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Shusaku Endo
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Аннотация
In novels such as Silence , Endō Shūsaku examined the persecution of Japanese Christians in different historical eras. Sachiko , set in Nagasaki in the painful years between 1930 and 1945, is the story of two young people trying to find love during yet another period in which Japanese Christians were accused of disloyalty to their country.In the 1930s, two young Japanese Christians, Sachiko and Shūhei, are free to play with American children in their neighborhood. But life becomes increasingly difficult for them and other Christians after Japan launches wars of aggression. Meanwhile, a Polish Franciscan priest and former missionary in Nagasaki, Father Maximillian Kolbe, is arrested after returning to his homeland. Endō alternates scenes between Nagasaki—where the growing love between Sachiko and Shūhei is imperiled by mounting persecution—and Auschwitz, where the priest has been sent. Shūhei’s dilemma deepens when he faces conscription into the Japanese military, conflicting with the Christian belief that killing is a sin. With the A-bomb attack on Nagasaki looming in the distance, Endō depicts ordinary people trying to live lives of faith in a wartime situation that renders daily life increasingly unbearable. Endō’s compassion for his characters, reflecting their struggles to find and share love for others, makes Sachiko one of his most moving novels.
Аннотация
The events described in this exciting and provocative three-act play, a companion piece to Endo’s highly acclaimed novel Silence, take place in 1633, nearly a hundred years after Christianity was introduced into Japan. By this time, Japanese Christians were being cruelly persecuted by the government; every Christian searched out was made to apostatize or suffer a slow, agonizing death.The central character of The Golden Country is Father Christopher Ferreira, a Portuguese Jesuit missionary. Given shelter by a Christian farming community, everyone looks to him for help, including one of his chief persecutors. When, after cruel torture, Father Ferriera apostatizes to the disbelief of his Japanese converts, the play reaches a climax that is later capped only by the courage, nobility and love of the martyrs. Father Francis Mathy’s detailed Introduction to this tightly constructed drama, which poses basic questions about the meaning of faith, love and fate, provides valuable historical background.
