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First published in 1855, Bulfinch's Mythology has introduced generations of readers to the great myths of Greece and Rome, as well as time-honored legends of Norse mythology, medieval, and chivalric tales, Oriental fables, and more. Readers have long admired Bulfinch's versions for the skill with which he wove various versions of a tale into a coherent whole, the vigor of his storytelling, and his abundant cross-references to poetry and painting, demonstrating the relationship of literature and art. Now The Age of Fable, the first section of the Mythology, is available in this inexpensive, highly readable edition. Drawing on the works of Homer, Ovid, Virgil, and other classical authors, as well as an immense trove of stories about the Norse gods and heroes, The Age of Fable offers lively retellings of the myths of the Greek and Roman gods: Venus and Adonis, Jupiter and Juno, Daphne and Apollo, and many others. The myths and legends so vividly retold in this volume underlie much of the art, literature, and culture of Western civilization. As Bulfinch put it, «Without a knowledge of mythology, much of the elegant literature of our own language cannot be understood and appreciated.» With this inexpensive edition of The Age of Fable, readers can immerse themselves in these seminal myths, increasing their appreciation and understanding of Western culture, while enjoying the myths purely as the great stories they are.

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Regarded by a contemporary as a «brilliant eccentric whose works skirted the outer fringes of English art and literature,» William Blake (1757–1827) is today recognized as a major poet and artist. This collection of 104 poems, carefully chosen by noted Blake scholars David and Virginia Erdman, reveals the lyricism, mystical vision, and consummate craftsmanship that have earned the poet his preeminent place with both critics and the general public. Among the selections included here are «Proverbs of Hell» from The Marriage of Heaven and Hell ― a satire on religion and morality considered Blake's most inspired and original work; «A Song of Liberty,» «The Argument,» «The Mental Traveller,» «Gwin, King of Norway,» «The Land of Dreams,» «William Bond,» «To the Evening Star,» and many more.

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In the 19th century, abolitionist and African-American periodicals printed thousands of poems by black men and women on such topics as bondage and freedom, hatred and discrimination, racial identity and racial solidarity, along with dialect verse that mythologized the Southern past. Early in the 20th century, black poets celebrated race consciousness in propagandistic and protest poetry, while World War I helped engender the outpouring of African-American creativity known as the «Harlem Renaissance.»The present volume spans this wealth of material, ranging from the religious and moral verse of Phillis Wheatley Peters (ca. 1753–1784) to the 20th-century sensibilities of Langston Hughes and Countee Cullen. Also here are works by George Moses Horton, Frances Ellen Watkins Harper, Alberry Alston Whitman, Henrietta Cordelia Ray, Daniel Webster Davis, Mary Weston Fordham, James Weldon Johnson, Paul Laurence Dunbar, and many more.Attractive and inexpensive, this carefully chosen collection offers unparalleled insight into the hearts and minds of African-Americans. It will be welcomed by students of the black experience in America and any lover of fine poetry.

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In the opening scene of Arms and the Man, which establishes the play's embattled Balkan setting, young Raina learns of her suitor's heroic exploits in combat. She rhapsodizes that it is «a glorious world for women who can see its glory and men who can act its romance!» Soon, however, such romantic falsifications of love and warfare are brilliantly and at times hilariously unmasked in a comedy that reveals George Bernard Shaw at his best as an acute social observer and witty provocateur. First produced on the London stage in 1894, Arms and the Man continues to be among the most performed of Shaw’s plays around the world. The play is reprinted in its entirety here from an authoritative British edition, and is complete with Shaw's stimulating preface to Volume II of Plays: Pleasant and Unpleasant.

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"In America, black is a country," declared Amiri Baraka, who insisted that the lives and destinies of the nation's white and black citizens are inseparably intertwined. His statement, like many others in this compilation of quotations, reflects the black experience in America and touches upon the role of racial identity. Other citations voice a broader perspective, including Maya Angelou's remark, «Life is not measured by the number of breaths we take, but by the moments that take our breath away.»This original collection of quotations cites approximately 100 well-known African-Americans from all walks of life. Twentieth-century notables include Louis Armstrong, Muhammad Ali, Julian Bond, and Ralph Ellison, in addition to earlier figures such as George Washington Carver and Frederick Douglass. Sources include poetry and works of fiction as well as song lyrics. Arranged alphabetically by author, the quotations cover a wide variety of subjects. Brief captions identify the quoted individuals and the achievements for which they are best known.

