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The histories of Cuba and the United States are tightly intertwinedand have been for at least two centuries. In Race to Revolution,historian Gerald Horne examines a critical relationship betweenthe two countries by tracing out the typically overlooked interconnectionsamong slavery, Jim Crow, and revolution. Slavery wascentral to the economic and political trajectories of Cuba and theUnited States, both in terms of each nation’s internal political andeconomic development and in the interactions between the smallCaribbean island and the Colossus of the North. Horne draws a direct link between the black experiences in twovery different countries and follows that connection throughchanging periods of resistance and revolutionary upheaval. BlackCubans were crucial to Cuba’s initial independence, and the relativefreedom they achieved helped bring down Jim Crow in theUnited States, reinforcing radical politics within the black communitiesof both nations. This in turn helped to create the conditionsthat gave rise to the Cuban Revolution which, on New Years’ Dayin 1959, shook the United States to its core. Based on extensive research in Havana, Madrid, London, andthroughout the U.S., Race to Revolution delves deep into thehistorical record, bringing to life the experiences of slaves andslave traders, abolitionists and sailors, politicians and poor farmers.It illuminates the complex web of interaction and infl uencethat shaped the lives of many generations as they struggled overquestions of race, property, and political power in both Cuba andthe United States.

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While it is well known that more Africans fought on behalf of the British than with the successful patriots of the American Revolution, Gerald Horne reveals in his latest work of historical recovery that after 1776, Africans and African-Americans continued to collaborate with Great Britain against the United States in battles big and small until the Civil War. Many African Americans viewed Britain, an early advocate of abolitionism and emancipator of its own slaves, as a powerful ally in their resistance to slavery in the Americas. This allegiance was far-reaching, from the Caribbean to outposts in North America to Canada. In turn, the British welcomed and actively recruited both fugitive and free African Americans, arming them and employing them in military engagements throughout the Atlantic World, as the British sought to maintain a foothold in the Americas following the Revolution. In this path-breaking book, Horne rewrites the history of slave resistance by placing it for the first time in the context of military and diplomatic wrangling between Britain and the United States. Painstakingly researched and full of revelations, Negro Comrades of the Crown is among the first book-length studies to highlight the Atlantic origins of the Civil War, and the active role played by African Americans within these external factors that led to it. Listen to a one hour special with Dr. Gerald Horne on the «Sojourner Truth» radio show.

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A galvanizing history of how jazz and jazz musicians flourished despite rampant cultural exploitation The music we call “jazz” arose in late nineteenth century North America—most likely in New Orleans—based on the musical traditions of Africans, newly freed from slavery. Grounded in the music known as the “blues,” which expressed the pain, sufferings, and hopes of Black folk then pulverized by Jim Crow, this new music entered the world via the instruments that had been abandoned by departing military bands after the Civil War. Jazz and Justice examines the economic, social, and political forces that shaped this music into a phenomenal US—and Black American—contribution to global arts and culture. Horne assembles a galvanic story depicting what may have been the era’s most virulent economic—and racist—exploitation, as jazz musicians battled organized crime, the Ku Klux Klan, and other variously malignant forces dominating the nightclub scene where jazz became known. Horne pays particular attention to women artists, such as pianist Mary Lou Williams and trombonist Melba Liston, and limns the contributions of musicians with Native American roots. This is the story of a beautiful lotus, growing from the filth of the crassest form of human immiseration.

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August 2019 saw numerous commemorations of the year 1619, when what was said to be the first arrival of enslaved Africans occurred in North America. Yet in the 1520s, the Spanish, from their imperial perch in Santo Domingo, had already brought enslaved Africans to what was to become South Carolina. The enslaved people here quickly defected to local Indigenous populations, and compelled their captors to flee. Deploying such illuminating research, The Dawning of the Apocalypse is a riveting revision of the “creation myth” of settler colonialism and how the United States was formed. Here, Gerald Horne argues forcefully that, in order to understand the arrival of colonists from the British Isles in the early seventeenth century, one must first understand the “long sixteenth century”– from 1492 until the arrival of settlers in Virginia in 1607.During this prolonged century, Horne contends, “whiteness” morphed into “white supremacy,” and allowed England to co-opt not only religious minorities but also various nationalities throughout Europe, thus forging a muscular bloc that was needed to confront rambunctious Indigenes and Africans. In retelling the bloodthirsty story of the invasion of the Americas, Horne recounts how the fierce resistance by Africans and their Indigenous allies weakened Spain and enabled London to dispatch settlers to Virginia in 1607. These settlers laid the groundwork for the British Empire and its revolting spawn that became the United States of America.

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