum and Neil are the cone-gatherers – two brothers at work in the forest of a large Scottish estate. But the harmony of their life together is shadowed by the obsessive hatred of Duror, the gamekeeper.
Set during the Second World War, Robin Jenkins’ greatest novel is an immensely powerful examination of good and evil, and mankind’s propensity for both. Removed from the destruction and bloodshed of the war, the brothers’ oblivious happiness becomes increasingly fragile as darker forces close in around them.
Suspenseful, dark and unforgettable, The Cone-Gatherers is a towering work of fiction, a masterpiece of modern Scottish literature.
‘Let me alert everyone to the best-kept secret in modern British literature. If you love the novel; if you are interested in books that are humane and wise, not slick and cynical; then treat yourself this year to some Robin Jenkins.’ Andrew Marr
‘A masterpiece of concision and terrible pathos.’ Isobel Murray
‘Like all the great masters, his skill is lightly worn, his sentences singing with what he does not say.’ The Times
‘Few novels in our heritage have the bell-like harmonies of this book . . . it has a strange, haunting poetic quality, conjuring from a few props a fable of eternal significance.’ Iain Crichton Smith