Аннотация

From one grenade exploding in 1920s Toronto to the seeds of a new war in Europe … As Torontonians move to the beat of the Jazz Age, war is the furthest thing from their minds. Then a fatal grenade explosion outside a west end hotel room breaks the rhythm. The room’s registered occupant, a mysterious European woman calling herself Lucy, disappears before she can shed any light on the incident. Police detective Paul Shenstone believes someone is trying to assassinate Lucy. Once he has found her, he will learn the reason: she has uncovered dangerous secrets that threaten world peace. Shenstone must protect Lucy and pursue her attackers. At the same time, his own experience as an infantry officer in Flanders compels him to go beyond his police function. He feels he must help Lucy get her message to the corridors of power, so that a new war may be prevented.

Аннотация

Homicide becomes more than an academic study for Toronto criminologist Ted Boudreau when his own suburban home is burglarized, with deadly results. Was his computer targetted because of his interest in a secretive biker gang? Teds attempts to deal with the aftermath bring him into conflict with family, police detectives, and the Crown prosecutor assigned to the caseas well as with his university colleagues, whose penal philosophy Ted no longer believes can stand the test of real-life experience. His pursuit of justice must compete with his duty not to compromise the source of his dossier on the ruthless Dark Arrows Motorcycle Club.

Аннотация

After surviving the horrors of the Great War, Paul Shenstone works as a police detective in 1920s Toronto, rooting out petty criminals and rumrunners. The unusual murder of a prominent industrialist gives him the biggest case of his career and a not entirely welcome opportunity to make his name on the force. The waters are muddied when the investigation starts uncovering connections between the deceased Digby Watt and soldiers Shenstone knew in Flanders. What will Shenstone’s choice be if he has to arrest one of his own comrades? He has promised Watt’s attractive and independent daughter that he will bring the perpetrator to justice, but bonds forged in war are not easily broken. In the end, what does justice require, restitution or punishment?

Аннотация

Winner of the 2004 ForeWord Book of the Year Award Toronto in 1856 is industrializing with little time for scruple or sentiment. When Reform politician William Sheridan dies suddenly and his daughter Theresa vanishes, only one man persists in asking questions. A former suitor of Theresa’s, bank cashier Isaac Harris has never managed to forget her, despite her marriage to another man. Thrust into the role of amateur detective, he must now struggle with the demands of his job and the shortcomings of the fledgling city police. He also faces the hostility of Theresa’s powerful husband, a steamboat and railway magnate. Harris’s search takes a grisly turn when, in a valley outside of town, he finds human remains decked in traces of Theresa’s finery. If she is dead, who is responsible? And who cares to find out, apart from the man who wooed her too timidly and now would do anything to make up for it? Death in the Age of Steam whirls the reader through a richly realized Victorian landscape, from Niagara Falls to Montreal and north as far as the shores of Lake Superior. It’s a world at once near and exotic, a world of noise and smoke and churning pistons, but a world still very familiar to denizens of the 21st century.