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Prosperous and socially prominent, George Babbitt appears to have everything a man could wish: good health, a fine family, and a profitable business in a booming Midwestern city. But the middle-aged real estate agent is shaken from his self-satisfaction by a growing restlessness with the limitations of his life. When a personal crisis forces a reexamination of his values, Babbitt mounts a rebellion against social expectations — jeopardizing his reputation and business standing as well as his marriage.Widely considered Sinclair Lewis's greatest novel, this satire of the American social landscape created a sensation upon its 1922 publication. Babbitt's name became an instant and enduring synonym for middle-class complacency, and the strictures of his existence revealed the emptiness of the mainstream vision of success. His story reflects the nature of a conformist society, in which the pressures of maintaining propriety can ultimately cause individuals to lose their place in the world.Babbitt ranks among the important 20th-century works addressing the struggles of people caught in the machinery of modern life, and it remains ever-relevant as a cautionary tale against clinging to conventional values.

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Preoccupied with death, and repressed in many areas of their lives, Victorians seem to have found an emotional outlet in ghost stories, eerie tales, and a fascination with the macabre. Writers of the era fed this appetite with a continuing feast of stories steeped in terror and the supernatural. This unique collection gathers together 21 of these Victorian-era spine-tinglers, but unlike most anthologies, which feature the same tired tales, this volume contains 21 outstanding, but neglected stories from that time period. The product of painstaking research in libraries, antique bookshops, and other out-of-the-way archives, these rare gems include the title story, a black comedy by Ambrose Bierce; «The Ship that Saw a Ghost,» a tale of seafaring mystery by Frank Norris; «The Tomb,» Guy de Maupassant's grotesque account of one man's incurable longing for his deceased lover; Richard Marsh's unsettling tale of «The Haunted Chair,» and 17 more. Compelling tales by such lesser-known writers as Dorothea Gerard, J. Keighley Snowden, Robert Barr, and Georgina C. Clark round out this collection of carefully chosen, hard-to-find narratives, sure to delight the most discerning reader of Victorian tales of terror and the supernatural.

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A highly influential figure in the Church of England, John Henry Newman stunned the Anglican community in 1843, when he left his position as vicar of St. Mary's, Oxford, to join the Roman Catholic church. Perhaps no one took greater offense than Protestant clergyman Charles Kingsley, whose scathing attacks against Newman's faith and honor inspired this brilliant response. Apologia Pro Vita Sua, Newman's spiritual autobiography, explores the depths and nature of Christianity with flowing prose and a conversational style that has ensured its status as a classic."False ideas may be refuted by argument, but by true ideas alone are they expelled. I will vanquish," Newman promised, «not my accuser, but my judges.» His honest and passionate defense consists of a personal history of his religious convictions, from earliest memory through the Oxford movement and his ultimate conversion. His concluding point-by-point refutation of Kingsley's charges features thought-provoking contentions that strike at the very roots of the principles underlying Protestantism. Newman won respect and admiration with his Apologia, a work that has helped clarify perceptions of Roman Catholicism among readers of every faith.

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"Live all you can; it's a mistake not to," declares the primary «ambassador» of this 1903 novel, adding, «It doesn't so much matter what you do in particular, so long as you have your life. If you haven't had that, what have you had?»In this complex tale of self-discovery, Henry James invokes his favorite theme: the clash of American innocence with European experience. It traces the path of an aging idealist, Lambert Strether, who arrives in Paris intending to persuade his young charge to abandon an obsession with a French woman and return home. Once abroad, however, Strether arrives at unexpected conclusions. Henry James regarded The Ambassadors as his finest work. Astute, humorous, and intelligent, this masterpiece from the pinnacle of the author's long and brilliant career remains ever vital.

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Here are three superb stories by one of America's finest writers of fiction. Henry James is best known for his many brilliant novels, among them The Bostonians, The Ambassadors, The Wings of the Dove, The Golden Bowl, and his masterpiece, Portrait of a Lady. But he is deeply admired for his stories as well, which perhaps even more pointedly reveal the extraordinary subtleties of his art.That art is nowhere more evident than in «The Beast in the Jungle,» regarded by many as James's greatest achievement in short fiction. It is a gripping portrait of a man alienated from life and love, haunted and obsessed by his fears. James's uncanny ability to communicate the inner lives of his characters is also richly evident in «The Jolly Corner» and «The Altar of the Dead,» two superbly crafted tales that explore the complex interlacings of loss, love, and the ever-present past in the lives of their protagonists.

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